00:00
00:00
TaintedLogic

4,933 Audio Reviews

2,609 w/ Responses

I like the hypnotizing arpeggios at the beginning and the thick texture. Good sense of climax into :26, too. I like the vocal samples, and nice job with the fake-out transition at :37. The breaks at :42 sounded a little harsh. I’d recommend double-checking the filtering on the high-end frequencies there. The harmonic depth is also not as full as it could be, despite the strong mastering quality. I’m also starting to think that you’re overusing the vocal samples by around 1:30. Nice job with the panning at the re-intro at 1:35. You’re really good at shaping build-ups and making your piece feel dynamic over time. However, there’s very little melodic content here, and the piece is actually quite harmonically bare for a significant duration of the track. There are slight variations, but overall the second half of the piece is very similar to the first half. I wanted to like this piece a lot more than I did, but overall the composition was pretty underwhelming, and elements of the sound design and arrangement (vocal interjections at the ends of phrases, for example) are pretty generic. The solid production quality, catchy breaks, and well-shaped transitions begin to make up for that, though. Keep at it, GrowlBittzOfficial!

7.5/10

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
.5/1.5
Melody, tonality, harmony, and texture
1/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.75/1
Composite score
7.5/10

GrowlbittzOfficial responds:

Well okay then. Gorden Ramsay! Haha. I completely understand and really appreciate the feedback. Great way of judging a pice without being rude and or demotivating the artist! I will definitely improve! However, I will say one thing though;

At the time, I lost the original file with the track. The drop that you hear WAS the original track. It was just a simple drop loop.. However, since that drop loop used 60+ tracks, my CPU couldn't handle it with an intro, build, etc. So I decided to export it and use the WAV file instead in a separate project to save CPU! However, I lost the original drop loop project, so I couldn't possibley add another drop. I could've added one in the current project, but the mastering was different, I didn't have the same drums, etc.

I will definitely improve and add more variation to my tracks! Thanks!

The bass at the beginning is pretty cool. The drums also work well. I like the steady roll of hats and the sense of climax into :50 or so. The stop-start transition at :52 was pretty smooth too. Otherwise, there’s just not much dynamism in the texture. It seemed you were finally getting into some melodic content at 1:31 when the piece ends abruptly. While not being structurally complete, the piece still covers a lot of ground in terms of shape and contrast. I really like the gradual transformation from mysterious and murky to more straight-shooting and solid in the texture. The quantizing isn’t perfect, which is especially noticeable at around the 1-minute mark. Still, solid work for such a short piece. Keep at it, GobBageEata!

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1.5/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.25/1
Composite score
7.5/10

ConnorDeVaux responds:

Hahaha yeah it was kind of a screw around song, I mainly wanted to just put a melodica in a song, thanks!

Pretty cool chords at the beginning. The synth at :13 sounds a bit unpolished, though. It has a harsh top end and also doesn’t sit too well in the mix. The transition at :41 could’ve been a tad smoother, but I like the build-up into :55. The percussion you use here is a bit bizarre, and I think you overuse the sweeps. There are multiple times where you create this really dramatic build-up, but the other side of the transition is a minimalistic section that leaves the transition feeling like an anti-climax. I’m talking about :41 and 1:22. That said, the production quality here is really good. Loud, clear mixing and distinct, well-balanced texture. The melodies are pretty good too, despite my complaints about the instrumentation. I also like the variations at 2:16. I think the main compositional element that the piece is missing, at least structurally, is a prolonged section that strips away some of the energy. Right now, the intensity of the piece feels pretty uniform. The ending is also a bit abrupt, but at least you smoothed it over with that sweep. Overall, it’s a quirky and fun piece with some minor structuring/flow and mixing issues. Keep at it, GerboPawa!

8.75/10

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.75/1
Composite score
8.75/10

GerboPawa responds:

thank you so much for this review. glad you liked it overall.

The synth at the beginning is cute, and leaves you a lot of room for climax and dynamic contrast. The chord progression is a textbook cliche, and the progression is quite slow. Some of your drums samples (like the open hat and clap) are also pretty generic. I liked the blissful, climactic part at the 1-minute mark. That said, you seem to have arpeggios in place of melodic content in this piece, which doesn’t quite satisfy my criteria. I liked the re-intro at 1:45, although I would’ve liked to see the progression work a bit faster than in the first half of the piece. I think you could’ve done a lot more to vary the piece during the second half, as structurally the two halves of the piece are VERY similar. Overall, it’s a cute piece with some solid mastering and a decent atmosphere, but it needs more prominent melodic content and a more creative arrangement, sound design, and progression. Keep at it, Gawne!

6.5/10

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1.25/2
Instrumentation and sound design
.5/1
Emotion, atmosphere, and catchiness
1/1.5
Originality and uniqueness
.25/1
Overall (how do the elements above interact?)
.75/1
Composite score
6.5/10

jagiak responds:

Thanks for the feedback!
Although I don't have a whole lot of time for music anymore, I'll try to remember what you said for future tracks...

I like the airy piano and melodic content at the beginning. There could be a stronger sense of climax into :29, especially because of all the different instruments you added at that point. The sweep is a bit like patching up a bullet wound with a band-aid, so-to-speak. The melodic content at :29 is really enjoyable, though. The build-up at 1:01 was a bit cheesy, but leads into 1:14 really well. I like the strong rhythmic components and synths there. The song is pretty repetitive after that, at least with regards to the chord progression, but you do have a variety of melodies to help keep the piece engaging. The section at 2:45 was a bit bizarre with the constant drone of that one synth, but it leads into the subsequent build-up quite well. I rarely say things like this (because usually people have too little variety), but I appreciated how the second drop at 3:14 was so similar to the first one as a point of catharsis. The ending of the piece with the abrupt clap/sweep combo at 3:59 was a bit lazy, though. Overall, I thoroughly enjoyed this piece. You clearly have a strong sense of melody, harmony, and rhythm, and the production quality was rather good throughout. Keep it up, GamerthoFR26!

9.25/10

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
1/1
Composite score
9.25/10

Olindel responds:

Yayyyy thank you so much! It makes me sooooo happy! I don't have the words to say thank you... \(^_^)/

Very interesting sound design at the beginning. The ambient noise cuts out really suddenly at :05, which I found to be a bit jarring. A couple of the synths here (especially starting at around :40) sound pretty generic, despite the cool ambiance of the piece. There are quite a few sudden transitions/cutoffs in this piece, among them 1:08, 1:21, 2:03, and 3:53. The experimental nature of the texture is pretty good, although I’d encourage you to avoid so many jarring transitions between hard-hitting breaks and more tranquil harmonic sections. Over time, the track loses its sense of directionality because of the lack of clear structuring. The re-intro at 2:03 had a nice, apprehensive mood, and the little fake-out climax at 2:31 was pretty cool. You clearly have a good sense of rhythm and harmony, but I think the arrangement of the piece doesn’t quite help you out in terms of offering the listener some climatic and conclusive content. The second half of the piece never quite reaches the emotional height of, say, 1:22. As for the mixing, I don’t think it’s quite as bad as you think it is. You might want to consider cutting out some reverb at times and sharpening up the equalizers as much as possible, especially in the low frequency range, but there aren’t too many glaring errors here imo. Overall, I’d say that you need to focus on adding harmonic depth and structuring the piece in a more effective way. That said, I really enjoyed the sound design, atmosphere, and thematic elements of the piece. Keep at it, EXplosion007!

6.5/10

Mixing, mastering, and balance
1.5/2
Structure, transitions, phrasing, and variety
.5/1.5
Melody, tonality, harmony, and texture
1/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.5/1
Composite score
6.5/10

I like the dreamy atmosphere at the beginning and the instrumentation. The progression is a tad slow, and the transition at :45 could use some smoothing over. That said, I really like the prominent arpeggios at :45, despite the fact that they’re a bit too far forward in the mix once the melodic content at 1:16 comes in. It’s a feel-good track, albeit a bit generic. I also think you could’ve done a lot more creative things with the drums, especially during the refrain. Speaking of the refrain, I think it lasts too long without much variety. The breakdown section at the 2-minute mark was a welcome change, and the transition back into the refrain at 2:45 was solid. I think there are some balance issues in the piece. For example, the refrain at 2:45 feels jarringly louder compared to the earlier climactic content. In a way, I’m tempted to commend you for creating a strong sense of directionality and resolve by saving the “best for last,” so-to-speak. But I’m afraid the volume levels are a bit too extreme for it to mirror the feel-good vibe the piece gives off. At the same time, I think more subtle changes in the volume levels and automation/filtering alike would help fix some of these abrupt transitions. Overall, though, I was captivated by the blissful mood and melodic content of the piece, and my compositional complaints (other than the transitions, perhaps) are mostly small details. Keep up the good work, Dukebartje!

8.5/10

Mixing, mastering, and balance
1.5/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
.25/1
Overall (how do the elements above interact?)
1/1
Composite score
8.5/10

dukebartje responds:

Thank you! I appreciate the feedback! I mostly like rough transitions, but I understand that some of these could have been better to compliment the piece. The volume is an issue, I'll adress that in my future music. Thank you very much for the help so I can grow!

I like the somewhat foreboding piano chords at the beginning. The beat is kinda the main feature of the texture for a while, but the synths are pretty cool. Despite the slow progression, you kept a strong sense of directionality throughout the first minute or so. Unfortunately, the intro (as I see it lasting until 1:26) doesn’t really lead anywhere. The piece has a nice shape and phrasing, but is quite minimalistic throughout. The arpeggiated content at 1:51 also doesn’t offer a satisfying substitute for melodic content, which this piece badly needs more of. I didn’t notice any particular problems with the mixing besides a lack of thickness. Even sections like 3:32 lack bass, before devolving into a section like 3:43 that doesn’t really blend well. Overall, I can tell you’re a talented producer, and the sound design was proficient. That said, the composition is seriously weak here. I think you should consolidate some of your ideas (the piece doesn’t need to be 6 minutes long) and focus on offering the listener some more harmonic depth. Also, I personally don’t mind the atonal sections too much, but that’s certainly something to watch out for in the future as well. Nice job with the atmosphere, instruments, and flow. Keep at it, DJTECKIE!

6.5/10

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
.5/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
.25/1
Composite score
6.5/10

DJTECKIE responds:

Thanks a lot for the feedback! :D I revised the track and making the proper improvements. I appreciate the feedback it's just what I need to improve for my future tracks ^_^
-TECKIE-

The melody at the beginning was cute. The sweep into :13 worked well, but most of the texture at the beginning is pretty thin and dry. I think the “hey”s need a bit more reverb, and maybe you should consider putting some chorus effects or something on some of these synths to thicken the texture. I’m really enjoying the blissful melodic content by around :40, although I think you quickly overuse the vocal samples. The bass at 1:17 sounds a bit atonal, but I appreciated the structural variety offered by this section. The section at 1:57 was a quite a sudden shift in mood and harmonic content, but I think it has an appropriate niche for variety in the context of the piece as a whole. Overall, you won me over with the blissful mood, plethora of melodic content, and overall clear mix. Nice work, DjFluxArmada!

8.75/10

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
1.5/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.5/1
Composite score
8.75/10

I like the creepy atmospheric elements of the beginning. The texture sounds pretty distorted and experimental for a while, and the transition at :33 comes on pretty suddenly. The beat at :45 is really cool. You have a great sense of rhythm and harmony, although I think the progression needs some work. The piece has a lot of abrupt entrances of instruments. I’d encourage you to consider doing more with phrasing, cross-fading, automation, and maybe even more generic things like sweeps/risers. The frantic energy of the piece is quite captivating, however, and the mastering quality is impressive. The texture is both thick throughout and cleanly mixed. Despite the rich texture, there doesn’t appear to be a lot of strong melodic content in the piece. That said, my main problem with the piece is still the transitions. I think it’s especially rueful that 3:12 (a rather exposed spot) is such a non-transition. Still, the other compositional elements are strong, and the production and sound design are top-notch here. Keep it up, DjCrystalux!

9.25/10

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
1/1
Composite score
9.25/10

CrystaluxX responds:

Thank you <3

Hi. I'm Andrew. Audio portal junkie since 2010, supporter since 2017. I always want to improve what I do! I make music, run the NGUAC, post poetry on BBS, and am the all-time #2 audio reviewer. I love this site, and I want to make it the best I can! ^_^

Andrew Mikula @TaintedLogic

Age 26, Male

Policy Research

Bates College

Wellesley, Massachusetts

Joined on 8/16/12

Level:
21
Exp Points:
4,832 / 4,900
Exp Rank:
9,937
Vote Power:
6.32 votes
Audio Scouts
10+
Rank:
Police Officer
Global Rank:
13,953
Blams:
63
Saves:
626
B/P Bonus:
10%
Whistle:
Silver
Trophies:
4
Medals:
142
Supporter:
7y 3m 15d
Gear:
1