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TaintedLogic
Hi. I'm Andrew. Audio portal junkie since 2010, supporter since 2017. I always want to improve what I do! I make music, run the NGUAC, post poetry on BBS, and am the all-time #2 audio reviewer. I love this site, and I want to make it the best I can! ^_^

Andrew Mikula @TaintedLogic

Age 27, Male

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Bates College

Wellesley, Massachusetts

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My NG Account Turns 10 Years Old

Posted by TaintedLogic - August 16th, 2022


Today I’m celebrating a full decade on Newgrounds.com, a place that has given me a spate of friends I probably would never have met otherwise, in addition to a lot of listening, reading, and viewing pleasure over the years. Since that greasy-haired high school kid started using the platform to upload and comment on music, I’ve shared 88 songs, posted 3,855 reviews, contributed to some crazy multi-media collabs, and, somehow, attracted 509 fans! Shout-out to @ArramEggleston for being the 500th, btw. :)


So, in commemoration of these 10 years, I thought I’d share some fun NG memories and personal tidbits that some users might not know about me. 


Weird analogies in my reviews

It’s often been pointed out to me that I use some weird analogies to explain things while reviewing music on Newgrounds. Here are some of my favorites, one for each year:

  • A couple of months ago, I told @SkyeWint one of her piece’s transitions sounded like “an overripe avocado thrown at a wall of sound.” And in context, that was supposed to be a good thing. :D
  • Earlier this year, @LLAAPPSSEE’s piece captured that feeling when an “aspiring actor moves back to Ohio from Los Angeles.”
  • In 2020, I commented that one of @xZiriusx’s guitar riffs “could convince me to leave my family and join a religious cult if it wanted to.” 
  • Meanwhile, this 2019 piece by @MegaSphere unambiguously sounds like a “spiked ABBA song.” 
  • In 2018, I told @LucidShadowDreamer that “I can't decide if the piece is so slow-paced because the protagonist is lying by the pool high out of his mind or because he's slowly bleeding out on the kitchen floor.”
  • In 2017, this piece by @CANDYdisturber sounded like “I'm a curious kid who snuck behind the curtain in a circus, and the ringmaster started giving me a lecture.”
  • In 2016, @Johnfn found out that “the staccato, echo-y harmonies also gave this piece a really frantic, fleeting character, like all my relationships with cute girls have been so far.” (Cringey, I know, but to be fair it was 6 years ago…and nothing has changed lol). 
  • In 2015, I told @Chris354 that “the first 20 seconds of this piece sound like a baby organ that's taking its first steps while learning to walk.”
  • Way back in 2014, I told @Step and @camoshark that “I can just perfectly picture a bunch of jungle animals doing jazz hands all the way to the river to get a drink of water” while listening to their piece.
  • And finally, in 2013, I described one of @Lockyn’s transitions in this piece as “like I just walked from an NYC club to the Ritz hotel.” 


NGUAC “Stall Stories”

In the early days of the Newgrounds Underdogs’ Audio Contest, shortly before the results were posted, I would build anticipation for the results by concocting an elaborate fictional narrative in a series of posts explaining why the results and/or judges were in danger. Like many aspects of the NGUAC, these “stall stories” were inspired by some (tamer) jokes made by @Step and @Echo in the early days of the Newgrounds Audio Deathmatch. One of my favorite stall stories of all time was actually in anticipation of the final round results of the very first NGUAC in 2014. You can read that thread here.


Eventually, I discontinued the stall stories, in part because some contestants got very confused and even angry with me. A lot of the forum discussion about the NGUAC now takes place off of Newgrounds itself, especially on Discord.


iTunes

Believe it or not, I don’t use Spotify or Apple Music to listen to songs. I primarily use iTunes. A big reason for that is a lot of songs I download or buy from Newgrounds, Soundcloud, and Bandcamp aren’t available on “modern” streaming service platforms. Today, I conservatively estimate that 50% of the songs on my iTunes library (so, 540 or so in total) were downloaded directly from Newgrounds, and I would never have heard many of the others if it weren’t for Newgrounds. Newgrounders I started following that have gone on to produce professional releases I’ve bought elsewhere include @FinnMK, @FarOutOfficial, @SpitfyaUK, @Garlagan, and so many others. As of today, the most played song I downloaded from Newgrounds in my iTunes library is “Run Away” by @NutronicUK, and the most played overall is “The Ghost” by Nutronic, which I discovered after following Nutronic on other platforms. 


Xmillsa

I also owe a lot of my early interest in Newgrounds music to @millsa, better known for his YouTube channel. He widely shared songs by @F-777, @EnV, @Dimrain47, and others back in the day, and they consistently showed up in my suggested videos because I spent hours on end listening to Waterflame songs on YouTube back then, too. :D Later on, some of my personal friends on Newgrounds got featured on Xmillsa’s channel, including @Johnfn (https://www.youtube.com/watch?v=8n0Isc-t8lw) and @SkyeWint (https://www.youtube.com/watch?v=B1SCd_pGgRQ). Xmillsa’s channel is not too active anymore, but occasionally I take a stroll down memory lane and watch the absolutely dope visualizers he has for songs like “Amity” by @NIGHTkilla and @TIMarbury.   


Haikus

From 2014 to 2016, I posted a haiku almost every day on the forum page “A Haiku a Day.” Later, some of them even ended up in @TheTankTribune. Again, here are some of my personal favorites:


Silence seeps in like

toxic gas. Planes fall upward.

It's war out there, boys.


—----------------


Eyelashes wave like

flags half-staff on plastic skin.

Too much mascara.


—----------------


My dreams were shoved in

a pinhole of time. Few will

make it out alive.


—----------------


Life flows like rivers,

stretches out like plains, and bites

the sky like mountains.


—----------------


Voices chatter, glass

shatters, and water pours. The

stare is all I hear.


—----------------


Weave a path to this

light. Every step in the

dark is a wrong one.


—----------------


Locking memories

down, a cage of paper and

bars of ink. Wistful.


—----------------


Her skyscrapers are

mountains, her neighbors trees. Warm

hugs in summer breeze.


—----------------


Lying awake. My

mind overflows thinking of

you. I wet the bed.


—----------------


Lay the feast out. Plug

me in like a vacuum. I'll

clean that up for you.


Audio Portal Popularity

The popularity of the Newgrounds Audio Portal, as measured by the number of monthly submissions, has changed enormously since I first joined the site. It was close to its trough for most of my first few years here, but Geometry Dash changed all that around 2014-2015. More widely, the Art Portal was helped by Tumblr’s ban on adult content in 2018, and of course Friday Night Funkin’ had a major sitewide impact on all portals in 2020. But when FNF dropped, the Newgrounds Audio Portal was already in the midst of a surge in popularity seemingly related to the COVID-19 lockdowns. 


Since I’m a giant dweeb, I’ve kept track of how many songs are posted to the NGAP each month since its inception in 2003. June 2021 was the month with the most Audio Portal submissions on record. The chart below is updated through July 2022, and I find it fascinating:  


iu_727651_4268414.png


Friends

I’d be remiss not to mention some of the good friends I’ve made over the last 10 years. People I really felt a human connection with on the site, whether through long PM conversations, hours spent trading reviews on each other’s songs, obsessing over the NGUAC and other NG music contests, or even hanging out in real life after an initial encounter on the Grounds. Fast, early, and often, I’ve gotten to know users like @ADR3-N, @Dylnmatrix, @Etherealwinds, @Everratic, @Johnfn, @Larrynachos@Lockyn, @LunacyEcho, @LucidShadowDreamer, @midimachine, @SkyeWint, @SplatterDash, @Step, and @TeraVex. I’ve met @BlazingDragon, @Etherealwinds, @Everratic, @LucidShadowDreamer, @LunacyEcho in real life. My friends also include users who have since left the site, like @mistarogerz, @Oswald, and @hamedn, who first introduced me to Newgrounds in 2009, when we were in middle school together. Special shout-out to @Dylnmatrix for scouting me for the Audio Portal way back in December 2012.    


Name Change

In September 2014, I changed my original username of “TheDoor6” to “TaintedLogic.” I had long thought TheDoor6 was a pretty vanilla username, and I still do, but the name change had other, weirder reasons. For example, I wanted to start the names of some of my songs with “the,” but I thought that “The Storm by TheDoor6” sounded kind of stupid. The usernames originate from my teenage self’s attitudes towards change and life transitions (doors symbolize change, etc.) and the tension between rationality and creativity (both music and adolescent minds are illogical, in a way). Despite the philosophical origins of these usernames, I feel like “TaintedLogic” comes across as a bit too edgy sometimes. I’m not changing it now, though, mostly because of inertia (people recognize it, I’ve already invested so much time into creating associated logos and branding, etc.). 


Also, speaking of logos, the one I made for my new “TaintedLogic” name in 2014 purposely has a door embedded in the middle of it, something that’s hard to see when you’re viewing the thumbnail image on a forum post or something. :D  


Collabs

Most of the songs I’ve posted on Newgrounds over the years have been solo projects, but occasionally I’ve been able to collaborate with other users to produce something much better than I could alone. It’s one of the reasons why posting music on Newgrounds, as opposed to on a site like Soundcloud or YouTube, is especially valuable to me. On websites that have several (or several thousand) songs posted every second, there’s no way you could maintain the sense of community that you could on NG.


I’ve had several collabs over the years with @Everratic, and I learn so much every time! He always seems one step ahead of me, whether it’s with mixing, sound design quality, or composition. I highly suggest you check out his stuff. These are the pieces we’ve worked on together, often over school vacations and such:


In 2014, I worked with @Dylnmatrix on this piece. Parts of it sound a little dissonant (I blame myself for that entirely, haha), but the way it uses limiters and automation on the drum patterns was very influential to me at the time. Thanks for that, DM!


And last year, I got to be a part of much bigger collabs organized by @Ceevro. Graced with the production wizardry of @Step and @MetalRenard and the vocal talents of @Troisnyx and others, we covered tracks by Stan Rogers and Incubus. I used the opportunity to get out of my comfort zone, working a lot on vocal layering and harmonizing, as well as playing my cello and recorder on Newgrounds to an extent that I really hadn’t before. The results were awesome, as you can see here: 


The Next 10 Years

Going through all these memories - old forum posts, reviews, poetry, and songs - only makes me more excited about what the next 10 years will hold. I have another year of graduate school, after which I plan on securing a 9-5 job that will keep my evenings and weekends free. I’ll be keeping a keen eye on Newgrounds as it continues to grow and change, and I want to continue running the NGUAC for the foreseeable future too. 


I’m also getting back into the writing forums more actively with a submission or two to the 2nd edition of the Newgrounds Writing Anthology, which is currently in the editing phase. Ask @EKublai for details if you’re interested in participating yourself, but be aware that time to submit is short!


I’ve been rather less prolific with writing music since graduating from college, but I’m still optimistic that this is a temporary phenomenon. Since my summer internship ended last week, I have much more time now to focus on music until school starts on the 31st - in between NGUAC judging phases, at least. But then there’s always school breaks and whatnot. We’ll see…


Welp, I hope this news post was amusing, everyone! I remain open to collabs, commissions, review requests, or just having a chat via PM if you’re going through a tough time. Stay awesome, Newgrounds! ^_^


~TL


25

Comments

Happy Anniversary!

here's to 10 more <3

Damn, that’s more than half my entire life.

And 40% of mine! Lol.

wow, the fact about june 2021 was interesting! i’m glad i contributed to that.

What a crazy ride it has been! Here's for 100 more ;)

Congrats ^^

Thanks, MetalRenard!

Congrats on 10 years! I'm very happy to have made this list. As an on-again off-again user, I find I don't interact with the community as much as one might expect from all the competitions I've had the pleasure of judging alongside you. I just wanted to say it's been a pleasure, and I think you're awesome <3

Thanks so much, Adrean! It's been a pleasure judging with you as well. I've learned a lot about mixing just from reading your reviews on other people's tracks. :D

Finally got the time to read this post in its entirety. You really do put a lot of fun into what you do! I can tell it’s been a fun 10 years!

Indeed it has! Thanks for stopping by, Thetageist. ^_^

You've written some memorable bits over the years. :D Seems like the kind of taglines you'd see in a professional review, the parts they'd end up quoting on covers here and there...

Good haikus too.

Regarding the chart, did you do this manually? Some kind of automated crawling/gathering of teh stats? Realized the stream of new content really started spiking somewhere around the one million audio mark, wonder if that played a part in the peak around the time or if it's totally unrelated... interesting to see the numbers from this angle. I've really just checked in on the current ID now and then and gauged the rate according to that (and planned to submit a special something when the AP reached a million tracks but I totally missed the mark at that point)...

I don't think TaintedLogic sounds too edgy at all. :) More so a name that makes you think. That challenges you. A good; memorable name. Cyberdevil though, I've had some ponderings on the potentially overly edge implications there...

You've managed a lot this past decade here! Happy 10th! Onto the next!

Indeed an amusing chronicle through these times too.

Thanks so much for stopping by, Cyberdevil! Honestly, the most effort I put into this post was in re-reading old reviews looking for funny analogies, haha. I got a little help from Google Sheets for the chart, but the individual data points are entered manually into a table first, yes. When I first joined the site, I really wanted my very first audio submission to have an ID of 500,000, but I missed it by a dozen or two. :'D

Thanks for the validation on my username too. I think that, over time, people associate your username with the person more, as opposed to the connotation of the username itself. I don't think I've ever thought "oh, look, it's that guy with the edgy username." Instead, I just think "oh, look, it's Cyberdevil!"

In the meantime, you aren't too far off from 20 years on the site, are you? Hope I'll continue to be active enough on NG to celebrate 20 years, both yours and mine. ^_^

Haha I'm glad I don't spend too much time flipping through my old reviews. XD Used to feel like I should, potential embarrassing typos of the past and all, but what an endeavor that'd be... best spend that time on new ones. So in regards the chart I suppose that's one data point per month? Counted by dates on specific audio IDs? Or with advanced search maybe for each individual interval...? If it's the latter - and done recently - it might not be entirely accurate since a lot of audio does get deleted overtime. But still really cool. Just curious how you did this/how accurate it really is.

Ah bummer on the 500k one. XD Wonder how many were aiming for the 1mil... as a connoisseur of numbers it's always sad when you stumble upon the lost potential of for example: https://www.newgrounds.com/audio/listen/1111111

Yeah I think so too - and glad to hear it. It's more so that there might be a certain barrier of entry for people who don't yet associate a certain name with the person behind it. Like how many fans could I have had at this point if I went with something like ninjamuffin99. :P Although he's awesome and deserves every fan that cometh his way now it's a good example of one of those names that gives a good first impression too, regardless of persona. Showcases a fun kind of creative optimism right from the start. Not that I'm ever changin' names at this point!

Just a couple more now yes. :) Hope so! May we stick around the grounds through the ages; see how it changes! Hoping it stays one of the more deserving; amazing of places.

I think I started keeping track of monthly audio submissions before the advanced search option was a thing. I basically just replaced the audio ID number in the URL until I found the first one of the month that I could verify was actually published. And yes, with older submissions it may be several off on a given month because of moderator activity and deleted accounts, but unfortunately there's no way for me to really discern that now.

I'm not as interested in getting particular ID numbers for my own songs like I once was. Frankly, I'm just excited to share something that I actually manage to finish these days. XD

Take care, Cyberdevil!

Mmm if you started early at least overtime deletions don't factor in as much, just the initial ones, good to know.

Still would be cool with a cool ID though wouldn't it. :) Just find it seems less worth the time involved trying to catch a specific count personally. But if you spontaneously get a good number then all the more impressive! More prolific more potential. #thatstheway

Likewise good dude!

this is was so cool to meet you in singalongs! happy anniversary! (a lil' bit late lol)

Great to meet you too, SuperCat! Hope there will be more singalongs soon, @Ceevro...