TaintedLogic's audio Reviews on Newgrounds

[Piconjo's Day Off]

Dude! Your page has blown up recently. It's awesome. This track is really mellow and catchy, too. The mix is clean and the sound is a perfect combination of jazz and 90s rap. The composition could've been a tad more dynamic, but I understand it's meant to be in a videogame. It loops nicely, and has a great, relaxing atmosphere. Keep it up! ^_^

[-CastleBreak- (2012)]

Catchy! I like the synth brass stabs and ominous flair. The build-up into 1:12 was nice, and the glitchy rhythmic elements at 1:45 or so are probably my favorite element of the piece. I'm pretty sure you recycled some of the orchestral hits in the middle section from "Killstealer" or "Rupture" or maybe one of your other tracks, but they fit in well here too. :D The piece gets a tad repetitive towards the end, but it's fascinating to hear how much your style has evolved over the years. Really neat and catchy piece with an engrossing and foreboding mood! ^_^

[Koto Breaker]

I'm really enjoying your collabs, guys. The stringed instrument at the beginning has a great, crisp texture, and the drums and bass at :23 help smooth it over for some pleasant contrast. The transition at :38 was a bit abrupt, but I like the more ominous tone the piece is taking by around the 1-minute mark. The frantic strings contrast nicely with the mellow woodwinds. I might've like the drums to be a bit more prominent in this one, and I also feel like the melodic elements could've been developed a bit further. That said, both of you guys have been nailing the sound design in your recent work, and it's great to see. The climactic part towards the end was a great narrative touch, too. Keep up the good work! ^_^

[-Alleyboss-]

I like the apprehensive mood at the beginning and contrast between the heavy bass and the blissful melodies. The call-and-response action between the melody synth at 1:06 and the bell-like instrument at 1:12 is really nice, too. The piece flows really smoothly, but is also full of variety. The ghostly synth at 2:52 is probably my favorite sound design choice of the piece. The percussion here is also really well done, notably at the little interlude at 3:20. There's also a nice victorious mood towards the end that really hits the piece home. Strong work again, WF! ^_^

[Winter Solstice]

Really majestic and atmospheric! I like all the bells and mallets, and the strings in the background help provide a pitter-patter sort of texture that reminds me of rain. Perhaps the piece could've used a stronger sense of climax at one point. I feel like it's more ambient than narrative-driven as a cinematic track, but the sound design and production are both fantastic here. Strong work, guys! ^_^

[-Color Blockade-]

I like the jazzy sound design and quirky melodies of this one. The chopped vocals that come in at around the 1-minute mark are super neat, and the pitch-shifting "woo"s at 1:30 or so are also a nice touch. The triumphant solos during the middle section really hit the spot, and the mixing and mastering is top-notch here. The bass line is really dynamic and refreshing, and I can totally hear the big band influence in some of the more jumpy rhythmic riffs, like at 3:40. The last hurrah at 4:15 really ties the piece together well. Probably my favorite track of yours of 2021. Keep it up, WF! ^_^

[ClockWorks Pt.2]

Ooo...I like how much you switched up the instrumentation for this new version. It sounds really dreamy and pensive, and your mixing and mastering skills have improved a lot in the last 7 years. The piece is a little slow to progress, and at some points I think you overdid the reverb a bit, but otherwise it's super catchy, and I like the call-and-response action between the bass and mid-range riffs between :40 and 1:59. The variations on that riff at 2:21 are really nice, and the melody that plays in the background there is so cathartic. The drums get a tad buried starting at the 3-minute mark - it might be the excessive reverb that's the main culprit there. I like the darker tone to the track that begins at around 3:45 and the build-up into 4:18. The ending felt like a bit of a cliffhanger, but perhaps that's fitting for a piece with such mystique. Cheers, Teckmo-X, and happy new year! ^_^

[The Magical Forest]

Top-notch instrumentation here. I love the whimsical tone and variety in the texture throughout. The heavier section at :53 works really well, too, and I like how it's immediately contrasted with the more subdued tone at 1:10. The little filler mini-solos at the end of each phrase are great - I especially like the harpsichord at 1:50. The increased prominence of the vocal pads at 2:06 is a great way of ending the piece too. I think this is my favorite track of yours of 2021. Cheers, Everratic! ^_^

Everratic responds:

Thank you!

[Longing]

Oh, man, the feels with this one are strong. I love the rich piano at the beginning and the entrance of the strings later on. I think the first pause works better than the second one, perhaps because the texture is thicker when it stops at :57. But the piano sounds really organic. Are you playing one, or is that just an extremely well-humanized VST? Either way, lovely work, Everratic. ^_^

Everratic responds:

Thanks for the review! This is not live playing, I put a lot of work into humanization.

[Return of the Undead Princess]

Ah, yes. I've missed your waltzy orchestral music. :) The percussion here is especially nice, and I like the growing emotional appeal over the course of the first 40 seconds or so. The ritardando at :57 was a nice touch, although the ending felt a tad rushed. That said, you nailed the sound design and mixing as always. I'm sure Moon Jelly will be quite pleased. ^^

Everratic responds:

Thank you!