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TaintedLogic

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The kick is pretty hard-hitting, not that that’s a bad thing. I like the little atmospheric percussion clicks you added, though. It’s really slow to develop for the first minute or two. I really don’t think the piece needed to be nearly 7 minutes long. The mixing and mastering are solid. I like the sense of climax into 2:03, but getting to some mid-range notes really shouldn’t take you more than 2 minutes. I’m really itching for some melodic content after a while. You had another big climax into 4:27, but it didn’t lead much of anywhere. The repetition wears on me after a bit. I’d like to see you using the whole frequency range more. You did a nice job with the filtering towards the end, though - it sounds cool. I have really mixed feelings about this one. But I think you need to do more with this compositionally in order to keep my engagement. Keep at it, man!

6.75/10

Sequenced responds:

bruh compared to most techno tracks in the real world this is SHORT. Most techno tracks are AT LEAST 8- 10 minute songs. If you guys actually judged a song by the actual genre and the actual professional EDM scene you wouldn't give this a 6 lmao.

look up this track and maybe you'd have a better understanding of this genre. https://www.youtube.com/watch?v=m47tO1Ctck8

ugh why do I even try and make real edm songs for newgrounds
If I were you I would go research more EDM lmao. The same shit happened to Masq a couple years back when he made a brilliant neurofunk peice, but all of you were like "lol where is melody".

If you aren't f-777 for EDM you literally have no chance for any sort of competition here. the AP is a joke.

No one actually appreciates real electronic music here. No wonder xKore left.

I like the atmosphere at the beginning and the instrumentation. Very mysterious and tranquil intro. I like the beat and the vocal samples, too. After around a minute and a half, I’m itching for some melodic content, though. I didn’t hear any problems with the mixing or mastering either, but I’d be careful that the excessive reverb doesn’t distort anything in the future. I’d also say that despite the killer atmosphere, it needed a bit more phrasing and variety to function as a proper stand-alone piece. Cool track. It’s a shame you don’t have it ripe for downloading. I’m a sucker for ambient electronica, melodies or not. ;P Keep at it, man!

8.25/10

I like the chord progression - it has a somber bent. Combined with the instrumentation, it almost reminds me of “Viva la Vida.” The piece progresses really slowly, though, which is a problem. There isn’t any strong melodic content within the first few minutes of the piece. I think the solution here is to cut down the length a lot. I do like the dreamy mood, but you change up the texture several times without really ever taking the piece in a new direction. Then, the more energetic 3:05 hits, which is good, although the snare got very lost in the mix there. I think you need some more compression and equalizing to help it stand out. The synth patterns you have playing throughout almost the entire piece are a little too frantic to really make up strong melodic content. I would’ve liked to see you tone down the energy to make way for some moving notes with a more melodic appeal. Imagine, for example, layering a melody on top of the chords at 5:30. Otherwise, it’s hard to stay engaged with a piece that uses the same few riffs over and over again with different instruments. Sorry. My favorite parts of the piece include the mood and atmosphere. Your synths all had a suitable amount of reverb that made the piece really dreamy and luscious-sounding. Keep at it, man!

5.5/10

I like the percussion at the beginning. The vocal samples are beautiful, but somehow the uniform rhythm they have until :26 doesn’t vibe well with me. Also, they have a bit of a strained quality before :26 that doesn’t fit the mood of the piece well IMO. I like the sense of climax thereafter, and the part at 1:40 offers some much-needed structural relief. The ending felt a little rushed, and I think you could’ve fleshed out this piece a lot more. That said, the instrumentation and composition here are very good overall. I thought the production quality was quite high. The instruments are blended together so well, and the texture feels rich and full throughout. Well done!

9.25/10

I like the frantic synths at the beginning. The clap sample at :15 is pretty generic, as is the sweep into :27. The kick could’ve been stronger too - I’d suggest giving the middle frequencies a boost and making sure it’s compressed well. The piece is going in a neat new direction by around 2:15. I’d still like to hear some more melodic content, though. I also would’ve liked to see you break down the frantic synths at some point in the piece, just to create a little structural relief, which would help channel the energy in the piece a little more. The melodic content comes a little late (4:25), but I’ll take it. It’s a strong melody that definitely fits the atmosphere of the piece well. I wasn’t a huge fan of the instrument at 4:52, though - had some annoying clicks on the attack, and didn’t really share the dream vibe of the rest of the piece very well. The piece doesn’t need to be 6 minutes long, either, although I did like the outro. Overall, it’s a pretty neat piece. My main problems with it are elements of the sound design and that it can come across as a bit generic at times. Otherwise, keep it up!

7.5/10

Teckmo-X responds:

I actually see what you mean by the sounds used in this piece so I definitely understand. As for the length of the song I decided it should have been longer since it fell on the Trance genre. I do appreciate you taking time to give me a thorough review. Thank you so much!

The distorted bass at the beginning sets up the mood pretty well. The punchy brass and violin work well together. To my ears, :45 gives away that the violin is fake - the sustain and articulation and expression are entirely uniform during those four notes. That said, the climax that follows is extraordinary. The part at 1:20 has a dense sense of chaos, yet the tempo of the piece is not that fast. I think the distortion works quite well. I suppose I would’ve liked you to dial back the energy and drive this piece has at some point, just to offer some structural relief. In a way, you do that at 3:28, but it’s both short-lived and still has quite a lot of moving notes there. I couldn’t help but notice that the pizzicatos get a little lost in the mix during the final climax at 4:10. Same with the violin riff at 4:33. That said, the composition here is fantastic overall. You’ve done an effective job of maximizing the drama. Cool piece!

8.5/10

Jmagnum responds:

Oh man that's really informative :D

I never actually noticed how the strings sounded at :45. Never listened to it that way before, but I can totally see that. I'm pretty bad at the sound engineering side of things, but I'll try to work on fixing stuff like that in the future.

As far as notes being lost at the end, I noticed that, but decided I preferred it that way. Sort of gives a sense of drowning. Not sure if that is technically/musically a bad decision or not. It might have been :S

Overall, thank you very much :)

Catchy content here. The percussion is nice and crisp and well-varied. The melodies are enjoyable, although I think this piece has a little too much variety for its own good. The pacing is very fast, and that makes it a little hard to follow the structure at times. Sometimes (:52, for example) I would’ve liked the percussion to be a bit stronger. I’d suggest some compression, stereo widening, etc. My favorite part of the piece was the mood - very upbeat and energetic. Overall solid work! Fun piece for sure. :)

8.25/10

I like the riff at the beginning. The piece is catchy, albeit a little slow to develop. The texture is minimalistic throughout. You really needed some more harmonies or pads or something to keep me engaged. It’s also very repetitive, and the percussion doesn’t quite sound polished. If I were you, I’d especially focus on getting comfortable working with chords and their relation to melodies. If you don’t have a lot of music theory background, this can be challenging, but chords can provide a lot of fill and really make your piece sound richer and more interesting. Hope this helped! Keep at it, my friend.

4/10

I like the bright piano at the beginning and the snare pattern at :26. The mood is uplifting and vaguely cinematic. The strings at :50 fit the texture well, but the melody there is a little square. The kick also gets a little lost when it’s competing with the bass. I like the punchier direction you took it in at 2:05. I like the warm, cute ending, although I don’t think it makes a very good loop. Solid piece. It’s well-structured and smooth-flowing, and overall the instruments blend together pretty well. You can kinda tell the strings aren’t real strings, but they’re also better than most string samples. Keep it up, man!

8.75/10

I like the tranquil vibe at the beginning. The vocals are great - super smooth and conversational tone. You scoop up to a few of the notes at the beginning of phrases, but unfortunately that seems to be a trademark of pop. The lyrics themselves are very amusing as well. Again, your style reminds me of something out of a musical or something, probably because it’s a piece that clearly has a story attached. :) The first verse dragged on a little long, though, and the refrain doesn’t do much to resolve the tension there. I did like how you have a constant build-up ingrained in the texture, though - the pizzicatos at the second verse were a nice touch. The instruments blend well together in general, and the production quality is very high. The injection of passion at 1:45 was much-appreciated. The guitars at 2:30 really helped give the piece a sense of direction as well. The layered vocals at 3:46 are great. Overall, this is another excellent composition. It feels a little long-winded, but perhaps that’s suitable for a broadway musical anyway. ;) Keep it up, FinnMK!

9.75/10

FinnMK responds:

Your tips are always appreciated mi amigo!

Hi. I'm Andrew. Audio portal junkie since 2010, supporter since 2017. I always want to improve what I do! I make music, run the NGUAC, post poetry on BBS, and am the all-time #2 audio reviewer. I love this site, and I want to make it the best I can! ^_^

Andrew Mikula @TaintedLogic

Age 27, Male

Policy Research

Bates College

Wellesley, Massachusetts

Joined on 8/16/12

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