00:00
00:00
TaintedLogic

5,126 Audio Reviews

2,717 w/ Responses

2 reviews are hidden due to your filters.

Ooo...it's something quite different! I thought the texture was a little busy, especially when you have two very melodic contrapuntal lines going at once from around :18 to :41. Still, an interesting and catchy experiment. I wish it looped - I think that could've worked well. The percussion is really fun, though, and I think your mixing is improving. I should really go searching some old contest threads for more of these submissions. Keep it up, man! ;)

LucidShadowDreamer responds:

You know, I thought about making this loop. But I didn't in the end! Which is quite unusual a decision, considering I am the one who made it. I guess I figured people probably didn't want more of this xD

I made the percussion first, from scratch, with a surprisingly basic plugin which came with my former version of Cubase. I think the mix here works surprisingly well, but this is a pretty simple piece. I hope I've improved a bit since I made this too, though! :D

I could see this as being sad (with context, of course). But your work here leaves so much up to the listener to decide, which I love. I probably would've determined that this was a happy piece (except for the last 20-30 seconds, perhaps), had I not read the description. Nice progression and use of colors. I'm not sure exactly how much of this is original, but it's definitely a creative idea to use only major chords for what was originally such a melancholic piece. Also, I'd love to hear how your semester is going and whatnot if you have the time to shoot me a PM this weekend. And if you don't well, at least keep making this beautiful music! :)

LucidShadowDreamer responds:

Yeah. I agree that this arangement is very ambiguous in how one is supposed to interpret it. I think that is a nice quality too! Either way, it has a feel of sentimentality to it, whether it be of a good or bad nature.

I'd say that a fair amount of the arrangement is original, as I even change some of the melody. A ton of the chords are of course changed, in their own right :)

As for semester, I'm not sure if I've told you or you're already aware (I think I did tell you, so I'm sure you know about it), but semester is a funny word for me, as it actually means "vacation" in Swedish. Coincidentally, now that I am finally responding to this, I am enjoying the "Swedish kind" of semester :D

And that at least, is going nicely so far! :3
I hope you're doing well too :)

Hauntingly beautiful. When the dissonance resolves at :12, it just brings me immense euphoria. I love the dark, thick texture and instrument selection. I didn't so much as envision a chase seen but a Gothic church...at night...in a thunderstorm. But if this is going to be a chase seen, it's going to have to be in slow-motion. I would expect some sharper, more distinct and staccato-y sounds for such a chase scene, but I also trust you to make it work. I also have no idea what the BRUCE project is, but if you're involved I'll probably be paying close attention in the near future. Keep it up, LSD! ;)

LucidShadowDreamer responds:

Arigato!

I actually like the compositional aspect here. But I have instruments (same type, just better) that would fit way better here now :O
And the mix could be fixed a bit too (which would also be easier with the better isntrument).

This is definitely not your normal kind of chase scene! It's just the name that the organizer of the project wanted for the piece to have, as the name has a relation to the scene it's supposed to be used in. The project seems to be in a bit of a halt, but we'll see if it picks up sooner or later! :)

I just recently finished 4 tracks which will be used in a different animation though, which we can hope to see on Robot Day! I think I won't upload them until then? But we'll see!

I like the smooth, floaty vibe at the beginning. Reminds me of falling snow. :') It's mastered so loudly that I'm listening to this on the lowest possible volume my laptop can produce with headphones. The pizzicato-y bridge at 1:22 was a nice bout of structural relief. Excellent melodies and mixing as usual. It's very flowy, and I enjoyed the panning with the cutesy melodic riffs at around 2:30 onwards. Seriously, how does this song now have "snow" in the title? It just perfectly encapsulates an afternoon of wintry mix. Either way, the music is top-notch. :D Keep up the good work, Johnfn!

johnfn responds:

> Seriously, how does this song not have "snow" in the title?

This really really cracks me up, because I have since enhanced this song and renamed it to "summer snowball". YOU KNOW ME TOO WELL ANDREW. Too well...

Also it's funny you say mastering because my mastering process is really just uh... doing nothing. This song literally has nothing on the master channel. I just make sure all my instruments EQ well together I guess? I don't even know how I mix. It's a subconscious process at this point. o_O

Catchy song. The chords definitely feel zombie-like. Something was just ideally off about the entire song. It's hard to describe, but maybe it has something to do with the whole start-stop rhythm of the piece...OH WAIT THE SONG'S IN 3/4! Well, that explains it. Anyway, I liked the variety while also appreciating how you weighed down the structure a bit by the constant chordal backdrop. It has a kind of ever-evolving texture that I liked, but some of the transitions seemed a bit sudden, most notable 1:12. The ending was lazy, but that's basically your trademark at this point. Also, the all-caps description is a little too in-your-face. You might want to work on that. ;)

Seriously though, fun piece. Keep it up, Dr. Spooks. ^^

It has a very gritty, distorted sound that a like. On the surface, it's a little simplistic, but I like what you did with the drums and progression. A loopable version would be nice, since the piece isn't really structurally complete as it is. I also wasn't a huge fan of the snare sample - a few too many treble tones that made it sound a bit inauthentic. Otherwise, not a bad track, man. Keep at it! ;)

n00bitron responds:

Thank you, I'll work on it :D

Overall, I like this a lot. The mood and melodies were my favorite part. Stylistically, it's a bit cliche. I've heard a lot of pieces like this on NG. There also may have been some balance issues at some points. For example, the harmonies at around the 2-minute mark were a little too loud when compared to the melody IMO. I appreciated the structural relief you offered at around 3:15 though. The piece is a little long too. It's well-structured, smooth-flowing, and the mixing and mastering is good. The ending was a little lack-luster, but that's a pretty small detail. I'll also say that your instrument selection was good, although some of the instruments seemed a bit simple. Like I said, I like it a lot overall. Keep up the good work man. ;)

balderdact responds:

Awesome! Thanks for providing a little more detailed review :D
That's interesting that it sounds a lot like other songs on NG since I don't listen to other pieces on NG too much. xD
Ohh okay for the 2 min mark I just thought it sounded better if I made the harmony a bit louder - I wonder if there's any standard for stuff like that.
Nice I'm glad you liked the 3:15 part that's also one of my fav parts about this song.
Danngg I actually got the idea for making this song from trance songs that are around 6-7 mins long and I thought I had shortened it down too lmaoo
Oh good! I'm glad that you say it's all smooth and mixed properly and that I have a good instrument selection because I usually worry about that the most.
I would also say the ending is kinda just whatever - I definitely need to work on my openings and endings sometimes.
Anyways I'm glad you liked it :D

I love all the engaging, energetic synths. The song might have benefitted from a more substantial introduction, however. It kind of throws you right into the middle of the action. That said, I absolutely love the drop at 1:20 as well as the frantic synths at around the 2-minute mark. Although I love the intensity (and I think it would be very fitting for a high-action video game), I think it would help to change the pace a little more dramatically at some point to offer some structural contrast. Still, the mixing and mastering is top-notch. I also like how you opted to vary the melody a lot more during the final minute or so. It really gave the piece a good sense of direction. Overall, great work man. Keep it up! ;D

I love the atmosphere, percussion, and melodies in this piece. I thought the melody instruments were better than in the last piece I reviewed, but I use 3xOsc a lot so I'm kinda biased. I really like that you decided to include a sub-bass this time, or at least I'm hearing more sound in the sub-bass range than usual with you. That's a great way of making the texture of your piece sound nice and full. However, I did think that the bass line in this track was a bit cliche. The mixing and mastering is great as always, and I particularly liked your hi-hat sample in this piece. I also thought your risers were pretty cool throughout this piece, and you didn't overuse them (which I see a lot). My favorite part might've been around 2:30 when you really highlighted the delay effects you've been using. Also, despite its suddenness, I liked the transition at 2:45 a lot. It just seemed fitting somehow. Overall, nice work! Keep at it, BO. :D

Everratic responds:

I did use a sub bass in this song :D I agree that the bassline is cliche, but I couldn't create something better so I stuck with it. I don't think I master my songs the way most people do. I try to make sure the volume levels for each instrument are perfect, and then I compress the entire song. It's effective, but I don't think it's the best method because the lows and mids don't sound separated. I made the riser effects years ago and I still use them. Sometimes I reverse them so they sound new. I also made the white noise effects years ago. I think the reason why 2:45's transition worked is because a new key was just introduced, so the listener wants to hear more of it. Thank you!

Hi. I'm Andrew. Audio portal junkie since 2010, supporter since 2017. I always want to improve what I do! I make music, run the NGUAC, post poetry on BBS, and am the all-time #2 audio reviewer. I love this site, and I want to make it the best I can! ^_^

Andrew Mikula @TaintedLogic

Age 27, Male

Policy Research

Bates College

Wellesley, Massachusetts

Joined on 8/16/12

Level:
22
Exp Points:
5,124 / 5,380
Exp Rank:
9,724
Vote Power:
6.38 votes
Audio Scouts
10+
Rank:
Police Officer
Global Rank:
14,027
Blams:
63
Saves:
626
B/P Bonus:
10%
Whistle:
Silver
Trophies:
5
Medals:
142
Supporter:
7y 11m 8d
Gear:
1