00:00
00:00
TaintedLogic

5,110 Audio Reviews

2,705 w/ Responses

2 reviews are hidden due to your filters.

Ooo...I love the tranquil and mysterious mood at the beginning. Sounds just like an impending thunderstorm indeed. It progresses rather slowly (but that's probably fitting for an ambient track). I love all the little string swells, like at 1:46 (and several other places). It has emotion, and a rather paralyzing mood. The progression is rather good. This is beautiful! I'm going to complain about one tiny detail: the note at 2:06 cuts off painfully suddenly. I would suggest both a) smoothing it out with some reverb and b) adding a volume automation to transition more cleanly into the next dynamic (because I'm not sure a subito piano quite fits in with such a flowing ambient track as this). Still, the instrumentation is marvelous, the mixing and mastering is top-notch, and the atmosphere is quite superior indeed. You've earned a fave and a DL. Congrats, and keep up the good work. ;)

samulis responds:

Thanks, TL!

I'm not sure I can adjust that quick cut off... those were actually sampled swells because I was being lazy, haha.

The synth at the beginning sounds a bit harsh and high-pitched at first, and then gets a little distorted when the pads come in. I think you need to Equalize out some of the lower frequencies in that first riff (and probably some of the highest ones too, as I'm not sure I'd like to hear 1.5 minutes of that rather harsh-sounding riff on repeat). I think you should really try to bring some energy to this piece. Right now, it sort of lacks meaningful progression, dynamics, and climaxes. It sounds like the first half of an intro that's somehow been drawn out for 90 seconds. Also, it doesn't loop that well, but I think you already knew that. You could definitely do a lot more with this. I want to see some more engaging content following this. I want that first riff to repeat no more than twice before you introduce the pads, and the pads' riff itself should probably only repeat no more than twice before some sort of climax/melody/transition/etc. happens. Some drums could also really help move the piece along in that regard. There are a lot of directions you could go with this, but for now it's just two rather quirky instruments whose parts happen to fit well together. I advise - no - I command you to make something of this! >:D

I like the grouchy bass, but the rhythm is a little hard to follow before the drums come in. I like the energy and the percussion. This is a really bass-heavy track that's missing a lot of higher frequencies IMO, but I see you're already planning on fixing that. Besides that, it's a bit repetitive as it is, and could use some dynamic contrast and more structuring. Hopefully the addition of melodies and pads will help with that, but some crashes/sweeps would still go a long way to give this piece some more direction. As for the genre, it sounds like techno to me. ^^ Hope this review helped. Keep at it, TeraVex. ;)

I like the screeching FX/effects at the beginning. This piece has a pretty cool progression, although it's a bit slow-to-heat-up if you know what I mean. I like the melody that started fading in around 1:15, although I personally think it should've been a little more up-front in the mix. Cool vibe you have goin' on at around 2:10. Sounds like something right out of a shady, smoky hotel rooftop lounge from a James Bond movie. 0_O The ending gets cut off a bit suddenly, but that's probably more of an exporting difficulty rather than an errant compositional quality. This is a very flowing and well-structured piece, though. I admire your sense of rhythm and harmony. I can tell you spent a lot of time on the atmospheric details of this track, and let me assure you that it's well worth it. The mixing and mastering was very solid. I liked the filtering and panning effects you used at various points in the track. The sound design is superb - this piece has really unique instrumentation (I'm glad you synthesized most of the sounds here!). Full-textured, funky, refreshing, creative...I'm running out of positive adjectives. XD You earned a fave and a DL. I'm looking forward to this impending album of yours as well! Keep up the good work, Skye! ^^

SkyeWint responds:

Sup!

The screeching FX is actually a few random recordings I manipulated which were titled "cd_spin". If you can figure out what that means, be my guest.

The melody at 1:15 was somewhat meant to fade in, since it felt a lot too abrupt when I had it coming in at a higher volume. It doesn't share frequencies with other instruments at the time though, so if your speakers/headphones aren't thin at the frequencies where it's filtered down to, you can hear it the whole way through fairly easily!

...the end was a lowpass filter where the cutoff point was getting lower and lower until it reached zero at the end of the final note, so there wasn't a volume filter going down or anything. I guess it was actually an errant compositional quality. Not really something I can fully correct either since there's nothing to really let ring out at the end of that. Another example of this is in Float: http://www.newgrounds.com/audio/listen/573077 The ending there is also a fadeout in the same way. Same thing again in Cranial: http://www.newgrounds.com/audio/listen/585340
In both of these cases the fadeout worked a bit better because it was just suspended chords, whereas this was fading out activity.

Flowing composition is something I definitely try to do ( http://skyewint.newgrounds.com/news/post/870256 ). Harmony is primarily learned from jazz theory, rhythm is... uh... I dunno. Fun? Atmosphere, well, you know I've obsessed over that since basically the start of music-making. Similar for unique instrumentation and panning. Mixing, mastering, and production effects... well, that's a recent thing of mine that I've been trying to do!

Glad you like it overall. Here's hoping I'll be able to finish the album sooner rather than later. :)

Thanks for sharing as always, LSD! :D I like the bright, energetic mood at the beginning. Solid progression and flow as usual. I like the slight decelerando going into the end of the piece. It made it feel much more conclusive than it otherwise would have been. As a stand-alone piece, I'm not sure it has much value. It kind of lacks structural completion. I'm sure that's not what you intended for it to be, though. I personally didn't notice too many mixing issues, but with a piece literally consisting of one instrument, one can only screw up the mixing to SOME extent. ;) I like it. It's cute. It's fun. It's upbeat. Keep on keepin' on, LSD. ^^

LucidShadowDreamer responds:

Hi! And thanks for reviewing, as usual :3
This is indeed just a short track to fill up some space. If I would've made it into a full song, it would've looked a lot different, and there would've been several other parts dividing the section you now hear :p
As for the part with the ritardando (although I like the word decelerando; you'd think it exists, but apparently not), it's almost stolen from part of Garry's theme from "Ib" XD
As for the mixing, there's just some minor clipping at a few points, but I didn't really bother to get rid of it, as that'd would've required me to do the process all over again.
This might not be my best work, but on Friday, I'll upload something I think you'll enjoy ;)

I know you aren't a part of my competition anymore, but I remember I really liked your piece from last year (My World), so I decided to check this out anyway. This is excellent. I love the dreamy quality and the progression. I can tell that you carefully considered the volume/filter automations, and I loved the minimalistic drop at 1:20 and how you transitioned out of it back into a more atmospheric style. I thought the mixing, overall, was very good. It's long, but it also has a flowing, even drone-like quality that makes both its title and its length seem rather fitting. At the same time, I think you could've done a lot more with sections like 2:15 - 3:30, during which there isn't a lot of variation. Still, the progression and mood of this piece are almost unbeatable. You have a good sense of rhythm, harmony, and structuring. There's A LOT of reverb in there, but I think it was fitting for your purposes here. I thought the ending was a little melodramatic and perhaps rushed. I would've appreciated a more serene conclusion more, I think. Still, overall I like this piece a lot. Best of luck in the NGADM, my friend. ;)

aliaspharow responds:

Thank you so much for your Extended review TaintedLogic :) I really appreciate everything you had to say. I think you are right about the breakdown, I could of added more in there but i chose not too because I honestly couldn't think of anything that built on the chord structure of the song and didn't sound out of place. I probably will try again after reading this review as it has been about a week since I've worked on this. Also I have to agree with you about the ending. I was more intent in fitting the bass pattern of 5:50 than ending the song in a awe... Most often i finish the track with a pattern that was in the beggining or transitioning into the breakdown section and in this track i chose the latter... although it does leave more to be desired. Hopefull I will be able to change that as well.

Again thank you so much for your constructive criticism and your encouraging remarks :)

If you liked My World then I think you would really like my new track "Leap of Faith" that i just released

I like the effects and sweeps at the beginning, but I might suggest you use some reverb to smooth them out a bit. A lot of the transitions in this piece are pretty choppy, like at :09, :24, and :33. The piece doesn't really have a proper conclusion, and it also doesn't loop well. That said, I like the drama and the mood you created with the strings. At :48, you can really tell that the chorus gets distorted and ducks under the mix. It also couldn't hurt to fade the strings in while the sweeps are playing, so that the juxtaposition of them with those rather electronic-sounding effects isn't too jarring. I think it definitely fits the mood of "Jungle Hunt 2" well, but as a stand-alone piece it's a bit rough around the edges. I hope you find the time to clean it up a bit some day! Keep at it, Deshiel. ;)

I liked the tranquil and rather cute mood at the beginning. The progression is good, although I thought you needed a smoother transition into :27. Even a simple crash would've sufficed. Still, this piece has an upbeat, melodic, and even adventurous vibe to it that I really like. It would be very fitting for a videogame (as your selected genre indicates). I can picture the romantic-era castle, the glory of a hard-fought battle and the honor in having been loyal to your kingdom for all of your days. This is well-structured, smooth-flowing, extremely conclusive, and, perhaps most importantly, puts a smile on my face. Great work, ILG924! I love submissions that can put an image in my head, and you've done just that. Keep it up, man! ;D

ILG924 responds:

Thanks, that means a lot! It's nice reading what someone else pictures in their mind when they listen to my stuff.
You're right. a crash at :27 definitely would've helped. I remember thinking it was missing something but I couldn't figure out what

Interesting title! I liked the percussion at the beginning, and the ambient, drone-like sounds that slowly started creeping in. Nice job with the sound design and progression. It has a really engrossing, dark mood about it, although it's a little minimalistic and slow-to-heat-up. The sound effects at 1:13 were cool. Sounds like someone took quite a large dose of LSD before landing on this island. I like the theme/mood of the piece, but I think it really should've picked up in energy before 1:55. It didn't need to be 5 minutes long. That said, I think the mixing and mastering is generally pretty good - I can hear everything clearly throughout. It would make great background music for a movie or something. The structure is well-done, and it's pretty smooth-flowing too. I think the part at 3:17 helped offer some structural relief effectively. Interesting how it starts to take on a more tranquil mood at 3:45, if still somewhat eerie. The mood and atmosphere you've created with this piece are just outstanding, and I love how you finish the piece as you began it. The full-circle technique is extremely effective IMO. Keep up the great work, Daru925! ;)

Daru925 responds:

Thanks a lot for the detailed review, and glad you like it.
The under lsd parts were originally intended as hallucinations; likely due to the wounds combined with stress caused by a hostile environment^^ Our hero goes berserk and it somehow helps him survive.

I decided to go full circle indeed to suggest that the "hero" survived through the night and can enjoy a peaceful day on this tropical island. But the drums are a "friendly" reminder that tonight, you have to survive again^^ and again...

Okay, it progresses a little slowly at the beginning, although I like the percussive sounds that pop in at around :30. It's very minimalistic, though. Your experimentation with the sound effects was cool, but I think you need to build more harmonies around it. Many of the compositional qualities I usually look for in a piece (melodic development, dynamic contrast, etc.) don't really apply to this piece. Also, I see you used quite a few samples to make this piece, but many of them didn't seem to come through that clearly. For example, I can hear some bass-y sounds popping in at around :14, but they were really hard to distinguish as notes (unless you intended for it to sound this way?). However, you may simply have better headphones than I do, and so that sub-bass sounds perfectly clear on your headphones. I don't think I'll take off any points for that. Still, I think it's a rather underwhelming piece. There are a lot of cool ideas here, but you could've done so much more with them. Also, the ending was a bit lazily done IMO. You should keep working on this! Hope this review helped. Keep at it, man. ;)

NyxTheShield responds:

Of course!! Any feedback is greatly appreciated!! I really don't have anything to say about your critique, everything you pointed is 100% right, i rushed this for the competition in aproximately 2 hours, couldn't even mix it correctly. (The subbass sound is actually a Cello HAHAHA, i kinda wanted it to sound that way but now looking at the project, i accidentally boosted all the <300Hz freq, even the ones in the range 0-20, so thats why it sounds kinda blurry)

Hi. I'm Andrew. Audio portal junkie since 2010, supporter since 2017. I always want to improve what I do! I make music, run the NGUAC, post poetry on BBS, and am the all-time #2 audio reviewer. I love this site, and I want to make it the best I can! ^_^

Andrew Mikula @TaintedLogic

Age 27, Male

Policy Research

Bates College

Wellesley, Massachusetts

Joined on 8/16/12

Level:
22
Exp Points:
5,084 / 5,380
Exp Rank:
9,708
Vote Power:
6.37 votes
Audio Scouts
10+
Rank:
Police Officer
Global Rank:
14,013
Blams:
63
Saves:
626
B/P Bonus:
10%
Whistle:
Silver
Trophies:
5
Medals:
142
Supporter:
7y 9m 18d
Gear:
1