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TaintedLogic

5,110 Audio Reviews

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I like the dissonant pads at the beginning and the creepy piano riffs. The build-up into :44 was really nice, and I enjoyed how you used the samples of the child’s voice too. The texture still feels pretty minimal, though, and I think there’s some more room in the mix for some additional atmospheric elements or richer harmonic content. The transition at 1:19 was a bit sudden, and later on the piece gets a bit repetitive. The stuttering transition at 2:12 was a good idea, though, and I thought the ending where the child’s voice suddenly cuts off was also well-executed. Overall, the mood and atmosphere of this piece win the day, and the production quality is strong too, but I can’t help but feel like you could’ve done more with the composition here. Still, I’ll be hearing the vocals in my nightmares for quite a while now, so mission accomplished on your part. :)

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1.25/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.75/1
Composite score
8/10

I like the jazzy harmonies and creative meter at the beginning. The mix is clean and well-balanced, although there’s a bit of dissonance in the texture once the quirky sitar-sounding instrument comes in at around :25. The composition also feels a bit stagnant after a while with a near-constant energy level and a lot of repetition in the core harmonic riffs. That E-piano riff in the treble range at 2:40 was a nice touch, though, and the production quality is really strong throughout. My main complaint here is that the composition needs more of a sense of ebb and flow over time to keep things interesting. It might help if you aimed to create variety in this piece in more advanced ways besides just adding and subtracting instruments over time - things like dynamic contrast, automation, filtering, etc. That said, this piece has a really unique and fun sound design, mood, and rhythmic component, and clearly loops very well too. Keep at it, Kam! :)

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
.5/1.5
Melody, tonality, harmony, and texture
1.25/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.75/1
Composite score
7.5/10

I like the upbeat mood at the beginning. The synth lead is a bit cheesy, though, and also gets pretty buried in the mix by around :12. I’d suggest tightening up the equalizers and toning down the reverb here, especially on the pads. The harmonies also start clashing after a while, with that initial synth lead the main culprit in my opinion. At the same time, the composition gets very repetitive after a while, with a near-constant energy level and a lot of repeated riffs for more than a minute on end. The mini-breakdown at 1:25 was a welcome change, but it was also short-lived. I want you to double-check that all of the notes that are playing in the harmonies are actually in the chords playing at the same time, especially around 2:38. There are a lot of good ideas here, like the ghostly pad riffs and the “oh, yeah” vocal samples that add a strong rhythmic appeal to the piece, but overall the texture seemed a bit too busy to really keep the listener grounded here. You’re doing a lot of ambitious things harmonically that you don’t quite pull off, and the mix, while loud, is very strained and distorted during the busy sections. The piece has a lot of potential, though - you nailed the rhythmic content and transitions, and a lot of your sound design choices are really creative and fun. Keep at it, juanthecrack5! :)

Mixing, mastering, and balance
.75/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1/2
Instrumentation and sound design
.5/1
Emotion, atmosphere, and catchiness
1/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.5/1
Composite score
5.25/10

I like the pensive chord progression at the beginning, although the synth pads themselves sound a tad cheesy. The piece is a bit slow to progress at first, but I like the plucked arpeggios and the string pads that come in later. The tone is distinctly melancholy for most of the rest of the piece, and the composition also sounds pretty stagnant and repetitive. The mixing is pretty good, although with a relatively minimal texture I’m not sure that’s too meaningful. The white noise in the background later on was a nice touch, but I still would’ve liked to see a more dynamic composition here. Some drums might help give the piece a stronger sense of drive, and a melody or solo at some point could’ve given the piece more of a narrative appeal. You nailed the atmosphere, mood, and production quality, but the rhythm is a bit square here and the composition a bit bland at the end of the day. The piece certainly isn’t bad, but it felt a little safe and unambitious when all’s said and done. I’d encourage you to keep working on it, though. Some harmonic depth and more variety in the texture would go a long way towards making this track an 8 out of 10 or higher. Keep at it, jeffbeard! :)

Mixing, mastering, and balance
1.25/2
Structure, transitions, phrasing, and variety
.5/1.5
Melody, tonality, harmony, and texture
1/2
Instrumentation and sound design
.5/1
Emotion, atmosphere, and catchiness
1/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
.25/1
Composite score
5/10

I like the ominous synth riffs at the beginning. That lead sounds a bit harsh in the high end of the frequency range, maybe because of the stereo clicks, but after more of the atmosphere fills in around it, it starts to sound more well-balanced. The crisp drums and melodies at 1:05 are really nice, and the piece takes on a more heroic and triumphant feel after a while. You clearly have a great sense of melody, progression, and sound design, and the production quality is strong overall as well. Sometimes, I wanted the drums to sound a bit punchier in the mix, but only really during the busier parts of the piece later on. Overall, really strong work here, idimension! Keep it up. ^_^

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
1.5/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
1/1
Composite score
9/10

I like the quirky synths, slap bass, and warm pads at the beginning. Some of the synths that come in later sound a bit cheesy, though, like the one at :22. I think the mix can come across as a bit indistinct at times. The drums aren’t quite as front-and-center as I want them to be, and some of the lower-pitched synths sound pretty murky. The vocal samples at :47 are pretty cool, but after a while you start to overuse them a bit. The rhythmic content here is really nice, although I’m not quite sold on the composition, as the texture is pretty minimal and bottom-heavy during much of the middle section, and there isn’t much in the way of melodic content or structural variety to keep me engaged. I also think a lot of the drum samples here sound pretty generic. Later on, the piece sounds pretty repetitive, although I like the injection on energy at 2:54 and the rhythmic content during the last minute or so. Overall, you have a good sense of rhythm, progression, and harmony, but the mix could be tightened up a bit, and I would’ve liked to see a stronger sense of ebb and flow in the composition. Still, this is going to be stuck in my head for a while. Keep at it, HG-HL! :)

Mixing, mastering, and balance
1.25/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1/2
Instrumentation and sound design
.5/1
Emotion, atmosphere, and catchiness
1/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.25/1
Composite score
5.5/10

HG-HL responds:

Thank you so much for the analysis! Over time I’ll hopefully get out of my looping phase lol. I’ll also try to get some plugins to get some different sounds into my songs :)

I like the tranquil mood at the beginning and the organic sound design. The upbeat melodies and well-balanced harmonies suit the mood well, and I like the “B” section at :38 too. The piece feels a bit slow to progress after a while, given the constant energy level and instrumental palette. The somewhat darker chords at 1:50 help add some variety, but overall I’d like to see a stronger sense of ebb and flow in the composition here. Later on, the modulations help hit the piece home, but you also might consider adding some drums or something to help drive the piece forward a little more. Lastly, the mix is a tad quiet, even though the frequencies are well-balanced and clear. Overall, you nailed the relaxed and determined mood, sound design, and melodic content here. A little more variety in the texture would’ve been welcome, but clearly you’re a talented composer. Keep at it, Gemini*2! :)

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1.5/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.75/1
Composite score
7.75/10

GeminiGemini responds:

Thank you for the review

I like the foreboding tone at the beginning and the vocal samples. The crisp beats and the sound design details - like the strings in the background - are both really nice. During the second half of the piece, you really start to overuse the vocal samples, though, and the composition feels a bit stagnant. It’s a really catchy and creative beat, but the piece could’ve been a lot more dynamic. After a while, it just doesn’t feel like the piece is building towards anything. There’s very little melodic content or atmospheric appeal to keep me engaged, and it also sounded like you didn’t really know how to end the piece given the fade-out. The production quality is probably my favorite element of the piece, and despite my complaints regarding the composition, the sound design, mood, and rhythmic content were also highlights. Keep at it, frankpresents! :)

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1.25/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
.75/1
Composite score
7.5/10

I like the glitchy and distorted white noise at the beginning and how the atmosphere gradually fades in starting at around :15. The piece is a little slow to progress for a while, but the energetic drums and rich atmosphere by around the 1-minute mark blend well together. The production quality is strong overall, although the gritty mid-range bass gets a little buried by the atmosphere at 1:30 or so. You find creative ways of switching up the texture here, like with the frantic synth riffs at 2:15. You also make really effective use of mixing effects, like the panning at 3:20 or so and the filtering automations throughout. Part of me wanted to hear some more prominent melodic content at some point, as it’s hard to keep a piece engaging for 6.5 minutes when it’s all frantic rhythmic patterns and pads like this. That said, the vocal samples later on and transitory drum fills and whatnot help keep me engaged, and the rich atmosphere is pretty engrossing in and of itself. I thought it was a wise choice to end with a spacey outro. Overall, really compelling work! You nailed the atmosphere, mixing, rhythmic content, and progression. Keep at it, FlowerBoy! :)

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
1.5/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.75/1
Composite score
8.5/10

I like the ominous mood at the beginning. The synth at the very beginning sounds a bit murky and unpolished, and I also think you overused the kick drums a bit. The entire mix sounds pretty indistinct - I’d suggest toning down the reverb and trying to give each instrument a clear pitch range that overlaps with the others as little as possible. Right now, the texture sounds pretty bottom-heavy and off-balance. The composition could also use a bit more fleshing out, as the piece doesn’t have much of a sense of direction over time. There are a lot of good individual ideas in here, like the pitch slide at :53 and the frantic descending bass line at 1:04, but I wanted to see you clean up the mixing and do a bit more with the composition here. You nailed the harmonies, mood, atmosphere, and rhythmic elements, though. Keep at it, eatgruul! :)

Mixing, mastering, and balance
.5/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1/2
Instrumentation and sound design
.25/1
Emotion, atmosphere, and catchiness
.75/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
.25/1
Composite score
4/10

Hi. I'm Andrew. Audio portal junkie since 2010, supporter since 2017. I always want to improve what I do! I make music, run the NGUAC, post poetry on BBS, and am the all-time #2 audio reviewer. I love this site, and I want to make it the best I can! ^_^

Andrew Mikula @TaintedLogic

Age 27, Male

Policy Research

Bates College

Wellesley, Massachusetts

Joined on 8/16/12

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