TaintedLogic's audio Reviews on Newgrounds

[Liquid Lullaby]

I like the cutesy mood at the beginning and the creative variety of instruments. The bass feels pretty heavy to contrast the mallet-like synths and smooth pads. The pacing of the piece felt a little slow at times, but you kept it interesting with the bridge at 1:30. The strings at 1:30 sound a bit inauthentic, and some other elements were a little generic (like the drum samples), but overall I appreciate the variety in the texture here, driven by some strong transitions and fun melodic content. The mix feels a bit strained at times, but that’s probably at least in part because there’s a lot going on at a given time. The strings sound particularly indistinct at 1:45 when the bass comes in. It might be a good idea to check the equalizer there to make sure you’re cutting off the bass frequencies in the strings (and if you don’t know what I mean, PM me and I’ll explain further). I also like how you began and ended the piece with the piano recordings. The recording quality isn’t perfect, though. I’d suggest cutting out the little pops and background noise you can hear at 2:12 to 2:15 or so. Also, if you aren’t already, I’d suggest downloading a metronome app and listening to it with headphones while you’re recording. That might help you keep the meter a tad straighter at :14 or so. So, in sum, the production is a tad rough around the edges, but I really like the composition. The piece feels whimsical and light-hearted, full of variety and yet very smooth-flowing. Solid work, 314leafcutterant! ^_^

Mixing, mastering, and balance
1.25/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.75/1
Composite score
7.5/10

[Trenches]

I'm not judging your group, Kurtiskong, but I'm thoroughly impressed with this one. The atmosphere pulls me in right away, and the powerful vocals and ominous guitars are really compelling. If one word needs to be re-recorded, it might be "needed" at 1:18, and I also think the autotune briefly poops out at 1:08, but otherwise the vocal performance was really strong. The ending cuts off a tad suddenly, and I might've asked for some additional variety/layering during the second chorus, just to up the emotion to hit the piece home. But I really like how you stuck with your hip-hop roots for the beat while taking on a new genre with such gusto. Overall, fantastic work here, dude. Well-deserved frontpage! ^_^

Kurtiskong responds:

Thank you. I appreciate the feedback and kind words! :)

[Early Access - Closer]

I'm not even judging your group, but I think you nailed this. The vocals are so well used, the production quality is top-notch, and the rhythmic content/drops are amazing. In a lot of ways, the arrangement and sound design are pretty generic, and the vocals do get a tad repetitive towards the end, but that's definitely not going to stop this from being stuck in my head for the rest of the day. Fave'd and DL'd! Keep up the good work, man. ^_^

EarlyAccess responds:

Thank you so much man, i really appreciate that, ill take all the advice into consideration when it comes to making future songs! :)

[vice]

I like the soulful, eerie synths at the beginning and how they contrast with the dense energy of the drums and mid-range bass that come in shortly thereafter. The rhythmic content here is great, but I might've liked to hear some more melodic content. The breakdown at 1:15 helps keep the piece interesting by injecting some tranquility in between two sections characterized more by chaos. The production quality and sound design are both really admirable here, but I'm still not sure a piece this minimal is really my vibe. Still, you're clearly a really talented producer. Keep it up, man! ^^

mothlightx responds:

God damn. You have no idea how much this in-depth of a comment is appreciated. Lots of love for still giving it a listen (and some solid-ass criticism) regardless of if it's your vibe or not. <3

[i dont want to]

I like the mechancholy tone to the guitar at the beginning and the defiant lyrics. The vocals aren't quite prominent enough in the mix for my tastes sometimes, but I think you did a great job switching up the instrumentals here. The melodies at :43 really hit the spot, and that also applies to the solos at 2:12 and the final climax at 2:50. The transitions in this piece are especially good, from the echo-delay effects going into the bridge at 2:35 to the delayed "to" at 2:50. I also like a lot of the other details, like the slightly mocking tone you get in your voice at 1:54. I know I've criticized you for the abrupt endings in the past, but I think the fade-out here comes across as a bit lazy, and also is way too drawn out. Even just strumming the tonic chord at 3:20 probably would've gone over well. Overall, though, I think this is my favorite piece of yours that I've reviewed. It grounds the listener in a sense of inevitability with the lyrics, while having a lot of fun surprises in the composition - in many ways the opposite of what I heard earlier with your more recent tracks. Either way, keep it up, man! ^_^

[blame]

The synth at the beginning sounds a bit square and dry, but when the beat comes in it blends into the texture nicely. Again, these are some really evocative lyrics, and I think the vocals sit better in the mix here. The vocal layering in the final chorus really hits the spot, although it's a bit harder for me to come up with an excuse for that abrupt ending here than it was in "Designated Drivers." The composition could've been a tad more dynamic, too. I feel like the vocals are doing most of the work of keeping the piece engaging over time. That said, you did a good job giving a sugary pop-rock flair to unrequited love, and between the strong production quality and vocals, you've earned yourself a new follower my friend. Cheers! ^^

[designated drivers]

I like the refreshing guitar riffs at the beginning and the crisp drums. Your voice is really nice, but I think the vocals could use a little more boost in the mix, and towards the beginning they also sound a tad dry production-wise. Later on, the layering of the different lines help resolve this issue, though, and I especially like the harmonies at 2:16 - sounds like a barber shop quartet. :D The lyrics themselves are pretty heavy, but the vocals have a great flow to them that really forces you to follow the action, and the rhythmic component of the vocal lines adds some extra tension, almost like the narrator is sobbing in between saying the words. The instrumental track isn't quite as dynamic as I might've liked to see. A guitar solo before the final refrain would've really hit the spot. I also think the ending comes on pretty suddenly, but then again so does a car crash. Overall, you really told a story with this one, man! Major props for the passionate vocals, sound design, and flow here. ^_^

[Mystery (Original Mix)]

I like the airy and slightly eerie vibe at the beginning. The echo-y operatic vocals and crisp beats help give the piece a sense of interest despite the pretty minimal harmonic content in the piece. The mixing and mastering are really strong, though, and the sound design is really evocative and neat. The breakdown in the middle with the brighter tone was a nice touch, and I like the dreamy guitar at 2:43 too. The rest of the piece felt a tad repetitive, but you certainly have me sold on the atmosphere here. I could envision this being used in a video game or movie soundtrack with a post-apocalyptic theme as our protagonist gradually descends into a hallucinatory daze. Keep at it, man! ^_^

GalaxyTones responds:

Awesome! thanks for the review and kind words :)

[wakey wakey lil flowers]

I like the bright, cutesy tone at the beginning and the quirky lead synth at :15. The beat is really refreshing too with the heavy hi-hats. The clap sample is a bit generic, but the piece flows so nicely and the rest of the sound design is rather enjoyable. The melodies are upbeat and smooth, and I like the climax at 1:25 too - it comes on both gradually and suddenly, in a way. The final refrain at 2:36 helps hit the piece home too and makes the entire track feel conclusive. The outro with the distinctive pitter-pattery synth is nice as well. Strong work overall, guys! Sounds like spring indeed. ^_^

GrizzlyCogs responds:

wow thank you!