TaintedLogic's audio Reviews on Newgrounds

[Can't Stop the Time]

I like the gritty texture at the beginning and the phasing effects. The bass at :24 is very heavy, but the dark mood and frantic drums help keep me engaged. The synths are all really cool, but the texture is a tad minimal and the progression is pretty slow-paced. The production quality is really solid, and the creative filtering work on the grouchy mid-range bass helps keep me engaged. The texture is actually pretty well-balanced, with a decent amount of harmonizing across the frequency range, but overall the soundscape is still pretty thin throughout. By the end, this piece is rather repetitive. Perhaps some more variety in the energy level and harmonic framework would help take the composition of this piece to the next level. Until then, I really admire your drum instruments and synths, atmosphere, use of mixing effects, and mastering abilities. Keep at it, BasiatordeCoronatus! :)

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1.25/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.5/1
Composite score
7.75/10

[Agente.001 - Spectral Artillery (NGUAC v.)]

I like the glitchy intro and the prominent sub-bass. The rich atmosphere by :17 or so is also really nice. It’s a tad difficult to follow the rhythmic content until the beat comes in at :20, but I’m enjoying the sound design and the more melodic flair at :40 or so. The mix is very clean, if a tad over-compressed. The build-up to the drop at 1:15 was really well-done, and the drop itself had a healthy amount of variety to maintain interest, even if it was a tad long. The atmospheric breakdown at 2:03 was really nice - I love the filtering work at 2:13 and the heavy reverb at 2:20. I honestly think you could’ve ended the piece at the 3-minute mark, but the second drop was a pleasant surprise, and I appreciated that there was more harmonic content during the drop the second time around. The outro with the detuned sitar was also a good idea. Overall, I’m exactly one submission into the judging for this round, but this is going to be tough to beat. Really strong work with the atmosphere, instrumentation, and progression. The mix feels a tad overwhelmed at times, but in the grand scheme of things that’s only a minor problem for me. Keep up the good work, Agente001Tomhson! ^_^

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.75/1
Composite score
9.25/10

[Cotton Swab]

I like the groovy bass riff at the beginning and the crisp drums. The pads at :12 are pretty quirky and fun, but also might take up a tad too much space in the mix relative to the rhythm section. Overall, the sound design here is really fun, and I’m digging the cutesy melodies starting at :38. That said, the texture is pretty minimal throughout, and the climactic section at 1:17 could’ve used a smoother and/or more gradual transition. The arrangement of the piece feels a bit formulaic and rushed, although the production quality holds up well and the sound design is probably my favorite element of the piece. A little more effort on structuring and flow could go a long way towards making this an 8-range track for me. Until then, nice job with the ghostly melodies, instrumentation, and mixing. :)

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1.5/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
.5/1
Composite score
7.25/10

[Cykamen]

I like the catchy synth riffs at the beginning. The instruments themselves are a bit cheesy, and also sound a bit overly contained in the mix at times. The drop at 1:10 was a little minimal and repetitive, and the screechy synth that plays every beat at 1:24 was a bit much. Otherwise, that sound design in this piece is pretty unique, although in places the composition falls flat. The main chord progression is pretty cliche, and the piece is lacking melodic content throughout. The production quality is pretty well-balanced and clean, but could also use a few more effects to fill out the texture. Overall, this is a catchy and fun piece that could use a bit more harmonic depth and creativity in some of the compositional elements (I’m especially thinking of the long sections that have 3-note bass lines and a series of effects, but little else going on - see 3:12-3:35). Not to be overly harsh, though. It is going to be stuck in my head for a while. Keep at it, Walpang! :)

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
1/2
Instrumentation and sound design
.5/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
.75/1
Composite score
7/10

[Nevertheless]

I like the airy guitar at the beginning and the cutesy synth arpeggios that fade in a few seconds later. The vocals are really smooth and light, although they could be a bit more up-front in the mix, especially during the chorus at :41. By comparison, the drums and synths are a bit too loud. Overall, the mix is quite loud and clean, if a tad over-compressed. The breakdown at 1:08 was a bit bland, but I like the ornaments on the piano melodies at 1:25. I also feel like the piece never quite gets back to the emotional height as the first chorus, which makes the narrative appeal of the piece fall flat a bit. At the very least, adding some more conspicuous chopped up vocals or something at 1:49 would’ve helped keep things engaging later on. That said, you nailed the sound design, atmosphere, and composition here. My main complaints are with the off-balance mix and the lack of originality in the arrangement and progression. But again, you made up for that with the cool instrumentation, rhythmic content, melodies, and mood. Keep at it, Veryfakeguest! :)

Mixing, mastering, and balance
1.5/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
1/1
Composite score
8.75/10

[The Shopkeeper]

I like the bouncy piano riff at the beginning. The mix is full, clean, and well-balanced, and the sound design is refreshing. This is one of the most authentic-sounding vocoders I’ve ever heard - I thought it was a real person singing for a full 6-8 seconds. The conversational tone of the lyrics is really nice, too. Feels like this song is right out of a musical. The layered string/guitar melody at :51 complements the vocal verse perfectly, and the exposed percussion line at 1:08 does a great job of pushing the “reset button” on the song. The layered vocal line at 2:15 was a great way of adding closure to the piece - it feels like the level of attention to detail and passion for her work the shopkeeper is demonstrating is increasing as the song goes on. Really strong work here, Vermeen! You told a convincing story with this one, right down to the vocaloid. Keep it up! ^_^

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1.5/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.75/1
Composite score
9.75/10

vermeen responds:

thank you so much! i really did try to bring out a sense of playfulness with this track, i feel proud it shone through. while i don't quite expect to stack up against the veteran competitors in the finals, i'll come up with something i know i'll enjoy writing like i did with this.

[Fairy Tail]

I like the glitchy vocals at the beginning and the eerie atmosphere. You started to overuse the vocal samples a bit once the call-and-response started between the “designated for termination” authoritative voice and the more indistinct, calm voice. The sound design is a bit cheesy, including the synths, but the vocal samples take up a bit too much of the mix compared to the synths throughout. The “narrative” of the piece is driven mostly by the vocals, although the techno backing track does have a nice, full texture. Overall, I really enjoyed the creepy mood, rhythmic components, and progression, but some of the other compositional elements are a bit lacking, including melodic content and transitory moments. I also wasn’t too impressed with the sound design - it’s way too dependent on the vocal samples to maintain interest, as much of the rest of it is some pretty unpolished and generic synths. Not to be too harsh, though. You’re clearly a guru at crafting some compelling atmospheres with some catchy techno riffs. Keep at it, Ukatz! :)

Mixing, mastering, and balance
1.5/2
Structure, transitions, phrasing, and variety
.5/1.5
Melody, tonality, harmony, and texture
1/2
Instrumentation and sound design
.5/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
1/1
Composite score
6.5/10

Ukatz responds:

It's hard to deny some problems with instrumental part, for the most part I focused on voices and probably, as usual, wanted to throw as much as possible, I'll take this into account in future.
Thank you for your feedback, and in general for holding such an event, it was a pleasure to participate for the first time

[Runa - Dareon (Orchestral/Electro)]

I like the pensive piano riff at the beginning and orchestral sound design. Sometimes, the rhythm is a bit square, like at :25 with the piano arpeggios. The thin, contained texture at :50 was nice for some variety, and it leads into the drop at 1:04 really well. The drop itself is pretty minimal, although the rhythmic components at the post-drop (1:42 or so) are pretty neat, and those in turn lead in well to the guitar solo at 1:55. The pacing of this piece is rather fast at times - a lot changes in the texture in a short amount of time. The mixing also feels a tad overdone at times. I’d say some of the lead synths need a bit more room to breathe in the EQ, and the sidechaining is a little heavy for my tastes at times. I also wasn’t a huge fan of the dramatic stop-start transitions with the “whoosh”es (:43, 2:38). That said, you clearly have a strong sense of melody, progression, and sound design. The composition is probably the strongest element of the piece - I felt like you really told a story here, and also cultivated the victorious mood and overarching sense of development extremely well. Keep at it, Runanova! :)

Mixing, mastering, and balance
1.5/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.75/1
Composite score
8.25/10