TaintedLogic's audio Reviews on Newgrounds

[Nevertheless]

I like the airy guitar at the beginning and the cutesy synth arpeggios that fade in a few seconds later. The vocals are really smooth and light, although they could be a bit more up-front in the mix, especially during the chorus at :41. By comparison, the drums and synths are a bit too loud. Overall, the mix is quite loud and clean, if a tad over-compressed. The breakdown at 1:08 was a bit bland, but I like the ornaments on the piano melodies at 1:25. I also feel like the piece never quite gets back to the emotional height as the first chorus, which makes the narrative appeal of the piece fall flat a bit. At the very least, adding some more conspicuous chopped up vocals or something at 1:49 would’ve helped keep things engaging later on. That said, you nailed the sound design, atmosphere, and composition here. My main complaints are with the off-balance mix and the lack of originality in the arrangement and progression. But again, you made up for that with the cool instrumentation, rhythmic content, melodies, and mood. Keep at it, Veryfakeguest! :)

Mixing, mastering, and balance
1.5/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
1/1
Composite score
8.75/10

[The Shopkeeper]

I like the bouncy piano riff at the beginning. The mix is full, clean, and well-balanced, and the sound design is refreshing. This is one of the most authentic-sounding vocoders I’ve ever heard - I thought it was a real person singing for a full 6-8 seconds. The conversational tone of the lyrics is really nice, too. Feels like this song is right out of a musical. The layered string/guitar melody at :51 complements the vocal verse perfectly, and the exposed percussion line at 1:08 does a great job of pushing the “reset button” on the song. The layered vocal line at 2:15 was a great way of adding closure to the piece - it feels like the level of attention to detail and passion for her work the shopkeeper is demonstrating is increasing as the song goes on. Really strong work here, Vermeen! You told a convincing story with this one, right down to the vocaloid. Keep it up! ^_^

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1.5/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.75/1
Composite score
9.75/10

vermeen responds:

thank you so much! i really did try to bring out a sense of playfulness with this track, i feel proud it shone through. while i don't quite expect to stack up against the veteran competitors in the finals, i'll come up with something i know i'll enjoy writing like i did with this.

[Fairy Tail]

I like the glitchy vocals at the beginning and the eerie atmosphere. You started to overuse the vocal samples a bit once the call-and-response started between the “designated for termination” authoritative voice and the more indistinct, calm voice. The sound design is a bit cheesy, including the synths, but the vocal samples take up a bit too much of the mix compared to the synths throughout. The “narrative” of the piece is driven mostly by the vocals, although the techno backing track does have a nice, full texture. Overall, I really enjoyed the creepy mood, rhythmic components, and progression, but some of the other compositional elements are a bit lacking, including melodic content and transitory moments. I also wasn’t too impressed with the sound design - it’s way too dependent on the vocal samples to maintain interest, as much of the rest of it is some pretty unpolished and generic synths. Not to be too harsh, though. You’re clearly a guru at crafting some compelling atmospheres with some catchy techno riffs. Keep at it, Ukatz! :)

Mixing, mastering, and balance
1.5/2
Structure, transitions, phrasing, and variety
.5/1.5
Melody, tonality, harmony, and texture
1/2
Instrumentation and sound design
.5/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
1/1
Composite score
6.5/10

Ukatz responds:

It's hard to deny some problems with instrumental part, for the most part I focused on voices and probably, as usual, wanted to throw as much as possible, I'll take this into account in future.
Thank you for your feedback, and in general for holding such an event, it was a pleasure to participate for the first time

[Runa - Dareon (Orchestral/Electro)]

I like the pensive piano riff at the beginning and orchestral sound design. Sometimes, the rhythm is a bit square, like at :25 with the piano arpeggios. The thin, contained texture at :50 was nice for some variety, and it leads into the drop at 1:04 really well. The drop itself is pretty minimal, although the rhythmic components at the post-drop (1:42 or so) are pretty neat, and those in turn lead in well to the guitar solo at 1:55. The pacing of this piece is rather fast at times - a lot changes in the texture in a short amount of time. The mixing also feels a tad overdone at times. I’d say some of the lead synths need a bit more room to breathe in the EQ, and the sidechaining is a little heavy for my tastes at times. I also wasn’t a huge fan of the dramatic stop-start transitions with the “whoosh”es (:43, 2:38). That said, you clearly have a strong sense of melody, progression, and sound design. The composition is probably the strongest element of the piece - I felt like you really told a story here, and also cultivated the victorious mood and overarching sense of development extremely well. Keep at it, Runanova! :)

Mixing, mastering, and balance
1.5/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.75/1
Composite score
8.25/10

[Bitcrush - NGUAC Entry]

I like the distorted synths at the beginning and the cutesy melodic riffs. At :26, the piece sounds a tad over-compressed, and some of the synths at the drop at :55 sounded a bit harsh in the mix. That said, I’m enjoying the rhythmic content here, and the re-intro with the generous use of wet reverb at 1:48 was a good idea. I think you missed an opportunity in that middle section for some more dynamic melodic content, though. The arrangement and some of the composition details are a bit generic here, but the sound design and catchy breaks earn you back some points. I also might’ve liked to see some more variety later in the piece - variation on the main melody, for example. The production quality holds up quite well, though, and you nailed the somewhat foreboding mood and atmosphere. Keep at it, RedMike7! :)

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
1.5/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
1/1
Composite score
8/10

[Scars]

I like the ominous mood at the beginning and the combination of the gritty guitars and majestic vocals at :07. I think the compression is a little heavy - the drums are taking up a lot of space in the mix, to the extent that they’re really breaking up the sound waves of the other instruments. The intensity and thick texture are really fun, and I like how you contrasted that with the eerie atmosphere at 1:20. Later on, the piece doesn’t quite get back to the same “emotional height” as before, and I thought the ending could’ve been a bit more creative than a fade-out. I also think there could’ve been some more dynamic melodic content in this piece, as the most prominent example of that is the (short-lived) guitar riff at 1:03. That said, you nailed the atmosphere, rhythmic elements, and sound design here. Solid work, ProjectSoary! ^_^

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
1.25/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.5/1
Composite score
8/10

ProjectSoary responds:

Sorry for the late reply. Thank you very much for the detailed review! I'll def. keep that in mind for future releases. Still learning how use this GGD drum plugin. Much appreciated!

[Ruins of old]

I like the string chords at the beginning and the cutesy synth at :17. I’m enjoying the atmosphere at :31 too, but the kick drum there sounds like it has a tad too much treble for my tastes. The cello at :46 sounds pretty inauthentic, but it also blends in well with the texture. The piece is a tad slow to develop at times, but you kept things interesting by doing things like the volume adjustments on the piano line at 1:20. The flute solos at around 2:05 work well, but I would’ve liked to see some more variation on the main melodies during the last minute or so. The arrangement of this piece feels a bit formulaic at times, with very little phrasing within a particular section. The production quality is pretty good, but sometimes the mix feels like it’s missing some higher-pitched tones that would balance it out more. The composition also could’ve been a bit more dynamic and bold at times. Still, overall I enjoyed the atmosphere, sound design, melodies, and progression of this one. Keep at it, OliRO! :)

Mixing, mastering, and balance
1.25/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
.5/1
Emotion, atmosphere, and catchiness
1/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.75/1
Composite score
7.25/10

OliRO responds:

Thank you so much for this detailed review! It was quite a good challenge for me and I appreciated every bit of it. If there is something I learned on this one is to be a bit less square in my construction and more daring in the phrasing. : )

[Garden of Eden]

I like the cutesy synth riffs at the beginning and the bouncy beat. Some of the synths are a bit cheesy, but they pair well with the upbeat mood and crisp drums. The melodies at :44 are nice, but they could’ve been a bit more up-front in the mix compared to the rhythm section. The panning here is also pretty heavy for my tastes sometimes. Composition-wise, you clearly have a strong sense of harmony and progression, although the harmonic framework is pretty generic and the drums could be a bit more creative at times. I appreciated the scale-back in the texture at 2:30 to offer some more structural contrast. Other than that part, the piece felt like the piece had a near-constant energy level for 6 minutes, which is a lot of time to stay engaged. I’m enjoying the melodies at 3:51, and again at 4:22. The arrangement of this piece feels a little dragged-out, especially since there isn’t much of a strong sense of overarching “story” here, but it’s still smooth-flowing and has a good amount of variety. Overall, this is a strong piece, Pandaguru! Nice work with the production, melodies, transitions, sound design, and mood. :)

Mixing, mastering, and balance
1.5/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
1/1
Composite score
8.25/10

Pandaguru responds:

Thank you for the detailed review and organizing the competition! Will keep your points in mind for next time.

[Righteous Spirit]

I like the emotional appeal of the piano at the beginning. The pacing is a little slow, but I’m really enjoying the cello melodies at :30 and the dramatic crashes. The deep brass and somber string melodies at 1:15 pair really well together, and overall the progression is smooth and the texture is well-balanced. My main gripe here is with the mixing. The mix is super quiet, and for much of the piece the percussion could be a lot sharper. Otherwise, it fades into the background a bit, especially from 1:05-1:30. After that, the percussion better accomplishes the goal of driving the piece forward, and I’m enjoying the sense of build-up into 1:57 or so. The return of the piano melodies at 2:00 was a pleasant surprise, and the dramatic section at 2:16 did a good job of bringing closure to the piece. Overall, the composition here is really strong, and I also thoroughly enjoyed the sound design and progression too. Some more attention to detail on the mixing could help thicken up the texture and really make the drums pop during some of the more mellow sections of the piece, but at the end of the day that feels like a pretty minor complaint in light of the killer melodic content and arrangement. Keep at it, Omson! ^_^

Mixing, mastering, and balance
1.25/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
1/1
Composite score
9/10

[Race against you]

I like the upbeat mood at the beginning. The piano melodies are nice, but the instrument itself feels a bit generic - as if the sample is right from FL Keys. The rest of the sound design is solid, though. I’m enjoying the acoustic drum kit, slap bass, and smooth guitars. The composition could’ve been a tad more dynamic at times, especially during the lengthy middle section, and I think the drums could’ve used a boost in the mix, especially during the refrain at 1:16. Overall, the arrangement feels a bit formulaic, without much in the way of phrasing or smooth, gradual transitions. Besides the relatively quiet drums, the mixing is good, but compositionally it also feels a tad underdeveloped. I’m liking the cutesy mood, instrumentation, and harmonies, though. I’d encourage you to keep working on this one - it totally has potential. Keep at it, Namnotwastaken. :)

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1.25/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.5/1
Composite score
7/10