TaintedLogic's audio Reviews on Newgrounds

[-Octagon Force-]

Ah, yes! I remember the original. I like the richer synths and heavier bass in this one. The lead at around :25 is also a big plus - has a really refined, '80s vibe. The drums do seem a bit soft at times, but I think you referenced that in the description. The fade-out into 2:05 is a nice break in the action, and I like the more blissful tone that becomes prominent by around 2:50. The modulation at 3:45 is good for some variety, too. As always with your upbeat VGM tracks, the flow, melodic content, and instrumentation are great here. The piece has a nice sense of climax into 5:30 before the arpeggiated synth pattern and exposed bass line there kick in. Comes together well as a cohesive whole overall. Honestly, I can absolutely tell you put a ton of work into this one. I'm not sure I could even recognize that this is a remake of Hexagon Force if you didn't mention. Keep it up, WF! ^^

[-Brain Damage-]

Experimental indeed. I like the crisp drums and generous use of bass. The pitch sliding effects sound really cool, and the texture sounds simultaneously distorted and minimal. The piano stabs at 1:30 work well to fill out the upper-mid frequency range, although I think you start to overuse the "brain damage" vocal sample after a while. The atmospheric flair at the breakdown at 2:20 is nice, although I think I would've liked to hear a little more of the harmonies later in the piece - without those riffs the piece sounds a tad bottom-heavy and thin in places. Still, really good work with the rhythmic content and instrumentation. Keep at it, WF! Here's to 2021. ^^

[-Feelin' Better-]

I like the catchy riffs right off the bat. Really quirky synths, and the busy percussion and high-pitched vocal samples fit in really well. There's a great call-and-response sort of vibe to the melody at around 1:30, and the energy and flow really help keep me engaged. The flute solo during the breakdown at 2:25 works really well too, and the descending brass line at 2:40 makes for a really effective transition back into the energetic section. The vocals at 3:40 are nice, and the anticipatory undertones in the texture at 4:30 flow really nicely into the final refrain at 4:40. I might've lied earlier - THIS is my favorite track of yours of 2020. Glad you're feeling better, WF! ^^

[-Supra Zone-]

I like the murky bass at the beginning. The vocal samples that come in at around :30 get a tad repetitive, but the texture is pretty rich and full to keep things moving. I also like the pads at 1:30. The rhythmic elements at around the 3-minute mark are especially nice, and the drum fills and guitars later on help keep things interesting. Still, I think it would've helped this piece to have some more atmospheric and/or melodic elements at some point, just to switch up the soundscape a bit. Bringing back the vocal samples at 4:35 was a good decision, though, and the mysterious vibes at the end are really nice. Keep at it, WF!

[-Hidden Path- (Rapid Route mix)]

I remember the original! I like the vocal sample additions and the more prominent VGM style of this one. The bass also seems more up-front than the original, and the tempo faster. The blissful synth melodies are nice, as are the rhythmic elements, especially during the middle couple of minutes. It's good to see you featured the riff at 1:30 in this one too - I remember that from the original. The ambient outro is a great touch, especially with the rhythmic variations. Strong work here, WF! ^^

[-Skelter-]

I like the old school breakbeat vibes here. Parts of it remind me of "Daybreaker," with the jazzy flair and prominent vocal samples. There's a ton of variety here, but the flow is really smooth. I love the vocal sample at :35 - really takes some of the tension out of the busy beat. Same thing with the mini-breakdown at 1:20ish. The jazzy chord at the end seemed like a fitting conclusion - quirky, yet not out-of-place. Probably my favorite track of yours of 2020. Keep it up, WF! ^^

[-Train to Nowhere-]

I love your experimental tracks. The ominous beats fit in really well with the old-school movie samples. The piece is a bit minimalistic, but I'm enjoying the pulsing effect that the texture has at around 1:15 and the variations in the beat towards the end. Overall, it could've used a stronger sense of direction, but it's still really evocative and catchy. Perfect for a rainy Saturday. :)

[-Megalopolis-]

Really cute piece! I like the upbeat melodies and synth guitars at :25. The authentic-sounding drums are a nice touch, and the rhythmic elements and sound design are top-notch as usual with you. The jazzy breakdown at 1:35 is really refreshing, and the string melodies at 1:45 give a softer edge to the piece. It's really full of variety and fun riffs - I could envision this as a loop in a video game. Keep it up, WF! ^^

[searching for clues]

I like the rich strings and church bells at the beginning. The effect of the short phrases on the flow is effective at first, but it felt a bit choppy after a while, especially with the back-and-forth between the energetic/dramatic mini-phrases (:34, :51) and the more mellow and ominous ones. Still, the orchestral samples are really high-quality, and I like the brighter tone of some of the chords starting at around the 2-minute mark. Everything sounds really well-balanced and clean in the mix, too. You've been scouted, my friend. Welcome to Newgrounds! ^^

LudwigComposer responds:

Thank you for your thoughts and scout! The song is meant to be easy to rearrange to suit film, that is why there are gaps.