TaintedLogic's audio Reviews on Newgrounds

[Incise ~ Starburst]

I like the quirky synths at the beginning and the bright tone. The compression is a bit heavy, though, and I thought the pads could’ve been a bit stronger in the mix. Still, I enjoyed the climax into 1:00 and the melodies thereafter. I like the 2-climax model you use in advance of the breakdown/re-intro at 2:34. It’s really effective at channeling the emotion. The synth on the off-beats at 3:04 gets a little lost in the mix, but I’m liking the blissful vibes of that bridge section. The modulation at 3:34 was a bit sudden, but it does help up the intensity going into the final refrain at the end. You also begin to overuse the risers by the end, but I love the dreamy outro and the rhythmic syncopations during the last 30 seconds or so. More big-picture, I would’ve liked to see you return to something like the emotional height of the section from 1:00 - 2:00 or so. It felt like it never quite got back to that same feeling of arrival and resolve that was at 1:30. I also think there were some places in this piece where you tried doing a bit too much with the rhythmic framework, notably at 2:34. Still, my favorite elements of the piece are the cheery melodies, flow, and danceability of this one. You get due credit for atmosphere and sound design, too. Thanks so much for participating in the NGUAC this year! I really enjoyed hearing your work. ^_^

Mixing, mastering, and balance
1.5/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
.75/1
Composite score
8/10

[The Beginning]

I like the piano at the beginning - it sounds a bit square rhythmically, but the atmosphere and mixing effects help keep things interesting. The vocals at :26 are really nice, and that airy section flows nicely into the synth pads at :51. You may have overused the reverb a tad here, and the texture is still pretty thin during the climactic parts. The echoey synth riff at 1:36 is nice, but after a while it doesn’t have a very strong sense of direction. I felt like the piece was missing the dynamism in the composition that I usually look for. The atmosphere and sound design are both really nice here, and I enjoyed the production quality as well. I think the composition could use a little more fleshing out, and a stronger point of arrival with more memorable melodies and build-ups might help create that sense of direction. Still, solid work with the progression, instrumentation, rhythmic content, and mood. Keep at it, ImSoAlive! :)

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
1.5/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.5/1
Composite score
8/10

[Hole In The Sky]

I like the atmospheric effects and emotional appeal at the beginning. The progression is a little slow-paced at first, and I would’ve liked to see a stronger sense of direction towards the beginning. The piano part sounded a bit square at times, and some additional phrasing or dynamics considerations could really help you out imo. The string entry at 1:02 was nice, although again I think there could’ve been a stronger sense of climax into the entry of the brighter piano and rhythm section at 1:48. The atmosphere by around 2:15 is really nice, and I like the emotional quality of the bridge at 2:57. That said, the rhythm also felt a bit square there, and the piano continues to lack humanization. The piece comes together well towards the end with the return of the bright piano at 4:16, and the drawn-out string chord at the end was a nice touch. Overall, the sound design and the production quality are my favorite parts of the piece. I think you didn’t quite capitalize on the rich atmosphere and emotional appeal of the composition. I would’ve liked to see some more dynamic contrast, phrasing, subtle tempo changes, and the like. At times, the pacing of the chord progression also felt a little fast-paced to really sell the sense of wonder here, notably 1:20 or so. Still, I’m liking the creative arrangement, instrumentation, melodies, and rhythmic content here. Keep at it, Glassedhouse! :)

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
1.5/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.5/1
Composite score
8.25/10

[Nebula (Official Release)]

I like the quirky synths at the beginning and the rich atmosphere. The rhythmic content and spacious mix are really neat, and I’m enjoying the build-up into 1:04. The chord progressions and many of the arrangement and sound design details strike me as a bit cliche, and sometimes the synth arpeggios (e.x. 2:07) sound a bit harsh in the mix. That said, the production quality is really strong overall, despite the very heavy compression towards the end, and I like the emotional appeal of the breakdown at 2:25 or so. I might’ve liked to see some more variety in the harmonic content of the piece towards the end, and honestly I thought the second drop was a bit underwhelming, but overall the piece comes together well and maintains a lot of the tense undercurrent throughout. Strong work, Denis! ^_^

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
1/1
Composite score
8.75/10

[Raindrops]

I like the pensive mood at the beginning and the spacious atmosphere. I think the piano sounds a bit square and artificial, though. I’d recommend some more humanization and shape to that instrument early on, especially for the first 40 seconds or so while the texture is relatively bare. I also think the block chords in the piano at :21 sound a bit clunky. The waltzy meter and syncopations at :42 are really nice, though, and the melodic phrases in this piece have a great, elegant flair about them. The violin sample sounds pretty inauthentic in the upper range (e.x., 1:14), and I would’ve liked to see some section of this piece have more legato elements to contrast the crisp articulation present in just about every instrument in the piece. Nice job with the variation in the melodies at 2:06 - that was a pleasant surprise. Despite my criticisms on some of the compositional and sound design details here, I’ll also say that the production quality is just about perfect. Very clean, well-balanced and full-sounding mix throughout. The arrangement of the piece, while not entirely original, channels the energy effectively and flows quite smoothly. Overall, strong work here, Dag0! Keep it up. ^_^

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
1/1
Composite score
9.25/10

Dag0 responds:

OMG This is the best score i've got from you, and it is quite surprising considering other judges reviews on this piece. Thanks! ^^

[Hand In Hand- NGUAC 2020 Final Round Submission]

I like the soothing guitars at the beginning and melodic flair and syncopations. The vocals are a little soft in the mix, but I like the sense of climax into 1:09 and the strong beat. There’s a good sense of contrast in intensity between the chorus and verses, and I like the extended refrain at the very end. After a while, you overuse the guitar riff that pops in at 2:07 (and other places), and I also would’ve liked to hear some more variety in the harmonic framework later on. That said, the drawn-out lyrics at around 3:30 were really nice for some variety in the pacing, even if they didn’t introduce much in the way of novel harmonic content. Overall, this is really strong work, Connor. I’m loving the sound design, production quality, and emotional quality in the vocals. If there’s somewhere I could download this, please PM me a link. :)

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.75/1
Composite score
9.25/10

ConnorHeather responds:

Excellent, thanks for the time to leave such great constructive feedback really appreciate it! I'm thinking of making this part of an album i am recording, but i can send you a link to download, to say thanks! PM you email address.

[Ahurac - ID 2 (NGUAC Final Round Entry)]

I like the stereo crackles at the beginning and the blissful chiptune melodies. There’s a good sense of climax into :15, and the mix is really clean and well-balanced. The progression is really smooth, and I love the melodic variety and upbeat tone here. The bridge at 1:26 with the ghostly counter-melody was a nice touch, although by the end the piece doesn’t feel entirely structurally complete. I was looking for another climactic section to hit the piece home towards the end, but instead it feels like the most engaging part of the piece is in the first half. Structural gripes aside, the production quality here is awesome, and you clearly have a great sense of flow and harmonizing too. I thoroughly enjoyed this one, Ahurac. Strong work! ^_^

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.75/1
Composite score
9.25/10

Ahurac responds:

Thank you so much Tainted for this nice review, it was a pleasure for me to enter NGUAC and I'll come next year to beat my score ^^. The song is not finished and I'll take notes of what all of you said to make it perfect.

Best regards, Ahurac ~

[Axel F]

Nice! The cute sound design and pleasing arrangement really do justice to the original. I'm not sure the echo-y drums at :23 quite worked for me, and you also overuse it a bit by the end. That said, the stop-start transition at 1:03 with the descending synth line was a nice touch. I like the bridge section at 1:36, although the transition back into the refrain at 2:06 with the sweep could've been a tad more creative. I also think the beat could've been a bit more prominent in the mix throughout this piece, and at times the texture sounds a bit thin. Otherwise, the production is solid. Overall, cool remake, NGVirus! Keep it up. ^_^

[Dark Heart with Love prelude]

I like the majestic string pads at the beginning and the thunder rolls in the background. The rhythm feels a little square, but the guitar at :27 helps add some variety. There's a lot of really interesting reversal of the instruments and other mixing effects starting around the 1-minute mark. It certainly makes the instruments sound less natural, but also helped create some variety during an otherwise pretty harmonically stagnant section. I like the more electronic bent the piece takes on after the 2nd minute or so, although the sidechaining was a bit heavy for my tastes at 2:20. The progression and shape of the piece overall is really nice, but the texture is often a little too empty to maximize the emotional effect that the progression has. I think the chord progression could've used some more variation, and some additional harmonies really would've helped too. The breakdown at 4:10 is another nice touch on the dynamic contrast/phrasing side, but it also doesn't introduce any new motifs into the piece. The more energetic section at 5:35 or so helps wrap the piece up nicely, but once again the compression is a bit much there. Overall, you've shown a lot of advanced methods of transitioning between different sections and channeling the energy here, but the piece could still be more engaging in terms of the harmonic framework. Still, I enjoyed the sound design, and overall the mixing was also solid despite my gripes at certain points. Keep at it, Naval76! ^_^