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TaintedLogic

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I like the bright tone of the strings and the gradual swell into :27. Pretty awesome use of sound design throughout. I believe I detect a bit of Rossini at :30 - and other places too. :) The piece wavers between many different emotions over time, and I wish the progression was a tad more fluid at times. That said, I like how you "carry over" some elements between passages (like the drums at around 2:00) to keep the structure coherent. Really seems like William Tell inspired a lot of this piece, which also helps give it some thematic grounding that I often don't hear in your works. I really like the full-textured mellow section at around 3:45, which makes the lively section at around the 5-minute mark all the more climactic. The horn melody at 6:20 was a strong conclusion to the piece as well. Overall, fantastic work as usual, Vocif! I think these lengthy orchestral pieces constitute my favorite sub-category of your work. ^_^

Ayyyy! How did I miss this? Excellent start to a new decade of Johnfn Newgrounds uploads. Has a whimsical and cutesy vibe from the start, even if it's a bit dry. The cats are killing it at :55, but the sudden drum break threw me off a bit at 1:07. The dissonant chord at 2:03 made me laugh, and the melodic variations later on in the piece really had me sold. The little piano solo riff at 2:20 was a great touch, too. The full-circle-style outro with the mallets felt like the ending credits on a kids show episode. I'm going to call up @LazyMuffin and pitch it to him right now. :3

Keep up the good work, Johnny Boy!

johnfn responds:

THANKS TL! the drum break is supposed to be the bear on timpani arriving late and over excitedly to the party lol

Nice! I really like the sound design and comical flavor of the piece. The trumpet solo in the middle was the icing on the cake. Percussion sounds really crisp, and the quizzical-sounding guitar strum at the end is a whimsical touch. It also fits in really well with the animation style and timing of the episode. Strong work! I really hope they paid you for this, because you killed it, SFW. ^_^

Really interesting rhythmic pulse at the beginning - a little hard-to-follow, perhaps. That said, the sound design and composition here is fantastic overall. I especially like the "hoo hoo hah" chanting at around 1:05. The percussion could've been a tad sharper to add some punch in the mix, but otherwise I have no production-related complaints either. I also like how the final theme has a slightly longer fade-out at the end. Overall solid work yet again! Keep it up, Vocif. ^^

I like the progression and dramatic percussion. Sound quality is a bit muddy - try to use less reverb on those low-end drums. That said, the composition is great. Really lively and climactic. Excellent use of sound design, especially with the subtle electronic elements at :36. Sounds like the end of a chase scene. Strong work!

Junebuggo responds:

Thanks for your criticism! Some of the muddy quality is due to Newground's bad MP3 compression. Also funny thing... those "electronic elements" at 0:36 are actually trumpets on a flutter and fast half step trill XD

Nice use of mixing effects! Some of the drum samples weren't my cup of tea (kick is very treble-heavy, and the clap sounds pretty generic). Compression also might be a little heavy for my tastes. That said, you did a really great job with the vocals - they sound really airy and dynamic. The piece could use a bit more structuring at times, but as it is there's a nice sense of flow and atmosphere. Solid work! Keep it up, man. ^^

I like the rich atmosphere and retro 80s vibe. The pacing is a little slow, and the bass pretty noticeably distorts the beat in places, like at 1:25. While the second half is pretty repetitive and doesn't always have a strong sense of direction, the mood, atmosphere, and mixing details are really evocative and cool. The panning/distortion automation at 3:00 is rather neat, and the sound design here vaguely reminds me of some of Waterflame's old tracks (Hidden Path, for example). Overall, this piece comes off as pretty experimental, with quite a sharp contrast between the first couple of minutes and last 3. Sounds like spending a fun night with a lover - the thrill of the dancefloor, the rush of adrenaline from a party scene, and then later the intimate and introspective experience of falling asleep next to them. Solid stuff, LN! ^^

Catchy and well-mastered. A little minimalistic for my tastes, but the rhythmic components and vocal samples help keep things engaging. That staggered laugh (2:06 and other places) is really cool. Sometimes, the texture is missing some tones near the top of the frequency range, and the "okay, let's go" vocal line was a bit overused by the end. That said, the flow here is really nice, and you even have some of your trademark distorted rhythmic synths at around 3:30. A little repetitive and generic at times, but it's still going to be stuck in my head for quite a while. Solid work, MegaSphere! ^^

I love the tranquil atmosphere at the beginning and the swells (like at :33). The sound design and mixing are fantastic as usual with you, and I especially enjoy the mix of orchestral and more synthetic/ambient elements. There's a lot of musical variety here, and I especially like the contrast you draw between the brass solo at 3:40 and the preceding downtempo section. The coda was haunting, a fitting echo of the charisma and cinematic flair of the more energetic sections earlier. Well done, Step! The narrative form of this one is truly engrossing. ^^

Step responds:

I still love your reviews. Thanks so much for leaving a comment, Andrew!

The contrast at the end is something I'm very happy with too. In general, this piece is all about driving a narrative, and if someone were listening to it and couldn't form any kind of story in their head based on what they're hearing, then the song didn't do its job as far as I'm concerned.

Thanks again!

Bit of a brighter tone to this one than usual for you. I like the creative hi-hat rolls in the background. The kick is pretty heavy, and the attack on those pads at 1:09 is a little too sharp for my tastes. The synths need a little more body here to feel well-balanced against the drums sometimes. Can you send me a screencap of the equalizers on your synths, too? Otherwise, I like the bouncy tone of this one. Attack on the pads is the only thing that actively bothers me.

djRemedy responds:

Thanks dude. Fixed the kick.. tweaked a few things.. still not perfect but I will keep on it. Lol sorry it took so long.

Hi. I'm Andrew. Audio portal junkie since 2010, supporter since 2017. I always want to improve what I do! I make music, run the NGUAC, post poetry on BBS, and am the all-time #2 audio reviewer. I love this site, and I want to make it the best I can! ^_^

Andrew Mikula @TaintedLogic

Age 27, Male

Policy Research

Bates College

Wellesley, Massachusetts

Joined on 8/16/12

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