TaintedLogic's audio Reviews on Newgrounds

[The Seventh Chord]

I like the dreamy vibe at the beginning and the chromatic details in the melodies. The tone is a good combination of blissful and energetic. Chord progression is a tad cliche, but the smooth flow and rich atmosphere of the piece help keep me engaged. The modulation at 2:00 was a nice touch too. The spacey outro works well, and the production quality is solid too. You earned a scout, my friend! Keep up the good work. ^_^

TranceMasterGD responds:

Tack så mycket herr

[Spitfya - Backfire (Original Mix)]

Yo! Been a while since I heard from you. I like the chopped vocals and crisp beats at the beginning. The glitchy atmospheric fade-ins at :35 are really cool too. The drop at :47 is neat too, if a tad generic. The drop at 1:30 hits a lot harder, and the intricacy of the rhythm there has me sold. I think the vocal work and atmosphere really are what win me over with this one, though. The minimalistic drop at 3:05 was another fun surprise, and the percussion at 3:20 has a really ominous, spacey vibe. Really digging the variety and moodiness of this one overall, Spitfya. Keep up the great work! Please post more on NG. ^_^

[Tryhard]

I like the eerie riffs at the beginning and the gritty texture of the body of the piece. The frantic breaks at 1:24 were a pleasant surprise, and I like the industrial vibe there and the roaring sub-bass. The transition at 1:44 worked a little less well for me, and tbh the delay effects on the snare were throwing me off a lot during this piece. The production is really tight, though, and you really kept things engaging between the sound design and the creative arrangement. Keep at it, LN! ^_^

[Daxolissian System: Saboteur OST]

It's a bit more minimal and dry than a lot of your other OSTs, but the rhythmic bass groove at :45 funky melodies have me looping it multiple times nonetheless. ^^ I also commend you for the use of crisper drums this time, and the rolled hi-hats at around :30 were a nice touch too. I like how there's a mini-climax right before the end. Keep at it, CG! ^^

[MegaSphere - Crazy ft. Steelside (VIP)]

I like the moody piano riffs at the beginning and the airy vocals. There are some moments where the mix still seems a little spotty, like with the overuse of reverb at 1:07, 4:12, and a couple of other places. The robotic-sounding drop at 1:45 really takes the piece in a refreshing new direction, and I like all the vocal effects and variety in the compositional details here. The pacing is a little slow at times, and the instrumentals during the verses are pretty minimal. I thought the emotional piano riff at the end felt a little out-of-place after the groovy rhythmic drops. I also think the piece needed a bit more directionality towards the end - it's already quite long at that point, and there's essentially no new vocal content in the second half. Still, I admire your commitment to improving past tracks. This piece is a little rough around the edges imho, but the sound design and danceability are more than enough to keep me engaged. Keep at it, guys! ^_^

[Bar Brawl]

What a fun piece! The syncopation is indeed really interesting - took me a while to realize it was in 4/4. XD The energy and sound design are great here. Really gets my foot tapping. Somehow the tone of the piece is too light-hearted to be a bar brawl, though. Sounds more like a whimsical child running through the streets of 1800s Dublin to get to the market. The piece gets a tad repetitive after a while, but the short-form nature of the structure makes it relatively easy to stay engaged. Perhaps I would've liked to hear a more distinct climax towards the end, but I understand this was an exercise in expediting tracks for completion. Solid stuff, and congrats on the frontpage! ^_^

[Chapel by the Sea]

I like the echo-y mallet instrument at the beginning and the evocative melodies. The flute at :47 is a great way of progressing the piece, although once the strings come in the mix sounds a tad indistinct - maybe I just wanted the bass notes to be a bit crisper, is all. The bridge at around 1:45 really takes the piece in a more languid, romantic-sounding direction, which is a nice element of structural contrast before the final climax. I think the mix gets a bit overwhelmed towards the end, too - I think I wanted to hear less reverb overall and more punch to the drums. Still, the emotional appeal of the outro is really nice, and overall the composition and sound design work here outweigh my concerns with the mixing. Keep at it, Papkee! ^^

[Roads (In the works)]

The ambiance at the beginning is a little eerie, and the bass and beat bolster that effect further. The jazzy vibe and the occasional dissonant moments (e.x. 1:17) are nice touches that round out the character of the piece. I think there's still a lot of room for you to take a more compositionally daring approach with this, but the sound design and atmosphere have me itching for more. Welcome back, Trunotfals! I'm loving your new style, too - as I recall you composed a lot of EDM back in the day. ^_^

trunotfals responds:

So glad to see you commenting on my music again!!! And yes I still make edm, haha, I just havent made like, ANYTHING for almost three years.

[Sakura Raceway]

Hahaha I like the cheesy melodies and upbeat tone. I know you made this in an hour and stuff, but I thought the bridge at :55 was a little bland - the very least you could do to spice it up would be to add some punchier drums to really make that solo pop. Still, the cutesy details of the piece, right down to the ritardando and plunky last note at the end, made me smile. Solid work, LE!

Also, somehow this feels a little slow-paced for Mario Kart, but maybe that's just because I always put the game on "aggressive items." >:D

LunacyEcho responds:

yeah i totally agree, definitely could've done more with the drums—i was just experimenting with some new samples i got. thanks for the review!

[Uncontainable Love]

I really like the emotional appeal of this one. The piano melodies are beautiful, and you did a great job with the string swells at around :47. It was a little sudden when the instrumentation almost completely changed at :28, but it still sounded pretty smooth because the same melody was playing on either side of the transition. The orchestration here is a highlight at the end of the day, especially towards the end of the piece when it adds so much variety and flavor to the track. The outro with the piano is just the icing on the cake, too. Love the string drones and full-circle compositional approach here. Lovely work, CS! ^_^

CloakedSoup responds:

Thanks a ton! :D

The idea I was going for was to present the melody plainly in the beginning and then have it blossom like a flower with the orchestration (Hence the cello melody + viola countermelody at 0:28 before everything else slowly fills up the space). The orchestration was definitely the main focus while I was working on it and I'm glad you enjoyed that aspect of it!

Thanks again for the great review!