I like the oom-pah bass pattern and the fun melodies towards the beginning. The mix is super loud, clear, and clean, and I like the sound design too. The piece could use a bit more harmonic variety at times, and I think some of the transitions were a bit abrupt (like at :54). The energy level is pretty similar for a lot of the piece, although I like the moments where the mix is a bit more spacious (like at 2:18). The orchestral elements at 2:18 were nice, although I wish they came through the mix a bit louder. I like how you finished the piece off with a more climactic, bass-heavy section, although the arrangement of the piece still feels a bit formulaic and square, with major changes almost exclusively occurring at even 8-bar intervals. It’s just not a recipe for a very dynamic-sounding composition. Still, the mood, instrumentation, and mixing are all top-notch here. Keep at it, Depard! ^_^
Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.75/1
Composite score
8.25/10