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TaintedLogic

5,126 Audio Reviews

2,717 w/ Responses

2 reviews are hidden due to your filters.

I like the ominous mood and rich atmosphere at the beginning. The sound design, including the militaristic percussion, is especially nice here. I like the injection of intensity at :40, but the strings sound a bit thin in the mix. That likely helps the production quality to equalize out the lower tones like that, but it also makes the strings sound pretty inauthentic. The brass samples also sound pretty fake, and there may be a bit too much reverb in the texture. The production quality still holds up pretty well, though. I’m a little thrown off by all of the stop-start transitions and the jarring changes in instrumentation between the spacey electronic intro, orchestral section, and then the guitar riffs. I think you need to work on creating gradual transitions, although I like the smooth breakdown with the strings at 2:18 and the return of the rich atmosphere at 2:30. There’s some really strong melodic content in this piece, and the mixing is solid. The disjointed arrangement is probably my only major complaint. Keep at it, FractureClutter! :)

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.5/1
Composite score
8.5/10

FractureClutter responds:

Thank you for feedback! I really acknowledge all my blunders in this composition. I'll try to get better in the future by working more on compositional and mixing aspect. Hopefully I'll get some high quality orchestral stuff soon

I like the eastern-sounding instrument at the beginning and the atmosphere. The percussion at :12 is a little heavy relative to the harmonic instruments, and the rhythm of the harmonies is pretty square. The vocals at :26 helped establish the thematic content, and I like the grimy, catchy breaks at the drop. The texture is pretty minimal, and the 7th on the pick-up note leading to the downbeat with the gritty bass is a bit cliche. The sound design at 1:03 is fun, although I would’ve liked to hear more harmonic depth, melodic content, and just higher-pitched tones in general here. I like the spacey atmosphere at 1:32 and the echoy vocals at 1:41. The transition at 1:55 is a little unexpected, but I like the quirky vibe at 2:26. The texture remains engaging and highly variable throughout, but the persistent minimalism and somewhat choppy arrangement of the piece don’t help you out here. I was a little thrown off by the relaxed, pensive outro after such a hard-hitting body of the piece. Either way, nice work with the production, rhythmic content, mood, and atmosphere of this one. Keep at it, Fire-Gold! :)

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
1.25/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
.75/1
Composite score
8/10

I like the ambiance at the beginning and the eerie texture. The strings sound a bit inauthentic, and there could’ve been a smoother transition into :42. The kick at :42 is a tad heavy, and the open hat at :57 is a tad cliche. I like the production quality and the well-balanced texture, and the sound design reminds me a lot of 2008 Newgrounds. :) The piece is a little slow to progress, and 2 minutes in I still haven’t heard much in the way of dynamic melodic content. The melody at 2:36 is very jumpy, and the melodies before it have pretty predictable rhythms. The melody at 3:28 is really pretty, but I thought the ghostly ambient effects were a little too loud relative to the strings. The grittier instrument at 3:47 is a nice touch, but I think by that point you start to overuse the transitions with the reverse crash. The piece comes together well by the end with the last melodic section, but I think the flow of the piece would complement the languid atmosphere a little more if there were more gradual transitions in this piece. Overall, nice work with the production quality, mood, atmosphere, and rhythmic content. The mixing here is especially good, in fact. Keep it up, EverReverb! ^_^

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
.75/1
Composite score
8.5/10

AED4 responds:

Thank you for incredibly detailed review once again! I don't know how you manage to mass produce reviews of this quality :p You do raise many good points, especially about the transitions.

I like the pensive mood at the beginning, although some of the synths sound a bit harsh in the mix. I like harmonies by around :32, and the mix is loud and crisp. There’s a good sense of climax into 1:00, but the stop-start transition there could’ve been a bit smoother. Some reverb or a reverse crash or something might help bridge the gap there. Still, I like the energy at the refrain and the rhythmic syncopations. This piece is missing some more dynamic melodic content, although the solo at 2:17 helps alleviate that concern. The unexpected harmonic shift at 2:58 and the subsequent melodic section helped to hit the piece home. Overall, solid work here! Most of my complaints are rather detail-oriented. Keep it up, Depard. ^_^

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.75/1
Composite score
8.5/10

I like the spacey atmosphere at the beginning and the low strings at :09. The rhythm is a bit square, and there’s a bit too much reverb in the texture imo. Still, I like the haunting mood and the sense of wonder throughout this piece. The one-climax model is hard to pull off, but you do it well here. The production quality holds up well, and you do a great job of channeling the emotion into the climax at 1:38. The melody at 1:38 has a very regular and boring rhythm, though, and I think you could’ve captured the drama better with this piece if the melody was more dynamic, in terms of both pitch and rhythm. Still, nice job with the phrasing, progression, mood, and sound design here. Keep at it, Columbers! :)

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
1.5/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.25/1
Composite score
8/10

Columbers responds:

Thanks for the review and helpful criticism! This track was definitely a bit rushed (a bad habit of mine) but I’m glad I entered the audio competitions again this year.

I like the cute synth riffs at the beginning and the crisp drums. The piece is a tad slow to progress, but there’s a good sense of climax into :34. The arrangement of the piece feels a bit formulaic, though, with major changes only occurring at 8-bar intervals for most of the piece, and despite the full texture there’s not much harmonic variety or melodic content. I liked the breakdown at 1:59, but it might’ve helped give the piece more shape if you cut out the drums and doubled down on the atmospheric content. There isn’t a lot of dynamism in the composition later in the piece either, and honestly it sounds like a straight copy-paste of the first half, besides the variations at 3:25. I also thought you overused the stop-start transitions, and I would’ve liked to see more gradual transitions, phrasing, and dynamic contrast in this piece. The mixing is solid, although that doesn’t necessarily make up for the bland composition imo. Still, I liked the atmosphere, rhythmic content, and mood of this one. Keep at it, CANDYdisturber! :)

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1.5/2
Instrumentation and sound design
.5/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.25/1
Overall (how do the elements above interact?)
.75/1
Composite score
7/10

CANDYdisturber responds:

Thanks for the review, and I can completely agree with what you said here. Its was much harder to work under the time constraint, and didn't realize this going in. Definitely not my best piece, but it was fun to be a part of the contest nonetheless!

The sweeps and lead synth at :02 sound a bit cheesy, but I like the energy and rhythmic content here. The texture is a bit minimal and pizzicato-y. I think you could use a richer atmosphere or more legato pads or melodies. The piece is a bit slow to progress, although the texture is well-balanced and the mix is crisp and clean. The chord progression is a bit cliche in places, and I think you overused the stop-start transitions after a while (like at 2:05). There could be more textural fill and harmonic variety here, and I would’ve liked to see you vary the main melody towards the end as well. The composition is a bit bland overall, though I have no complaints with the mixing or rhythmic content. The sound design, chord progression, and arrangement could be a bit more original, but I’m enjoying the smooth flow and atmosphere of the piece. Overall solid work, Airprogressive! I just wanted to see a bit more ingenuity in the composition here. :)

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
1.25/2
Instrumentation and sound design
.5/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.25/1
Overall (how do the elements above interact?)
1/1
Composite score
7.25/10

Airprogressive responds:

Thank you for your detailed review, I will consider your advice for my next tracks.

:)

I like the bass riff at the beginning. There’s a bit of an excess of reverb, although I like the vintage feel of the drums and the synths at :27. The mix is also a little quiet overall, but the production quality holds up pretty well and the texture is well-balanced. You have a good sense of rhythm and harmony, and the melodies at 1:39 are really fun with the pitch-bending and the chromatic motion. I think this piece needed a bit more structural variety, though. It has a sense of continuity between the beat and harmonies, and an atmospheric breakdown or something would really help give it some more shape. Still, I love the jazzy harmonies and quirky mood of this one. Keep at it, YHTFLKC! :)

Mixing, mastering, and balance
1.5/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.5/1
Composite score
8/10

YHTFLKC responds:

I feel like a lot of my music is rather quiet, like when I listen to other music on Spotify for instance, compared to mine I can hear it over the speakers at work whereas mine I can not. I think I'm gonna try turning up the master volume a little bit before I export next time. Thanks for the feedback, and glad I was able to participate again this year, but now I can go back to making stuff at whatever pace I feel like, lol. Still, looking forward to next year as well, this is always a good time.

I like the airy atmosphere and drums at the beginning, although I might’ve liked to hear a more gradual introduction to the piece. The crackling in the background is a tad overdone, and the progression is a bit slow-paced here. I like the section at :58 where the texture comes together a bit more, and the vocals at 1:22 add a lot of value to the texture. There’s a great sense of atmosphere here, although the mix is a little quiet and the composition could use a bit more structuring. The one-climax model is a bit risky imo, and this piece is no exception. Still, the mood, melodies, and production quality are strong here. Keep at it, WolfgangMiakoda! :)

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.25/1
Composite score
8/10

Hi. I'm Andrew. Audio portal junkie since 2010, supporter since 2017. I always want to improve what I do! I make music, run the NGUAC, post poetry on BBS, and am the all-time #2 audio reviewer. I love this site, and I want to make it the best I can! ^_^

Andrew Mikula @TaintedLogic

Age 27, Male

Policy Research

Bates College

Wellesley, Massachusetts

Joined on 8/16/12

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