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TaintedLogic

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I like the emotional appeal of the beginning and the introspective feel of the lyrics. I like the more melodic style of the post-chorus, too. I think my favorite line is "like I'm dancing with a ghost." I also noticed that you combined the post-chorus with the vocal refrain at the end again, which I think is a really effective compositional tool for hitting the piece home. This is probably my favorite piece of yours that I've reviewed today. Strong work, FarOut! ^^

I like the dreamy intro with the string swells and light piano line. The strings are beautiful, but the climax at 1:17 was a bit underwhelming imo. It seemed very chordal, whereas the emotional appeal of the piece could've been captured better in some sort of melodic content. Ultimately, you took the piece in a very different direction with the heavy breaks at the 2nd drop, but I still would've liked to hear more memorable melodies in this piece. Sound design, progression, mastering, and atmosphere were all strong here, though. Keep at it, FarOut!

I like the ominous vibe at the beginning and the percussion that releases the tension on the downbeats. This is quite different from a lot of your other work. Great sense of build into 1:17, and I like how the drop combines heavy chords and those sassy strings. The subtle vocal sample at 2:33 was a nice touch, although I guess I would've liked to hear some more development between the first and second drops. The drops just sounded very similar. Still, this is another strong track. You nailed the mood and atmosphere of this one. Keep it up!

Great track! The vocals are really clean, and I like the orchestral flair in the instrumental track. The production is great, but at times I wanted the drums to be stronger, especially outside of the post-chorus at 1:24. The structuring and progression is really effective here. I like how the vocal refrain and post-chorus instrumental come together at the end, shortly before the emotional outro. Well done, FarOut! Keep up the good work.

I like the ominous mood and bottom-heavy mix. The mysterious pads at :28 were a nice touch, and the brass also adds a lot of character to the piece. The title evokes the piece's connection to some sort of mystery/thriller old-timey movie. The details win the day with this piece, from the drum fill at 1:30 to the theremin at 1:45 to creepy outro. Keep up the good work, Possibly!

Possibly responds:

Thanks for another review, appreciate you taking the time :D

Very evocative! Sounds like sunrise over Wyoming. I love the power of those descending rolled chords and the mysterious plucking at around the 2-minute mark. Doesn't quite sound like a coherent piece yet to me, though. The pacing is pretty wonky, with a lot of extended pauses that hold a little too much tension without giving way to a point of resolve. Still definitely puts an image in my head, but it might need some drums or something to move it along. Keep at it, Possibly!

Possibly responds:

Cheers - yeah, I don't think there was supposed to be any resolution, cos they are lost and isolated in a wilderness. Think of it more of a piece meant to work in conjunction with images I guess. Thanks for the review.

I like the frantic slap bass and drums. Very bizarre texture - energetic, yet also kinda minimalistic until :30 or so. I like the strong beat and structuring too. The orchestral hits add some nice flavor, and the production is also really clean. Overall, it feels both very innovative and very organic, which is a nice combo. Keep it up, Possibly! ^^

Possibly responds:

Thanks very much, glad you like it, I appreciate the kind words.

The arpeggios at the beginning were a bit quiet. I like the murky-sounding melody, but I think the balance is still off. The transition at :49 was pretty jarring, and didn't really build on the direction of the first 50 seconds. I like how this piece is a bit more harmonically interesting than the last piece I reviewed, but it also lacks the flow and density of texture. I think the transition at 2:26 was a lot smoother than the analogous one at :49, largely because of the brief riser effect. I think you overdid the panning on the synths after that, though. They sound a bit harsh in my ears. The mix is pretty clean, although if you were going for a more atmospheric effect on the synths at the end a little more reverb might be advisable. You did a better job of winding down this piece before the end, unlike the last one. Keep at it, DjRemedy! ^^

Catchy beat, if a little minimalistic. I like the bass line and rhythmic percussion. Sound design overall is really smooth, but I think the texture was missing some higher-pitched tones. The mix is pretty clear, if a tad undecorated. Compositionally, the piece is a bit repetitive and lacks melodic content. I'd encourage you to find alternative ways of creating variety besides just adding and subtracting instruments over time, though. Phrasing, dynamics, filtering, and automation can all help vary the intensity of your piece, especially a track that has so much underlying apprehension like this one. The ending of the track was a tad sudden, but I did like the short bridge at 2:39. Nice work overall! You're certainly getting better. Keep at it, DJRemedy! ^^

djRemedy responds:

Thanks, TaintedLogic! I always appreciate your constructive reviews and will try to apply them to my next piece!

Hi. I'm Andrew. Audio portal junkie since 2010, supporter since 2017. I always want to improve what I do! I make music, run the NGUAC, post poetry on BBS, and am the all-time #2 audio reviewer. I love this site, and I want to make it the best I can! ^_^

Andrew Mikula @TaintedLogic

Age 27, Male

Policy Research

Bates College

Wellesley, Massachusetts

Joined on 8/16/12

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