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TaintedLogic

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I like the hushed, cutesy vibe of the beginning. That kick has a LOT of treble, though. Might need a little more filtering work there. The emotional appeal of the piano at :30 is great, and there's a good sense of climax into 1:15. The mix is loud and clear here. The refrain has a really victorious and upbeat feel, and you contrast it well with the re-intro at 2:01. One of my main complaints here is that the second half of the piece doesn't add a ton of content that wasn't in the first half. I wanted to see you vary the main melody a bit to give the piece a stronger sense of direction. That said, I like how the bass is really exposed at 3:45. Overall really solid work here. All of my complaints are minor. Keep up the good work! ^_^

bow1255 responds:

Thanks for the review. That's helpful ^^

I like the smooth, dreamy guitar at the beginning. Progression is pretty nice, too. I like it when the hi-hats roll in at :39, but be careful not to overuse that effect - it feels really transitory (as opposed to being a once-every-4-beats kind of thing). The solo at 1:28 helped give the texture some variety, yet wasn't a very dynamic solo in and of itself. My one main concern with the piece is that it doesn't have a lot of shape or phrasing to it. Kinda sounds like a demo track in that way. The sound design, mixing, and atmosphere are all great. It just needs a little more ebb and flow in the composition. Still, solid work. Really relaxing vibe here.

1zin1 responds:

Thanks for the detailed input. Much appreciated.. as i didn't spend to much time on this but from an outside look at it i do agree with what you've said and will build upon the track when i have time. Thanks again. :)

The stop-start rhythm of the piano at the beginning is really quirky, and the rest of the sound design really enhances an ominous kind of vibe. Has a bit of an experimental texture. The pause at 1:01 works okay as a transition, but it might've been smoother if you had added some more reverb or something. I wasn't a fan of how you started spamming the hi-hats at around 1:04. The harmonies get a little dissonant at around 1:40, and the piece starts to lack a clear sense of direction towards the end. I'd suggest finding other ways of creating variety and shape to the piece besides adding and subtracting instruments. Some automation, filtering, phrasing, and dynamic contrast would help give this piece a little more ebb and flow, instead of the drone-like quality it has right now. I also would've liked to see you add some more melodic content here. The rhythm of the piece can be hard to follow at times, and some more moving notes might help keep the listener grounded. Overall, I appreciate the compositional risks you took with this one, even if I think you could've done more with it harmonically. Keep at it, man! Definitely a piece worth revisiting imo.

Celudoc responds:

Thanks for the listen! I definitely see what your saying. I was going for a more despondent 'losing your sanity' kinda droney vibe, since I was trying to think of the mindset of wasting away in a cell, but i will definitely consider trying out a form of harmonic dissonance when i revisit this and try out more reverb. Maybe I can try humanizing the percussion a little more when i revisit it. I was also playing with the idea of adding dripping water, but I haven't gotten sampling down yet, so that'll be later. I sincerely appreciate the constructive criticism!

I like the ominous mood at the beginning. Texture is very distorted. I like the swells a lot. I thought the bell-like synth at :32 could use some more reverb, and that the synth at :48 was a little cliché. Overall, the piece doesn't progress much harmonically. You're using the same couple of riffs with different instruments. The wind FX and vocal-sounding samples at 2:10 and 2:03, respectively, are really cool. Overall, I applaud the sound design and atmosphere here, but I think you could've done a lot more with the composition in terms of moving notes. The modulations later in the piece were a good idea, but I think you need to do more than that to keep this piece interesting harmonically. Keep at it, man!

Andethy responds:

Thanks for the quality feedback! It is hard to mix well in Garageband, and hopefully get an upgrade soon. I agree that my melodies could be improved on but I'm pretty new to music making. However, I'm learning more about the functionality and hope to make better tracks in the future...

I like the pensive piano at the beginning and the atmosphere. Has a really bright and dreamy sound to it. Excellent sense of climax starting at around :45. The more synthetic elements that come in at :58 suit the progression well. The drop at 1:25 is good, and I like the melodic elements going on in the background. That said, I think the instrumentation during the drop is very similar to a lot of your other work, notably "Chimera". One thing that's particularly impressive about this is the production quality. Everything is crystal clear in the mix, yet still feels really full, atmospheric, and well-balanced. Great job with making this piece both upbeat and energetic, too. Overall I like it a lot. Keep up the good work!

Geoplex responds:

Hey man! Really appreciate the detailed review :)
Regarding the instrumentation, you may be more correct in your observation there than you know, because I think I've had a problem with overusing similar kinds of leads for 4 or 5 years tbh :p I need people to point it out or I may never stop lmao

I spent an ungodly amount of time on the mix of this one, so glad to hear it shows.

Thanks for the feedback!

Some really quirky instruments. The wavering one that kinda sounds like an old western guitar especially stands out. I really like the strong snare, but I think it ducks under the mix a bit once the texture gets busier around the 1-minute mark. I like the melodic content at 1:15. Your great sense of harmony is clearly on display here, as always. The sudden change in the texture at 2:02 was made somewhat smoother by the reverb, but in general I think you overused the reverb a bit, to the point that it negatively affected the mix. Still, the texture is still very busy and full for most of the piece, which makes for quite an engaging track. I also really enjoyed the breakdown at 2:47 with the additions to the beat and the subtle, dreamy pads in the background. Compositionally, this is a really fun and adventurous-sounding piece, but production-wise I don't think it's your best work. Still thoroughly enjoyable, though. Keep up the good work, Waterflame! :^)

Waterflame responds:

Thank you for the great review! I agree with, well, all of it. In retrospect. I think the key to bringing this mix out a bit would have been less reverb on certain instruments.

I like the tranquil mood at the beginning. The percussion is interesting. There's a lot of top-end frequencies on that snap that plays on the off beats. The marcato pads at :34 are really nice, and add a lot to the progression. Really smooth and atmospheric piece. A bit repetitive, though, and the ending was a little underwhelming. Could also use some more melodic content, but it's still great for some ambient vibes. You earned yourself a scout. Congratulations! :)

emilyomily responds:

Thanks for the feedback man, and the scout! :D

Awww, thanks for the shout-out, Arborescence! :') The changes in instrumentation at the beginning are certainly a step forward, yet convey somewhat of a different mood from the original. The piece sounds a bit more melancholy now, probably because of that cello. To be completely honest, that brass sample at :45 or so still stands out as sounding pretty fake. What DAW do you use? I can think of some VSTs that have pretty authentic orchestral samples that you can download for free. PM me if you're interested. I certainly appreciated the dynamics here, though. The swell at 1:25 was great, and overall the piece sounds a lot more human now. I think you did a nice job with the entrance at 3:01, too. It's a relatively sudden transition, yet there was some degree of foreshadowing with the ritardando in the previous section (which is a good thing). The last minute or so is especially majestic and serene, and features some of the strongest counterpoint of the piece between the strings, piano, and woodwinds. That said, the chord at 5:12 stuck out as a tad jarring, and also just unnecessary. Overall, this piece sounds so much stronger than when I last reviewed your work. It's tough to adjust the overall dynamic levels of a piece after-the-fact without creating mixing problems, but the piece is still relatively clear and blends rather well. Keep it up, Arborescence! ^_^

Hi. I'm Andrew. Audio portal junkie since 2010, supporter since 2017. I always want to improve what I do! I make music, run the NGUAC, post poetry on BBS, and am the all-time #2 audio reviewer. I love this site, and I want to make it the best I can! ^_^

Andrew Mikula @TaintedLogic

Age 27, Male

Policy Research

Bates College

Wellesley, Massachusetts

Joined on 8/16/12

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