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TaintedLogic

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Well, this certainly is a very...inspired piece. ;) I like the simplicity and emotion at the beginning. The melodies are hauntingly beautiful while still being relatively simple, and the echo-y quality of the snare just compliments the mood and atmosphere here very well. I also love the pacing of the piece: it just has these little bursts of melody at times, like I'm being spoon-fed from a giant jar of musical goodness until I eat the whole thing. The loop isn't perfect, but I think it was a good decision to loop it. It seems to be very fitting for a videogame, perhaps a pensive puzzle game or something. I thought the latter 1/3 or so of the piece wasn't really that engaging, btw, but the piece still has a sort of admirable continuity about it. Good job, man! ;D

Well, it certainly seems more fitting for Valentine's Day than Halloween. ;) It's catchy, humorous, well-structured, and smooth-flowing. I enjoyed the vocal harmonies a lot, as that gives the piece a pretty nice, full texture. I suppose at some point I would like to see you take some more stylistic risks (you do the bare-bones guitar, vocals, and body percs thing a lot). The piece was also a little long, especially compared to most of your other work. Still, you did a good job of telling a story with the lyrics. Keep it up, Ceevro. ;)

Ceevro responds:

Well, this was a cover, so they lyrics were already set for me. I know I've got a certain style to my methods of composing, but it you look back at my REALLY old stuff, you'll find out that recording with real instruments and my own voice actually IS the risk! I'm trying very hard to perfect a certain more real style. What I ultimately want is a method of doing these types of pieces live, at this quality. I'm getting better at it, though I still have a long way to go before I can call this method mastered!

Personally, I am not at all satisfied with this cover. It felt rushed, and not crisp enough for me. I also really hate the sound of my own voice...

I love the tranquility and emotion at the beginning. The beat adds a sort of flow to the piece, yet I thought the snare was a little too forceful-sounding given the relaxed vibe of the more melodic instruments. I'd probably tone down the reverb a bit there. Still, I admire your sense of harmony and progression. That melody that comes in at around :45 is very trance-like, floaty, and memorable. The ending is probably my least favorite part of the piece tbh. You kind of combined a fade-out with the ultra-jazzy "freeze on the third" method, which is not inherently bad (I've used it myself) but I think this piece demands more of a "winding down" sensation. You could try fleshing this out into a more intricately structured track, or simply looping it. Either way, that's my only major complaint. Keep up the good work man! ;D

Dj-Gonzo responds:

Thanks A LOT for the review! Glad you like my melodic taste, that always makes me feel confident. I know the ending is a bit "loose" comparing it with the rest of the song, I couldn't find another element to add to the chords, so I decided to use the fade out (I know that's a lazy way to end it though) but after listening it, I thought the final result wasn't bad at all. Again, thanks for replying my PM with such an incredible work of analysis. It is a pleasure to see people spending their time to make other artists improve. :)

> GTB

Hmm...I've really gotta check out this IndabaMusic site. Anyway, I love the tranquil atmosphere at the beginning. It's a little slow-paced, but that fits the mood of the piece very well at the same time. The vocals complement the atmosphere very well. The drop was good, and I love the soundscape (i.e., instrumentation) here. I thought that, especially during the chorus, the vocals were a little quiet relative to the synths. The mixing is fantastic, though. I'd also like to reiterate that the mood/atmosphere of the piece is absolutely my favorite part. It's the perfect combination of dramatic and intense (as you put in the tags), and more tranquil, relaxed, and upbeat. I also like the variations you started incorporating at about 4:15. Well-structured, smooth-flowing, etc. Nice work! ;D

trunotfals responds:

i never saw this review! Thanks Tainted! I never know how you find the time and effort to leave to many reviews man! I always appreciate and respect your opinion. And I had a bit of trouble with the vocals in the drop, but I also felt they didnt need to be too prevalent then. So, a compromise was made I suppose, but Im still working on those little trick with mixing I suppose. THANKS MAN! Great to work along side you in the NGAUC!!

I like the cute, bouncy synths and sense of climax the piece has into :31, although tbh I thought the part at :31 was a little underwhelming until you started fading in the melodies (and, of course, the arpeggios at :45 help increase the energy). This reminds me a lot of "Party Hard," that Sundivine remix you did a year or two ago. It just has a very upbeat, floaty, and summery vibe to it. It does have a great amount of variety and different "flavors," so to speak. However, it's also pretty heavily pizzicato-based, which isn't inherently a bad thing, but I don't think it helped keep my attention too well either. Even those piano chords you have at around 3:30 don't have enough sustain on them IMO. This style of staccato-but-not-punchy synths sometimes doesn't keep my attention that well after a while, which might be something to watch out for in the future. I definitely admire your sense of harmony and progression, though, and the mixing is great as always. I also thought this piece had one of your more conclusive endings, which is good. Overall nice work! Keep it up, Lockyn! ;D

Lockyn responds:

Hey TL, thanks again for stopping by. I agree about the similarity to Party Hard in style, I wanted to keep my classic synth style here along with the happy rendition of the His Theme/Memory atmosphere. I'll keep your points in mind for sure, I tend to overuse fast arps and note layers. Cheers on the ending :)

This thing has potential! I like the melodies and instruments, and you spread the instruments out across your frequency range to produce a nice, full texture. The lead synth might be a little too harsh-sounding. I would EQ out some of the treble frequencies there. Also, the kick gets really buried in the mix after around :15 or so. You might try compressing it and adding some sidechain. Still, I like the mood here, and it loops well too! Looking forward to seeing what else you produce. Happy 2016! ^^

whatusernamedood responds:

Yes, I agree, the lead synth is a disaster. I didn't really find the answer on how to make it sit and play nice with the mix, I tried.
Kick is sidechained already but I wasn't sure if was hearing it properly through my headphones and they really punched through on my speakers :S
Still trying to find the Holy Grail of "frequency flatness".

Well, loops are all I do, so I try to at least loop them nicely xD

Happy 2016 to you too :D Love your reviews, dood <3
(love you also #nohomo)

I love the melancholy mood here. This piece just seems hauntingly tranquil, small, and apprehensive. The harp sounded a bit too robotic and straight-ahead, though. I might suggest you humanize it. I could definitely see this as a part of a videogame as well. I like how you return to the bare-bones harp arpeggios at around 1:25, too. It gives a solid droning ambient quality to the piece but, again, some more humanizing could really give this piece a new dimension of emotion. Still, it loops well, has a great atmosphere, and uses some heartfelt instruments and progressions. Well done! ;)

Hi. I'm Andrew. Audio portal junkie since 2010, supporter since 2017. I always want to improve what I do! I make music, run the NGUAC, post poetry on BBS, and am the all-time #2 audio reviewer. I love this site, and I want to make it the best I can! ^_^

Andrew Mikula @TaintedLogic

Age 27, Male

Policy Research

Bates College

Wellesley, Massachusetts

Joined on 8/16/12

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