TaintedLogic's audio Reviews on Newgrounds

[art meadows]

The glitchy piano riff at the beginning is really evocative, and I love the atmosphere around it too. It’s a little hard to follow the rhythm/flow of the piece at first, but I also really like the thin-sounding percussion and funky synths like at :55. Also, don’t think I didn’t notice you sneak a Discord notification in there at 1:10, lol. Overall, the rhythmic content and sound design of this piece are really creative, and the relaxing atmosphere really helps win me over too. You even wrapped up the piece nicely with the smooth melody at 2:14. It’s pieces like this that make me wish my judging rubric had a maximum of 5 points for originality instead of 1. Keep up the great work, LordAndiso! ^_^

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
1+++/1
Overall (how do the elements above interact?)
.75/1
Composite score
9.25/10

[do u <3 that]

I like the quirky atmosphere at the beginning and the groovy bass that comes in shortly thereafter. The percussion at :21 is great, and overall the mix sounds loud and crisp. The distorted vocals at :34 are also really cool. Alright, instead of continuing to list the instruments one by one, let me just say that the sound design is really cool! :D The composition could’ve been a bit more fleshed out, though, and the texture of the piece feels pretty minimal throughout. Some more reverb might help in places, but you could also use more harmonic depth and a looser mix that gives more space to the existing instruments. Still, the rhythmic content, instrumentation, and progression of the piece are top-notch. So, to answer your question, YES, I <3 that. :3 Keep it up, InventoryObjects!

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
1.5/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.75/1
Composite score
8.25/10

[Skyrail Ascension]

I like the dreamy synths at the beginning and the subtle build-up into :23. The bass sounds fine to me, but the drums could be a tad punchier in the mix. The melodies are cute, and this piece also has a great sense of atmosphere about it. The harmonic content in this piece is very repetitive, but I like your new sound design choices later on in the piece, like the crisp drums at 2:12 and the warm pads and strings at the breakdown at 2:37. I think it’s pretty ironic that this piece is called “Skyrail Ascension,” because it has a descending chord progression throughout. Overall, the atmosphere, sound design, and mood of the piece are great, and the production holds up rather well despite the soft drums. My one major complaint is the lack of variety in the melodies and harmonic framework. Still, this piece sounds tailor-made for a video game soundtrack that takes place in a futuristic utopia. Keep at it, Erik! ^_^

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
.75/1
Composite score
7.75/10

[Ghostly Grooves]

I like the catchy beats at the beginning. The sound design is really nice, from the quirky synth lead at :30 to the jazzy pads to the countermelody at 1:10 that I can only describe as “ghostly.” The mix is pretty clean, but also feels a bit off-balance. The bass and harmonies are very quiet relative to the lead melodies, and the mix is also rather quiet in general. That said, the composition here is top-notch, with a revolving cadre of memorable, dynamic melodies, and some killer rhythmic content and sound design. Really neat track, Metatron! Keep it up. ^_^

Mixing, mastering, and balance
1.5/2
Structure, transitions, phrasing, and variety
1.5/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
1/1
Composite score
9.25/10

[Eclipse [NGADM 2023]]

I like the foreboding mood and punchy breaks at the beginning. The production is super sharp and clean here, and the vocal samples at :49 really help accent an otherwise very bottom-heavy mix. The rich pads at 1:33 have a great victorious sort of feel, although the drums could’ve popped through the mix a tad clearer at 1:47. There’s a great sense of build into 2:31, although I would’ve liked to hear more variety on the refrain the second time around. Also, I know it’s a tiny detail, but the double “hey” at :47 and 2:31 kinda throws me off the pattern of emphasis. Still, you’ve absolutely achieved banger status with this one, Benji. Really cool track! ^_^

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
1/1
Composite score
9/10

Benji-G responds:

Thank you for the amazing review TL!

[Terminal]

I like the ghostly pads at the beginning and the sub-bass and crisp beats at :24. Some of the synths are a bit cheesy, though, and I also found the long stretches of minimalism in this piece to be a bit off-putting. The chord progression is a bit cliche, and at some point the piece could’ve used some more melodic content, or at least some more dynamic harmonies. The breakdown at 1:52 is good for a little variety, and the creative beats and theremin there are pretty sweet. The mixing here could be a bit tighter. There’s a lot of reverb in the texture, and sometimes the low-mid pads get a tad buried underneath the arpeggios and drums. Still, I like how the creative drum patterns continue well into the second half. I actually really like the compositional choice to have the energy gradually die until all that’s left is the theremin and the eerie atmosphere towards the end. Despite the generic and repetitive harmonic content, you really made this piece your own by the end. That said, the mix still needs some cleaning up, but you get some credit for the cool sound design, atmospheric appeal, and compositional details here. Keep at it, ThePal! ^_^

Mixing, mastering, and balance
1.5/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
1/1
Composite score
7.75/10

[Not Like This Again]

I like the tranquil mood at the beginning and the light, airy percussion. The vocals are soothing, if a bit undecorated in the mix. They could use a tad more compression and reverb in my opinion, at least towards the beginning. I really like the dreamy instrumental section at 1:11, and the subtle phrasing elements are really nice, like how the lead guitar gets gradually louder at 1:16. The piece has a great sense of drone-like continuity about it, and the sound design and mixing both sound very retro to me. The piece could’ve used a stronger “point of arrival” towards the end to add a sense of closure. Otherwise, the energy level of the piece kinda flat-lines after a while, and the tension inherent in it (especially after 2:15) doesn’t quite feel resolved. Otherwise, I really like the instrumentation, mood, and mixing here. Very strong work, spoonman420! ^_^

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
1/1
Composite score
9.25/10

[NDXL - Last Time]

I like the heavy bass and ominous atmosphere at the beginning. The lead synth at :30 is really catchy, and despite the somewhat cliche chord progression, I’m really digging the build-up into 1:15. The drop there was a bit minimal, but catchy, although the drums probably needed a boost in the mix to stay on top of the gritty mid-range bass. The atmospheric breakdown at 2:00 was good for some variety, and I like the rhythmic synth riff at 2:15. The arrangement of the piece is pretty generic here, but you manage to keep things interesting between the catchy rhythmic content and the high-octane synth riffs. The second drop at 3:15 didn’t feel quite as dynamic and creative as it could’ve, though. The filtering at 4:00 leading into the final melodic section is really cool, and I like the chromatic chords you wove into the texture, like at 4:19. Overall, this is a neat piece with some punchy beats, groovy syncopations, fun harmonic content, and some well-used vocal samples. The mix could be a tad tighter at times - the piece is both over-compressed and over-saturated with reverb - and you’ve also used a lot of cliches here between the drum samples, the structural components, and the harmonic framework. Still, you definitely got my foot tapping here, and I can tell you put a ton of effort into the rich harmonies during the melodic sections. Keep at it, NDXL! ^_^

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
1.5/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
1/1
Composite score
8/10

[Flight of the Drake]

I like the majestic melodies at the beginning and the injection of energy at :36. As always with you, the sound design is great. The melodies get a tad repetitive after a while, although you do a good job of switching up the instrumental hierarchy to keep things interesting. I like the transition at 1:36 and the key change at 1:52, although it feels like the composition isn’t quite as dynamic as I’m used to hearing from you, to be honest. The mix could also be a bit tighter, with a lot of percussion that sounds a bit indistinct during some of the busier sections of the piece. Still, the rich texture, sound design, melodies, and progression of this piece are all really enjoyable. Keep it up, CloakedSoup! ^_^

Mixing, mastering, and balance
1.5/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.75/1
Composite score
9/10

[Lets see that Exhaust! (NGADM)]

I like the scoop-up with the strings and the quirky atmosphere at the beginning. The mix is a tad quiet, and feels pretty off-balance, with the drums being too quiet and the brass stabs being a bit too loud. The melodies at :58 are awesome, and most of the rest of the sound design is really good too, but in the upper frequency range it’s pretty easy to tell the brass stabs are inauthentic. It might help if you had humanized the instruments a bit more - i.e., vary the note lengths, velocity, etc. to mimic the little variations that a real musician would produce by accident. Still, the synth melody at 1:55 is another highlight. The saxophone melody at 2:36 is really sweet too, but also sounds especially loud in the mix relative to the drums and harmonies. There continue to be pleasant surprises in the sound design until the very end, with the guitar solo at 3:31 hitting the piece home nicely. Overall, I really like the composition here. The mix could use a bit more tightening up. It might help if you intentionally lower the volume on the instruments when you first start composing, and then add it back in the form of compression after you’re done. This is likely going to be a particularly effective strategy with the drums here. Either way, you got my foot thoroughly tapping here, Riskster! Keep it up. ^_^

Mixing, mastering, and balance
1.25/2
Structure, transitions, phrasing, and variety
1.5/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.75/1
Composite score
9/10

TheRiskster responds:

thanks for the feedback!