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TaintedLogic

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I like the ominous mood at the beginning and the dissonance with the bell-like synth. One thing I don't like is how the synth cuts off suddenly, like at :18 and :27. Kinda ruined the flow IMO. Later in the piece, the same synth sounds pretty harsh. I'd suggest filtering out some of the higher-pitched tones there. Still, I like the drone-like quality and the atmosphere here. Pretty amusing track. Sounds like intro music for a horror-themed video game. Keep at it, man!

GeometryDashMau5Kids responds:

Pues gracias amigo por tu review :)

I like the warm pads at the beginning and the sample at :14 that sounds like a ballpark organ. The beat at :25 is also good, but I think the kick could've been a tad louder. I'd suggest using some more compression, in fact. The mix is pretty quiet in general in this piece. The secondary melodies at 1:06 are good in and of themselves, but run into the other melody a little too much for it to come off as pleasing. The piece alternates between a couple riffs for the rest of the piece without ever changing much in terms of emotion, dynamics, or energy. I think that's my main complaint, actually. You could've done a lot more to tell a story and provide a climax here, but instead the piece is marked by a lot of repetition and not much resolve. Overall, this is still a really cute track. My favorite elements are the mood and the instrumentation. Keep at it, man! ^^

Billis23 responds:

Thank you for your opinion/advice man have a nice one !

I like the progression and harmonic elements. The sound design is a different story. That main pad sounds a bit harsh in my ears, and the synth that comes in at :15 sounds pretty generic. I also think the hats could be a bit louder, and that the transition at 1:04 could've been a lot smoother. Even a simple crash probably would've sufficed. I do like the warmer pads that come in at 1:20, though. Adds a pretty tasteful sense of resolution to the piece. It goes without saying that you could've done a lot more with this piece, but for 30 minutes you've done some pretty solid work. Keep at it, man! ;)

mrlardcakes responds:

thanks for the feedback!

I like the pensive vibe at the beginning. Instrumentation is really nice here, although that snare at :21 sounds a little harsh. You may have overdone the reverb at times, and the transition at :33 is a little sudden. I'd recommend a crash or something to smooth it over. My main complaint, though, is that the piece is pretty directionless. You strip away the beat and add it back a few times, but harmonically the piece consists of the same 7-second progression, repeated over and over again. I'd love to hear some more melodic content, phrasing, and overarching shape to this piece. I'd encourage you to keep working on it. Keep at it, man!

tootsie10 responds:

you right , but i like its minimalizm.

The intro had a great climactic vibe that functioned like an EDM build-up, yet still sounded really atmospheric. The harmonic elements of the song don't have a lot of depth or complexity, but the beat is pretty catchy. The song is also rather slow to progress after the first minute or so. I think you may have used a tad too much reverb at times, and the kick didn't come through the mix very clearly. I like the sound design, but I think this piece needs a little more fill to keep my attention throughout. I appreciated the more atmospheric ending, though. Overall, pretty cool. Piece has a lot of flavor and atmosphere, but it could use some more moving notes. Keep at it, man. :)

HJfod responds:

Ahh, an actual in-depth review. It's been a while since I've got one of these. This song was inspired by Iron God: Sakupen Hell Yes Rmx, which is why this is so slow to progress. This was really just an experimental piece to test out Gross Beat and some other stuff. Thanks for the review tho, I really appreciate all feedback I get! :DD

Oooo...I remember this from CHIPS. Very relaxing vibe at the beginning. Atmosphere is top-notch, and the cute melodies at :35 establish the mood very well. The details of the piece are also really impressive, from the frantic arpeggios in the background to the intricate rhythm of the drums. The minimalism at 2:36 offers some nice structural contrast, too. I love all the melodic variations later on in the piece. You really hit the piece home with the final refrain. I like how the piece is structured a lot, and I have no complaints with the production either. Keep up the great work, 1f1n1ty. ^_^

Onefin responds:

hey tl! thanks a lot man

I like the drums and a lot of the individual riffs, but the rhythm is pretty hard-to-follow at times. You also seem to add and subtract instruments without warning, and that's especially noticeable when it's the drums (e.x., :48 and :57). There are a lot of staccato-y sounds in this piece. I think the piece would sound a lot smoother if you had some pads or something in there. There's also not much melodic content in this piece, just a dense patchwork of riffs. You also don't really change the volume or automate the piece in other ways, which makes the track feel pretty directionless. The structuring that is in the piece doesn't really serve to help develop or resolve any of the themes of the piece, and instead usually drags on for too long (e.x., :57-2:24, 2:48-3:31). I've been tough on you in this review, but I think the main thing you need to focus on going forward is structuring your piece around a memorable melody and balanced harmonic structure. Right now, you have a harmonic structure with a lot of different instruments playing a similar role (percussive, industrial-sounding rhythmic stuff), whereas in most tonal tracks it's usually a good idea to have a variety of instruments that perform different functions: a melody to establish the emotional elements and create a direction for the harmonies, chords/pads to create the underlying framework for the harmonies, drums/bass for percussive and rhythmic stuff, etc. Hope that helps. Keep at it, man!

geonb responds:

thank you for the advice best regards

Catchy piece. Nice job with the rhythmic patterns and drums in particular. The synth at :32 is pretty cool, but otherwise I think a lot of the synths were pretty generic. Still, a well-structured and smooth-flowing piece. I guess my main complaint is that the piece never really quite returns to the same peak in energy level as it had towards the beginning. It's pretty minimalistic throughout the entire middle third or so, and then very soon after the piano comes back in at 1:32 (and the funky clav or whatever it is fades out), the piece ends abruptly. I think you could stand to flesh out the structure of this piece a little more. It's really short as it is, and it totally deserves a climactic section at the end to hit it home. Overall solid work. Keep up the good work!

Bromosome responds:

I definitely see where you're coming from. ATM I'm working soley with loops until better software comes available to me, which I hope is soon. I usually like when songs make a full circle back to the beginning so its like "oh shit, it sounds like the start again, that's cool" and I tried to get that feeling but I think I may have rushed introducing the instruments while not adding enough variation in. The middle was, as you said, very bare and kind of lead by one track throughout, and I'll work on improving that next time. Thanks for the feedback!

Hi. I'm Andrew. Audio portal junkie since 2010, supporter since 2017. I always want to improve what I do! I make music, run the NGUAC, post poetry on BBS, and am the all-time #2 audio reviewer. I love this site, and I want to make it the best I can! ^_^

Andrew Mikula @TaintedLogic

Age 27, Male

Policy Research

Bates College

Wellesley, Massachusetts

Joined on 8/16/12

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