TaintedLogic's audio Reviews on Newgrounds

[Gvprtskvni]

Cute! I like the waltzy meter and how the pitch range changes a lot over the course of the song. You should do a full-length version of this.

[-Along The Waves-]

Sorry for the slow response!

I like the tranquil pads and groovy percussion. The 3/4 time signature is a great touch - without a strong off-beat, the meter feels...well, wave-like.

The atmosphere is great, but sometimes some of the melodic elements are a bit understated. The synth that comes in at :55 is WAY in the back of the mix, and it feels like it should've been a bit more prominent, especially at around 1:09. In general, the mix feels a tad bottled-up, with pretty narrow ranges for the pitches. Maybe you overused the equalizers a bit? Or otherwise it needs some more mixing effects on the back-end: reverb and filter automation on the synths, with a bit more compression to add some punch.

One thing I really like about this piece compared to some of your other recent work is how smooth-flowing it is. You didn't try to do too much to increase the pace or anything, and when instruments are added/subtracted, it's usually subtle. The transition to the bass-y groove at 1:50 is a good example of this, and the percussion roll before the new melody comes in at 2:05 is also really smoothly done.

Overall, I really like this piece. A bit more compression on the lead and a fuller mix in places would help take it to the next level, but the composition is strong throughout. ^_^

Creeperforce24 responds:

I was trying to use less compressors lol, seems I might need to use a little more. Thanks for the honest review!

[In-between]

I like the descending bass line at the beginning and the rhythmic elements. The piece is catchy throughout, and has a lot of good ideas in isolation.

The transition at :41 is very abrupt, as both the mood and instruments change at the same time without much warning. Maybe some drums/crashes/risers would help smooth it over a bit, but you might even want a "cross-fading" section where the bass line fades out or gets automated so that it sounds more atmospheric, and simultaneously the pads fade in.

Later in the piece, you try to create variety by either switching out instruments with new ones playing the same pattern (example, 1:10) or by switching up the rhythm of that same pattern (1:36). There's also an extended build-up/transition at 1:50, but on the other side of that (2:06) you haven't really added much novel harmonic content either. I think what you really need is more variety in the harmonies themselves, not new instruments/rhythms playing the same harmonies. Try crafting a melody to match the bass line and pads. Or change the chord progression over time, beyond the 4-chord pattern you have playing for most of the piece.

That said, I like a lot of the instruments here, like the quirky synth at 2:07 and the dreamy pads at :41. When the two bass instruments are layered on top of each other (like at :27), the texture sounds really crisp and punchy.

Overall, this piece is not bad at all. But to improve it further, I would suggest prioritizing 1) adding more depth and variety to the harmonies and 2) smoothing over some of the sudden transitions here. Hope this helps! ^_^

HammyMusic responds:

Ok.

[-Wildflowers 2-]

Hey, sorry for the slow response! Had a really busy week at work. I like the sound design a lot here. The stop-start string riffs at the beginning might need some more decoration (reverb, other mixing effects) to help enhance the atmosphere a bit. Love the higher-pitched string line at :45. A lot of the percussion in the piece is very low-register - I would give the mid-range frequencies a boost in the equalizer. Also, there's a bit of dissonance at around 1:10. Maybe part of the problem is that the chords sound pretty muddy when all the notes are so low-pitched. The outro with the guitar was a nice touch, though - super mellow way of "resetting" the piece for the final minute or so. Overall, solid work, CF24! A clear improvement over the original. ^_^

Creeperforce24 responds:

Thank you! Yeah the original whenever I hear it makes me this
https://www.youtube.com/watch?v=aX-X4Lroxzc

[The First and the Last]

So sorry to hear about your grandfather passing.

This piece is pretty good! Has a nice, pensive feel to it, although the transition at :25 doesn't quite stay on beat. The recording quality is also a bit muddy/distorted at around :07 - :10. I really like the second half of the piece - sounds really moody and introspective. Maybe some percussion or something would help give the piece a stronger sense of energy and drive. Until then, I enjoyed the piece for what it is.

I hope you continue to "keep this thing going," as you put it. ^_^

CabinKing responds:

Thank you for the thoughtful review! The way I composed this song I transcribed what I had become accustomed to playing when not using a metronome so I have some subtle changes made to the time signature and tempo. It starts off at 125 BPM in 6/8 then around 0:25 it changes to 115 BPM in 4/4, then it ends at 105 BPM. It didn't sound right if I kept it all the same. But I will think about hiding that sort of thing better next time, I appreciate the note.

I am happy with the end result though, I was originally going to throw on some effects to make it sound like it was recorded on an old cassette. Then it would've been really distorted and scratchy. In the end I used two microphones and mixed them a bit. I'm glad you liked it and we'll just have to wait to see when and what my next song is.

[2025]

I like the somber piano chords at the beginning and hollow bell-like instrument that comes in at :30. The track seems to be missing some bass tones, though - I would've liked to see the texture be a bit more filled-in. The beat and production quality are both strong, and the descending line you add at 1:31 in response to the main piano riff is a nice touch. Happy New Year, Nash! ^_^

NASHqp responds:

Thanks! I cooked this up an hour before I slept last night lol

[-Christmas In Basylton- [TRAP MIX]]

The beat is pretty good. You overuse that high-pitched snare on the off-beats a bit (the one that always plays in clusters of four 16th notes), and the instrumental tracks do sound a tad distorted by the heavy compression when the beat first comes in. That said, the sidechain effect is pretty satisfying in other places, especially 1:33, where it adds a nice counterrhythm to the descending string line. Overall, the last minute or so of this piece is really nice. Catchy, but also minimal enough that the heavy compression doesn't sound too extreme. Keep at it, CF24! ^_^

Creeperforce24 responds:

False, this song is ass and your ears are bleeding lol

[-Christmas in Basylton-]

I like the rich chords and upbeat brass stabs. You could make the chords sound even more powerful by spacing out the pitches a little more, perhaps by moving some of the "middle voices" up an octave. The rhythm is a bit hard to follow at times, and I think the drums could sound a bit stronger in the mix throughout. The orchestral instruments sound a bit inauthentic, but I really like the descending string line at 1:36. The mix sounds a bit muddy at 2:06 - there are just a few too many low-range frequencies competing for attention. I like the regal and soothing air of the the outro. Overall, I like the more melodic flair this piece has compared to some of your other recent tracks. I'd still like to see you write some more legato melodies sometime (i.e., hold out each note for longer, as opposed to having flurries of short, punchy notes in rapid succession), but 2:21 is certainly getting closer. Merry Christmas, CF24! Keep at it. ^_^

Creeperforce24 responds:

Thanks for the honesty! Yeah, I agree, though I was actually scared of the drums being too powerful, since i wanted to focus it more on the classical aspects rather then the game aspects lol.

[Arcade Fever]

I love the video game-inspired sound effects at the beginning, the upbeat mood, and quirky synths. Solid build-up into :42, and the bass sits really nicely in the mix there. The harmonic content was starting to get a bit repetitive, which made the "B" melody at 1:10 especially refreshing. Later in the piece, you overuse the stop-start transitions with the vocals just a tad, and I would've liked to hear some more variation on the main melody during the final refrain at 1:57. That said, the mixing is really strong here. You clearly put a lot of effort into the filtering automations and other dynamic effects throughout, and it shows. Overall, this is a catchy and well-produced track with some neat sound design. Keep it up, TenodiBoris! ^_^

TenodiBoris responds:

Thank you for detailed review! I'll do ky best for the next one to be even better:)