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TaintedLogic

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I like the tranquil mood at the beginning. The blend of orchestral and synthetic elements was enjoyable. Has a bit of a jazzy vibe, which I also appreciated. The groovy melodic line at :21 is great, and the mix is rather clean. That said, the drop at 1:04 seemed a bit underwhelming by comparison, and didn’t add much to the piece musically. I also would’ve liked to hear more of the arpeggios in the background there - toning down the reverb might help with that. The breakdown at 2:30 with the cool panning and drums is also enjoyable. The melodies at 3:14 really tie this piece together - that last bit of catharsis really gives it a great sense of resolve, and I like the outro with the orchestral flair. A couple of the transitions in the piece could use a bit of work - you have a habit of connecting everything with risers and sweeps, so I would’ve liked to see some more creative transitions at 3:35, 1:48, and 2:29. Overall, though, the composition is really strong here. It’s really only a few little things that bother me here. Keep up the good work, Dj-zyzyx! ;)

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
1.75/2
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1/1
Originality and uniqueness
.75/1
Overall (how do the above elements interact?)
1/1
Composite score
9/10

DJ-Zyzyx responds:

Thank you so much mate :D

Sorry I'm late to the party! I appreciate you doing this Chrono. The smooth, western-sounding piece in the background works well. By around 2:40, I thought the music got a tad distracting, but maybe that's just because @Etherealwinds is so damn good!

I agree that we need a better platform for people making recommendations about the future of the contest. Maybe we should set up a "suggestions and comments" thread after the contest so we can be as receptive as possible to the community's requests. Still, I appreciate the way you addressed those issues here. And personally, I don't think you have anything to apologize for at all. :)

Super impressed that you're making the sigs for the winners yourself, btw. Keep it up with the podcasts/judging/administrating, Chrono! ;)

ChronoNomad responds:

No such thing as being late to a party that quite literally goes on for five whole months! (;

Happy to see another review from you on these silly ol' podcast thingies. I'm glad that you enjoy the background music, and I don't even mind that Jordi's singing distracts a bit from the underlying message. I kept tweaking the volume incrementally, but I just didn't want the song to be too soft, and then the ending always gets so rich and full...ah, well! Six of one, half a dozen of the other, I suppose.

Yeah, I tried to be honest about how problematic that became, but it wasn't even really the nature of the conversation that was ultimately the problem. It was the massive walls of text that were, quite frankly, making the whole thread look downright unattractive. Obviously, if folks want to have water cooler discussions about the NGADM, they can have them in real-time on Discord, or simply make a thread dedicated to it. But hey, if going way off topic is against the rules, it's my responsibility to say something. I may not always do that in the right way, but when tensions are already high for various reasons, even someone with the patience of Mahatma Gandhi would end up taking return fire.

Aw, thanks! I was always planning on making the sigs, and it's feels nice to be able to do a few of the more artsy things for the NGADM. Even though I'm taking a hiatus from making new music during the competition, I still need a creative outlet or two. And hey, you keep up all that judging and administrating that you've been doing, TL! On top of a busy academic life and all that jazz. We must really love the people of Newgrounds, eh? ^__^

Woah - really interesting sound design on this one. The melodic content is amusing, although I think the low percussion could be a bit more distinct. The transition at 1:55 could’ve been a little smoother IMO. The piece also has a sense of continuity for quite a while without much direction until 1:55. I think it could use some more phrasing and dynamics work. The jumpy sax towards the end was a good idea, but it cut out a little suddenly at 2:52 and had a very square rhythm - it didn’t help the piece come together at the end too much. The piece also sounds a little robotic throughout - there are a lot square rhythms in the moving notes. Overall, I appreciate the experimental texture here. That was a bit of a risk that really paid off for you guys. I think my biggest concern is the lack of shape - changes in instrumentation dominate the variety the piece offers, which I find problematic. Still, it’s a cool piece. Keep up the good work!

8.5/10

LucidShadowDreamer responds:

Hi there! And thanks for the review. Once again, it's a shame that only a couple of the judges seem to have decided to review the pieces, even though I think that should be one of the main events of the competition (maybe that'll change now with fewer participants?). Thus, much appreciated!

The dynamics are generally always a problem with a good loop. Say you were to compose a looping background piece for a game; oftentimes you don't want something to stand out dynamically too much. But, I get your critique for the competition, since the piece should also work as a standalone.

I don't really hear a problem with 2:52. We weren't going for a realistic style, which is why the piano is obv quite flat and more hip hoppy (otherwise I would've played it). Same goes for the choir and sax. It's more of a blend of nu jazz, maybe some triphop elements, and a semi-cinematic style I guess. Maybe the style is what you feel is robotic, since none of the instruments are really made to sound like they're played by a human? Including the dry choir :)

We like the transition to 1:55, but it could've worked well as a breakdown, instead of bringing in the choir so quickly.

Thanks, dude!

I like the dreamy vibe at the beginning. It’s a little slow to progress, but I like the somber tone the strings add at around :30. I wasn’t a huge fan of the instrument at :58. It sounded very synthetic, which may have been intentional, but either way I don’t think it fits the texture of the piece very well. The percussion at 1:29 is interesting. I think there was just a bit too much of an attack on the offbeat, though - the piece is a little too smooth and pensive for such a crisp hat IMO (even if that criticism sounds a bit absurdly specific). I like the re-intro at 2:35, but the additional extended pause at 3:16 was a little much. The structural and transitional elements of the piece are strong, and I didn’t notice any problems with the mixing or mastering. Overall strong work! Keep it up, Spadezer. ;)

8.75/10

Spadezer responds:

Thanks TaintedLogic. I'm glad you enjoyed it.

I love the thematic content...wow. The emotional piano is great, and I commend you for addressing a controversial/political subject in the lyrics. The sound design is nice, between the smooth pulse of the guitar and the bright pads. The drums could’ve been a little louder, but that’s the only complaint I have mixing-wise. You also do a great job of adding structural contrast - 2:56 had a great relaxed vibe to contrast the old-school classy party vibe of the rest of the piece. You had me engaged the entire way, though. Fantastic concept and theme - sounds like Frank Sinatra meets Jimmy Fallon. Is there somewhere I can access the complete lyrics? The mood, atmosphere, and sound design really make this piece what it is, although I have little to complain about composition-wise either. Keep up the great work, McGorilla42! ;)

9.75/10

McGorilla42 responds:

Thank you for this, TaintedLogic. I'm glad you enjoyed it so much! I'll send you the lyrics in a PM :)

I like the fun melodies at the beginning with the quirky instruments, although I think the piece throws the listener right into the action a bit. I would’ve liked to hear a proper intro here. That said, this piece is really catchy and upbeat. I appreciated the structural contrast you offered at 1:34, too. The rhythm at 2:33 sounds a bit stumbly, but I did enjoy the climax into 2:49. I would’ve liked to see you vary that section a little more from its original form at 1:01, though. Overall, my biggest problem here is that it’s a little generic in terms of the transitory content and structure. It’s really catchy, though, and I didn’t notice any problems with the mixing or mastering. Keep up the good work! ;)

9/10

MrKoolTrix responds:

Thanks for reviewing! :)

I like the pensive mood at the beginning. The arpeggiated synths and clap sample seemed a little generic, and it was a little slow to develop. I don’t think aspects of the sound design like the heavily panned snare at 1:01 added much to texture - it was very dry and didn’t fit the dreamy mood of the piece well. You also may have gone a little overboard with the reverb on some of the synths. I commend you for using the entire frequency range for much of the piece. The track only really has one climax, and could probably use a little more fleshing out structurally. The ascending synth line at 2:53 makes it sound like you’re leading into another refrain, in fact. Overall, the melodic content is strong, and I enjoyed the atmospheric quality of it. I guess the main thing that bothered me is the sound design - a lot of cliche synths and drum samples, is all. Keep at it, Techmo-X! ;)

7.75/10  

Teckmo-X responds:

Thank you TainteedLogic! I agree with you on that snare there. It felt out of place but that one was a last minute add. Thank you for the review!

I like the pensive mood at the beginning. The progression is a little slow at the beginning, but the percussive elements at :35 or so are enjoyable, as is the atmosphere. The piece is still very minimalistic during what appears to be the middle ⅓ of the track, though. You’re notably missing a lot of lower frequencies throughout the first 90 seconds, and then some higher frequencies are absent at 1:35. The transition at 2:20 was a little sudden, but I did like how you offered some structural relief at that section. The synth at 3:04 sounded rather harsh and unpolished, even if you were going for a spooky mood there. Overall, the lack of harmonic depth and/or textural fill is the most concerning aspect of the piece for me. I also wasn’t particularly impressed with the melodic content, especially during the first half of the piece. Still, the piece has a cool mood and sound design, and the production quality is pretty strong. Keep at it, Adjeye! ;)

8/10  

Adjeye responds:

Thank you very much for the much needed review :)

I like the atmospheric fade-in. I would’ve liked the drums to be a bit more up-front in the mix, though, and several of your synths are a little generic. The drop at the 1-minute mark didn’t add a ton of new compositional elements to the piece, which was a little disappointing. You’re good at giving the piece a sense of direction and flow, but there’s very little variety in the instrumentation and chord progression, giving the piece a rather repetitive and stagnant feel nonetheless. The melodic content is pretty enjoyable, but it’s also very heavily grounded in the chords and arpeggiated in places. Overall, the piece comes across as pretty unoriginal, which is probably my main concern in general. It’s catchy and well-reverberated, but the composition was pretty lack-luster. Based on other tracks I’ve heard of yours, I don’t think this is your best work, but I’d encourage you to keep working on it. ;)  Good luck, Kaixomusic!

7.5/10

KaixoMusic responds:

Yeah, I had to make this on a Laptop with headphones while in France... not something I usually do, the challenge was fun but I had a hard time making progress because I wasn't used to the workspace... I totally agree with your review, this song lacks a lot of things, but that more because I was kinda in a hurry because of the holidays, good luck in the next rounds. I will try again next year :D

Hi. I'm Andrew. Audio portal junkie since 2010, supporter since 2017. I always want to improve what I do! I make music, run the NGUAC, post poetry on BBS, and am the all-time #2 audio reviewer. I love this site, and I want to make it the best I can! ^_^

Andrew Mikula @TaintedLogic

Age 27, Male

Policy Research

Bates College

Wellesley, Massachusetts

Joined on 8/16/12

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