TaintedLogic's audio Reviews on Newgrounds

[xX FIND MY CURE Xx]

I like the graceful piano line at the beginning and the rich atmosphere. The vocals at :20 blend into the texture well, but could also use a bit of a boost in the mix. The piece is a little slow to progress, and could use some drums or something to give it a sense of drive. I also think the lyrics are a bit generic and uninspired at times, but I really enjoyed the transition into the drop at 1:22 and the frantic energy there. The bass may be a tad loud, especially compared to the drums, and the transition back into the twinkly piano line at 2:01 was a bit abrupt. The vocals strike me as particularly heartfelt at the verse at 2:11, and I like the articulation and rhyme scheme too. The part at 2:33 is another one where I think the vocals needed to be more up-front. Scaling back on the reverb on the guitar might help a tad, but some compression and pushing up the upper-mid tones in the EQ might also do the trick. The second drop could’ve been switched up a little more compared to the first one, but it still helps hit the piece home nicely. Really solid work overall, TheNewAge! Congratulations on your success in this competition, too. Been a pleasure listening to all of your tracks these past couple of months. ^_^

Mixing, mastering, and balance
1.25/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.75/1
Composite score
7.75/10

IrisStar responds:

Thank you so much!! I cannot believe I made it this far, and the constructive criticism helps so much!

[FACUNDO GARDIOL - Summer Fan ( Glitch Hop )]

I like the glitchy effects at the beginning and the blissful synths at :08. The mix is really loud and punchy, and the texture feels nice and full and well-balanced at :17. The melodies at :34 are really cutesy and fun, and you use the vocal samples well too. The rhythmic content of the piece absolutely rocks throughout, and the progression is smooth too. Some parts sound a tad over-compressed, like at 1:45 - very heavy sidechaining there. I also think you could’ve done more to offer some contrast in the energy levels. Seems like everything here that doesn’t have a really strong beat is a build-up leading into one. Aspects of the sound design are a bit generic, and later on the main harmonic riffs could use some more variation as well. All of that said, you absolutely nailed the production quality, upbeat mood, melodies, and arrangement of the piece. Seriously catchy and well-mastered content here, Spirali. And thanks for coming out to the NGUAC this year - been an absolute pleasure hearing your stuff. ^_^

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
1/1
Composite score
8.75/10

SPIRALi responds:

I love you!

[DEMONIC SAVIOUR]

I like the quirky synths and pads at the beginning. There’s a lot of overlap in the frequencies between the two main riffs at the beginning - maybe some stereo widening would help keep them more distinct in the mix? You could also just transpose one of them up or down the octave, respectively. You also go in a very different direction with this piece with the heavy guitars at :21. I like the solo at :42, and the transition at 1:00 was really neat. The way the crash cuts off at 1:05 sounds a bit unnatural, and then you transition pretty abruptly into the more downtempo section at 1:06. Overall, I think the pacing of this piece is way too fast. It’s just very jarring when the texture shifts so dramatically every 10 seconds or so. I think this piece would make for a nice, longer piece with some more gradual transitions and a better integration of all of these thematic elements and motifs, but right now it sounds like you just tried to cram way too many ideas into 2 minutes. Other than the choppy arrangement, I like the sound design and a lot of the individual riffs, including the cutesy pad/arpeggio combo at 1:43. This piece has a lot of potential, and I hope you’ll keep working on it! In the meantime, thanks for coming out to the NGUAC this year, recme! Been an absolute pleasure having you. ^_^

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
.5/1.5
Melody, tonality, harmony, and texture
1.5/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.25/1
Composite score
7/10

recme responds:

thank you for the critiques!!

i agree, the pacing was probably too fast. lately, i've been trying to avoid repeating parts too much in my compositions, and its very noticeable in this track, which i think actually damages it a bit. had i repeat some parts more, things wouldve most likely felt more normal.

i'd like to come back to this in the future! probably for another album idk. for now though, time is better spent on newer projects... though this was a great learning experience! thanks for your review!

[A Fighter's Song]

I like the edgy guitar riff at the beginning - that glissando on the high note is especially nice. The vocals are soulful and powerful, but also a bit dry in the mix - some more reverb and other effects might help give them a bit more presence and help with the blending on the different vocal layers. I was a little thrown off that the vocals seem to be so much more up-front in the texture during some of the verses than they are at the chorus (compare :55 and 1:33, for example). The drums could also use more presence in the mix at times. The lyrics themselves are really good - love the dark and cryptic feel of the piece in general. The passion in the vocals at 1:33 was especially nice, though. Love the conversational tone they have too. The short-lived breakdown/hook combo at 2:07 was another highlight - that struck me as a really creative way of speeding up the pacing on an otherwise pretty traditional arrangement. The solo at 3:01 is awesome, as is the spacey riff at 3:36. Overall, there’s a lot to like here, Mischa. All of my complaints are minor, but as always you’re doing some major shredding on this track, with some heartfelt vocals and a nice progression to boot. It’s been a pleasure having you in the NGUAC this year! ^_^

Mixing, mastering, and balance
1.5/2
Structure, transitions, phrasing, and variety
1.5/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.75/1
Composite score
9/10

Mischa-head responds:

Thanks for the feedback! And thanks for hosting the audio contests! I've had so much fun participating, definitely keen for next time!

[Listen]

I like the tranquil mood at the beginning and the rich atmosphere. The dense percussion pattern is a nice touch too. Really lovely harmonies, and strong production quality here. I think the composition could’ve been fleshed out a bit more, though - I wanted to hear some more dynamic melodic content and some more “twists and turns” in the structure. Still, you nailed the sound design, atmosphere, and mood here. This is a really soothing piece, and I hope you’ll consider making a full-length version sometime! Also, thanks for coming out to the NGUAC this year, Kassich - it’s been a pleasure having you. ^_^

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.5/1
Composite score
8/10

Kassich responds:

Thank you for the review, and thank you for hosting/organizing the NGUAC. I love this competition, it gives me an opportunity to just write music for fun and listen to other fellow composers!

[Shiza]

I like the crisp drums and furtive atmosphere at the beginning. The plucked, staccato-y guitar riff at :09 is haunting, as are the vocals. The lyrics themselves really help play up the apprehensive mood. The pacing of the piece is a bit slow, and I also think the transition into the refrain at 1:25 was a bit abrupt. The mixing is also good, although at times I wanted the drums to be a bit punchier. I really like the heavy contrast between the verses and refrains here, but I also would’ve liked to see more variety in the instrumental tracks during the verses to help keep me engaged. The melancholy solo at 3:52 is really nice, although I also would’ve liked to see a section towards the end of the piece that releases some of the pent-up tension here a little more. Overall, though, this is an evocative, moody, and well-produced track with some excellent guitar work. It’s been a pleasure having you in the competition this year, Introverse! ^_^

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.75/1
Composite score
8.5/10

Introverse responds:

Thank you. It was fun to be in this competition. See you next year!

[Drawing the Curtain (NGUAC FINAL ENTRY)]

I like the emotional appeal of the piano at the beginning. There’s a bit of a stereo blip at the very beginning - not sure if that’s a recording issue, or what? The first 20 seconds feel a bit furtive and understated, but you really open things up at :28, which is rather effective. The piece is slow to progress and a tad minimal, but I really like the sound design and melodies. You also have a couple of abrupt transitions in here - the entry of the guitar at 1:17 in particular caught me off guard. The mix is also very quiet, and overall I think you could do more with dynamic contrast to fully capitalize on the emotional appeal of this piece. After a while, the main melody gets a tad repetitive - adding some variations on it later in the piece might help keep the listener engaged. I like the outro a lot, though - it’s both dreamy and sad at the same time. Really beautiful piece overall, GlowBoy. You’ve done your Nonna a great honor by making it.

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
1/1
Composite score
8.5/10

GlowBoyMusic responds:

Thank you so mich for your review, and for having me in this years NGUAC! I am so proud of everyone who participated, and I cannot wait for next year.

As for the slight audio glitch at the beginning…I have no idea what this is either! It happened upon upload OR during MP3 conversion, since it is not present in the main project file :o maybe someone with a knack in music tech can explain here?

Oversll, thank you for this incredible opportunity, and for giving us all the chance to show our potential!

Mad love, Glow.

[Around The World]

I like the mysterious tone towards the beginning. The way the reverb cuts out suddenly after the big swell at :03 threw me off a bit, but I like the strings at :30 and the flute melodies shortly thereafter. The texture is a bit minimal towards the beginning, but the piece really falls together nicely by :52. The mix is pretty clear, but very quiet. Love the 7/4 time signature too - the pattern of rhythmic emphasis gives the piece a very organic and flowing feel, almost like a river. The tranquil breakdown at 1:39 is lovely, and I enjoyed the gradual swell in energy through about 2:02. I might’ve liked to hear more of the percussion in the mix at times during this middle section, but otherwise the sound design is great. The part at 2:22 is really nice, too. Is that a lute? Or a mandolin? Sounds like an acoustic guitar and a banjo had a baby. Anyway, the final melodic section hits the piece home nicely, and overall I really like the evocative tone and well-varied instrumentation in this piece. Thanks so much for coming out to the NGUAC this year, GDRH1988! Been a pleasure having you. ^_^

Mixing, mastering, and balance
1.5/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
1/1
Composite score
8.75/10

GDRyuHayabusa1988 responds:

Thank you for your reviews! Glad to see that I'm still continue becoming better at music :)

[shopping at the mall]

Love the prominent bass and jazzy flair of this one. The drums are a bit flat, and could use some more compression or something to make them “pop” in the mix more. Otherwise, the production quality is fine, and the groovy synth melodies and slidey bass riffs seriously get my foot tapping. Overall, you’re right that the mixing isn’t perfect, but it’s hard to go overboard with synth melodies in my book. :D Thanks for coming out to the NGUAC this year, Crysstal712! Been a pleasure having you.

Mixing, mastering, and balance
1.5/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.75/1
Composite score
8.75/10

Crysstal712 responds:

thank you for the opportunity, i'll be here next year!

[Superior Magnetic]

I like the rich strings at the beginning and the robotic-sounding atmosphere. The synth bass at :22 is a nice touch, and the rhythmic content of this piece is especially creative. The guitar at :47 was a pleasant surprise. There’s a plethora of reverb in the texture, and the drums get rather lost in the mix for most of the piece. The softer tone of the strings at 1:30 comes on a bit suddenly, but the ensuing 30 seconds or so served as a nice breakdown to contrast with the heavy bass and dense texture beforehand. Love the synth melodies at 2:02 as well. The distortion at 2:12 sounds a bit harsh in the mix, but the atmosphere around it helps soften the blow. Overall, you’ve put together another ambient beauty, Cresince. Congratulations, and thanks for coming out to the NGUAC again this year! ^_^

Mixing, mastering, and balance
1.5/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
1/1
Composite score
9.25/10

Cresince responds:

It's always a blast to compose for these competitions. I always learn so much from the wonderful judges, and I hope I can keep improving! Thank you for hosting such wonderful events!