TaintedLogic's audio Reviews on Newgrounds

[Welcome to Ram Ranch - Cloppin' Clyde]

Ah, yes. Love the bluesy vibe and fun vocals. You tread the line between April Fools' joke and actually good piece really well - I love the mic distortion at 1:09 and "yee-hoo"s in the background. You really sell the organic country feel and old-timey ranchers' gathering theme really well throughout. The little excited kid speech at 1:40 is another highlight, and the production work with this many vocals in the mix is seriously impressive. Really well-executed feel-good piece with comedic upside here, "y'all." Also, special SO to @Dryest for not being able to talk to women. I feel you, man. :P

Also, let me know when you're doing another one of these. I'll bring my boots and stirrups!

Dry responds:

fr.

[Null Chillah // Chaffeur]

Again, I'm loving your eerie atmosphere and sound design. The frantic, crisp drums here are especially nice. The prominent bass at 2:30 is a great touch - I can't tell if it's actually louder there or just more conspicuous because the rest of the texture drops off. I would've liked to see you sell the transition between the "two songs" here a little better. With the similar sound design and tone to the vocals, it's totally doable. The very ending could also use a bit more creativity imo - the end of the verse feels pretty abrupt, but following it is a straight fade-out that provides a jarring sense of continuity. The lyrics during the second song are especially cool, though. "I've got bills to pay, but they were never mine" is probably my favorite mine. Solid work again, Kalviter. Keep it up! ^^

Kalviter responds:

It's just a texture thing, but glad it's coming across! Thanks again for the tips and glad you like the lyrics

[AIM - Navigatah]

Fun vocal effects at the beginning. The atmosphere is really eerie, which is nice, although the drums at :18 sound a bit soft in the mix. The rap vocals are great. They might need a bit of a boost in the mix, or maybe even some harmonizing/layering to push some of the softer consonants through more. The lyrics themselves are really neat, though, and overall I like the low-pitched and conspiratorial tone of the verses. We really need more quality hip-hop on NG. Kudos on a strong track, man! ^^

Kalviter responds:

Appreciate the mixing tips, glad you like it!

[Sailing Okeanos]

I like the ominous and cinematic tone at the beginning and the sense of build into :32 or so. The electric guitar at :36 was a pleasant surprise, and it blends in really well with the dramatic flair during the rest of the piece. This is something I'd really like to see you finish, Ale. The entire piece feels like the background music to the trailer for an epic robots-take-over-the-world-themed action movie. Maybe I can write the movie script, and you can finish the song? What do you say? :D Either way, stellar work!

LucidShadowDreamer responds:

Haha, thanks! I'm glad you like it :D
It's also nice to hear from you, I hope you're doing alright. I've been very busy recently, but in a good way. A lot of it involves music, actually! But I've kind of left this piece behind, even though it was interesting. I hope to be able to share some even cooler stuff eventually, and perhaps then we can collaborate in one manner or another ^___^

[Colors of Life]

Welp, took me way too long to review this! I really enjoy the whimsy and elegance of your orchestral compositions, Everratic. The melodies here are really lovely, and you do a great job of adding dynamic contrast and phrasing while maintaining a cohesive narrative arc. The production quality is excellent as usual, and the atmosphere and sound design of this one are particularly good. Keep it up, man! ^_^

Everratic responds:

Thank you for the nice review!

[-Jungle Driver-]

I like the percussion and the groovy bass at the beginning. The arpeggiated synths (like at :32) are a really nice touch, and the variety in the sound design helps keep things interesting despite the minimalism. The vocal samples are especially nice in this - evocative and adding to the rhythmic density without being overused. I'm liking the more eastern-sounding instruments at around 2:35 too. The rhythmic content is an absolute knockout here, btw - it's going to take me a couple more listens to get a full sense of the syncopations and phrase structure of it all. The echo-y vocals at around 6:00 are also super neat, and somehow flow really well into the slightly eerie melodies at 6:23. The thick textures here just further highlight how good the production quality is here. Overall, really cool track, WF! Probably my favorite of yours since you released Vast. :D Keep it up!

Waterflame responds:

Ahh hi man! First I just want to thank you for always leaving such in depth reviews. I don't have time always to answer it all but I do catch them. And I really appreciate all the kind words :D I personally feel like I could have done a little bit more with this vibe, but it felt natural to end it there. Glad you noticed all the little things going on! Those are kind of the main draw yeah. I WILL keep it up!

[Who Knows]

I like the dreamy tone at the beginning and the filtering in the first 20 seconds or so. The quirky drums are nice too. Once the piano becomes prominent at around the 1-minute mark, the piece feels really uplifting, and I'm enjoying the bridge at 1:35 too. The piece flows really nicely, but also has a lot of variety, and the production quality is top-notch as usual with you. At times I think you overdid the reverb a tad, but it really helps fill out sections like 2:45 well. You also threw me off a tad with the guitars at the end. I still find your chaotic and variational style to be really engrossing and unique. Hope you start posting more often than once a year soon. Keep it up, Garlagan! ^_^

garlagan responds:

thank you TL! and i hope so too lol

[Movin On]

Really cute sound palette and neat rhythmic elements. It's like I never know what kind of instrument is going to come in at the end of every 4-bar mini-phrase. :) The mix is really loud and clear, and I'm hearing some similarities in melodic contour and instrumentation to "Moon City" and some of your other tracks. The melodies and phrase structure feel a bit meandering and aimless after a while, but the cutesy percussion was a nice way to end the piece. Dorky track indeed, but it totally puts a smile on my face. Keep it up, Michael! ^^

Michael-Flaherty responds:

I really appreciate the review. Thanks a lot for listening!