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TaintedLogic
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    2,717 Audio Reviews w/ Response

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    I like the catchy guitar riffs and crisp drums at the beginning. The synth melodies at :28 were a nice touch, too. I especially like the frantic guitar solo at 1:40. Overall, the arrangement gives the piece a constant sense of energy and drive. At some point, it would’ve been nice to have a little more shape and structural contrast with an atmospheric breakdown or mellow bridge or something. I also think there are a lot of long sections where the melodic riffs follow a really predictable on-and-off pattern (example, 2:55 to 3:24). I think it would be more engaging if there was a little more variation in this format within the phrase, and would also help you build up to the more intense sections. Still, the modulations help keep things interesting, and I enjoyed the drawn-out outro. Overall, this is a solid piece. Production quality is especially strong, and the solos really kept me into it despite the harmonic repetitions. Keep at it, Catpocalypse! :)

    Mixing, mastering, and balance
    2/2
    Structure, transitions, phrasing, and variety
    1/1.5
    Melody, tonality, harmony, and texture
    1.75/2
    Instrumentation and sound design
    1/1
    Emotion, atmosphere, and catchiness
    1.25/1.5
    Originality and uniqueness
    .75/1
    Overall (how do the elements above interact?)
    .5/1
    Composite score
    8.25/10

    Catpocalypse responds:

    I appreciate you taking the time to write this review, and thanks for all this good and helpful feedback! Though, I'm not really understanding how this song is repetitive, as the guitar and synth leads are are scattered across all parts of the song for the sole purpose of keeping it interesting.
    Also, the constant energy you described is designed to run through the entire song. If I were to relax in any part, the track overall would lose its momentum, and as this is a song about racing, it would ultimately make sense for there to be a constant drive and speed to it.

    I like the strong beat at the beginning and the catchy synth riffs. It feels like the piece throws the listener into the middle of the action without much of an intro, but by the time the bass riff at :20 and subsequent build-up into :38 roll around, I’m on board with the fast pace. The drop is also catchy, and the ominous riff at :57 is a nice touch. The transition at 1:17 could’ve been a tad smoother, especially since the part at 1:18 was so much more minimal than the drop before it. The detuned piano at 1:18 has a great, eerie quality, but that section could’ve used a richer atmosphere to really sell the ominous mood. The bridge at 1:36 was nice, especially with the syncopations at 1:55. The transition at 2:34 is another example of a “Band-Aid” approach to progression here - ideally you’d have at least one core element of the texture carry over on either side of the transition. Otherwise, the crash you have in there can only do so much to smooth it over. The more authentic-sounding drum kit at 2:53 was a cool sound design decision, but by 3:12 you lost me a little bit with all of the distinct sections in the middle of this piece. I think you needed a more climactic section at the end to hit the piece home and tie up some of the thematic elements of the track. Instead, the section at 3:12 sounds like it’s building towards something else (thus the transposition of that lead riff up an octave at 3:31) that never comes. Thus, functionally you have two bridge sections in the piece, at 1:43 and 3:12. Not to over-analyze, though. Overall, you nailed the sound design, mixing and mastering, and rhythmic and harmonic content. The arrangement could be a little less choppy, but all things considered my complaints are minor here. Keep at it, Begissor! ^_^

    Mixing, mastering, and balance
    2/2
    Structure, transitions, phrasing, and variety
    .75/1.5
    Melody, tonality, harmony, and texture
    1.5/2
    Instrumentation and sound design
    .75/1
    Emotion, atmosphere, and catchiness
    1.25/1.5
    Originality and uniqueness
    .5/1
    Overall (how do the elements above interact?)
    1/1
    Composite score
    7.75/10

    begissor responds:

    Thank you! Doing my best.

    I like the pensive vibe at the beginning and the steady rhythm of the ascending and descending lines in the guitar. The piano chords are a little strong, but the rest of the sound design fits in well. I would’ve liked to see you fill out the atmosphere a bit more with some reverb and other mixing effects, but the experimental vibe I’m getting from the rhythm and slight dissonance at around the 1-minute mark helps keep things engaging. I might’ve liked to hear some more melodic content at some point, but the experimental texture won me over at the end of the day. I still wanted the atmosphere to be a little richer, and the piece could use some more automation and phrasing just to capture the emotional quality of the arrangement a little more. Couldn’t hurt to humanize the piano more and create some subtle dynamics or tempo changes. Overall, though, the experimental composition paid off pretty well here. Solid sound design and mixing, and some creative harmonies too. Keep at it, Aweror! :)

    Mixing, mastering, and balance
    1.75/2
    Structure, transitions, phrasing, and variety
    1/1.5
    Melody, tonality, harmony, and texture
    1.5/2
    Instrumentation and sound design
    1/1
    Emotion, atmosphere, and catchiness
    1.25/1.5
    Originality and uniqueness
    1/1
    Overall (how do the elements above interact?)
    .5/1
    Composite score
    8/10

    Aweror responds:

    awesome, thanks for the detailed feedback, very much appreciated!

    While no longer an official "contest" review, I did have one already written before our PM exchange the other day. Have at thee:

    I like the staccato-y guitar riffs at the beginning and the melodic vocals at :11. The mix is loud, crisp, and well-balanced, and the injection of intensity at :32 is great. I really like your style, Ajskull. Reminds me of a cross between Green Day and the soundtrack from Rent. The solo at 2:18 was super nice, but also a little short-lived. The extra layering on the guitars during the final refrain is nice, but part of me wanted even more melodic development and intensity for the last minute or so of the piece. The arrangement of the piece is pretty generic, but it also has a great flow and sense of pacing overall. The mixing is probably the strongest part of the piece imo, although sometimes I wanted the drums to pop in the upper register a little more. The vocals came off sounding really powerful and rich, though, which can be hard to do with such a heavy underpinning of guitars. Overall, this is a highly impressive piece, and all of my complaints are minor. Well done, Ajskull! ^_^

    Mixing, mastering, and balance
    2/2
    Structure, transitions, phrasing, and variety
    1.25/1.5
    Melody, tonality, harmony, and texture
    2/2
    Instrumentation and sound design
    1/1
    Emotion, atmosphere, and catchiness
    1.25/1.5
    Originality and uniqueness
    .75/1
    Overall (how do the elements above interact?)
    1/1
    Composite score
    9.25/10

    AjSkull responds:

    Wow this is awesome! Thanks so much for still giving this a solid review! Newgrounds rocks!

    I like the somewhat ominous fade-in at the beginning and the cutesy synths at :05. The melodies are catchy, but the chord progression is pretty generic, and the texture stays pretty minimal for much of the piece. Sometimes, the drums also sound a bit distorted in the mix - like at :37, for example. I think there’s a tad too much reverb on the claps sometimes, but there also could be a little too much compression on some of the other instruments. The lead synth at :48 was cool, although it didn’t add much in the way of novel harmonic content. I like the rhythmic variations between mini-phrases (2:28), but otherwise there isn’t much in the way of variety or melodic development later on in the piece to keep me engaged. The extended pause at 3:01 threw me off a bit, although the airy outro thereafter was a nice touch. I think some more variation on the main melody at 2:19 would really help give more of a narrative arc to this piece, but it might be even more important to have a stronger point of contrast towards the middle - an atmospheric bridge or harmonic shift after the first refrain, for example. Still, your work here shows a strong sense of atmosphere, rhythm, and harmony. The minimal texture and cliche chord progressions and arrangement are probably my main complaints here. Keep at it, Abstrack! :)

    Mixing, mastering, and balance
    1.5/2
    Structure, transitions, phrasing, and variety
    .75/1.5
    Melody, tonality, harmony, and texture
    1.25/2
    Instrumentation and sound design
    .5/1
    Emotion, atmosphere, and catchiness
    1.25/1.5
    Originality and uniqueness
    .25/1
    Overall (how do the elements above interact?)
    1/1
    Composite score
    6.5/10

    Abstrack responds:

    Thanks TaintedLogic for your big review! You always do this by providing so many details, it helps me so much!

    If getting better at music production is like exploring a dark cave with a light torch, then getting a constructive review is like having someone else lend you their torch for a bit.

    I'm not judging your group, but this piece is awesome. The sound design and rhythmic content are killer, and despite being almost entirely rhythm section, there's actually a solid balance in the frequency range. Sometimes, there's a bit too much reverb in the texture for my tastes, but the production quality is really solid as well. Really creative stuff here, Mooke! ^_^

    zybor responds:

    Thank you for your review, TL! :)

    Dark and dreamy. I like it! Atmosphere is solid, too. I think the percussion at the end is a tad cheesy, and the transition at :37 could've been smoother, but the ascending line in the strings from :27 to :33 was really well done. Gives the piece a subtle sense of climax, even though it's really short. Hope you're still producing, man!

    DDman465 responds:

    Makes a lot of sense looking back. Never had any real consideration for the listener or awareness. Will definitely try my hand in the next contest NG has to see how skills have improved. Thank you for the review.

    I like the ghostly lead at the beginning and the airy riff at :14. The pulsing synth bass is a nice way of keeping a sense of energy and drive in the texture too. I was a little thrown off when it seems to duck under the mix at :43, but it seems like that's intentional. I'm loving the majestic harmonies at around 1:25, and also the catchy lead riff at 2:20. The flow of the piece is really smooth, and I like how it comes full-circle by the 4-minute mark. Overall, it's a fun and catchy piece with a neat atmosphere and solid mixing.

    I'm extremely sorry to hear about your assault, and I wasn't aware that this was the reason for the late submission. I'll discuss with the judges about making an exception for you. Clearly the late submission wasn't your fault. That said, I'd also encourage you to prioritize taking care of yourself over participating in the NGUAC - mental health comes first. If you ever need someone to talk to, please don't hesitate to send me a PM.

    Teckmo-X responds:

    This review made me feel like I had finally accomplished something and this time did it right. I didn't get to fully mix and master it like I wanted to but I tried to rush as much of it as I could to make the deadline. This review also gave me light to what I'd say an improvement from all my other work. I thank you for your time and kindness to listen and comment.

    I apologize for my late submission. As for my health I am doing much better and undergoing a speedy recovery. This isn't the first time it's happened (last time was worse and life threatening). I get harassed quite often because I''m transgender but I continue to stay positive about things. I'm just grateful to be okay. I thank you for your concern. If you'd have any questions or would like more info please don't be afraid to ask me in private.I'm a very open person.

    I like the atmosphere at the beginning and the eerie mood. The cello at :13 could sound a little more distinct in the texture, and by :34 or so the texture overall is pretty dissonant. It's a little hard to follow the direction of the piece around the 1-minute mark, but I'm liking the oom-pah vibes at 1:12 with the barking dog. The transition at 1:36 was a little rough, but I'm enjoying the rhythmic content and sound design thereafter. Overall, this composition doesn't have a great sense of cohesion, and oftentimes lacks harmonic depth. Dissonance can work really well in a dark, cinematic track like this, but I feel like it needs to play a clearer role in the narrative form of the piece. Instead, I think the order of the phrases and the way they’re connected aren't really building towards something here. My favorite elements of the piece were probably the sound design and atmosphere, from the foreboding synths to the authentic-sounding guitar and strings. Overall, the fun mood, dissonance, and variety are potentially really appealing aspects of this piece, but I think they'd work better here if the arrangement was less choppy. Keep at it, Snoballandthmonyshot! :)

    snoballandthmonyshot responds:

    Hey hey,
    Thanks for taking the time to review.
    As with a lot of my stuff it does lack cohesion! Never to be completed this one as it died along with my old laptop. I do intend to keep at it as i now have a functional daw again.
    I'll be gunning for a 4 star from you with my next one...
    Thanks again
    Px

    Wow, this is great. I love the atmosphere and the sound design. The synths at :23 are super cute and dreamy, and there's a great sense of climax into :45. The production quality is solid, even if the compression is a little heavy for my tastes, and the flow of the piece is really smooth. I like the chopped vocals at 1:30 and the extended breakdown at 2:40. The harmonic content can get a tad repetitive after a while, and I would've liked to see some more engaging melodies towards the end to really hit the piece home. Still, it's a really chill track with a great mood and strong instrumentation and progression. Keep at it, DrayxMusic, and congrats on the front-page! ^_^

    DrayxMusic responds:

    Oh snap you're right, another frontpage. Always awesome to see! :)

    I agree that the piece ended up a bit more repetitive than I'd have liked, even if I was going for a more ambient/chill vibe. There was definitely some untapped potential here that I want to get better at fulfilling, especially for longer tracks like this. And yeah, as for compression still have a bit to learn. Anyways thanks for the review, glad you enjoyed it! :D

    (Btw next year for NGUAC I'll have to submit a stronger piece. I was a bit complacent this year with my audition choice, after my placement last year in the finals) xD

    Hi. I'm Andrew. Audio portal junkie since 2010, supporter since 2017. I always want to improve what I do! I make music, run the NGUAC, post poetry on BBS, and am the all-time #2 audio reviewer. I love this site, and I want to make it the best I can! ^_^

    Andrew Mikula @TaintedLogic

    Age 27, Male

    Policy Research

    Bates College

    Wellesley, Massachusetts

    Joined on 8/16/12

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