TaintedLogic's audio Reviews on Newgrounds

[Abendmusic - Wilderborn]

I like the majestic and tranquil mood at the beginning. The flute solo at :18 is really lovely, and the soft reverse crash at :32 was a nice way of transitioning into the more Celtic-sounding section thereafter. I think the melodies are pretty simple, but the variety in the sound design and texture of the piece keeps me engaged. The arrangement is a bit choppy during the middle minute of the piece; it felt like a battle for the soul of the piece for a while there. Eventually, I think the adventurer turns to a volatile life on the run to soothe his aching soul, but he doesn’t forget his regal, cloistered past. It says a lot that this piece can place such a vivid image in my head. You really told a story with this one. The composition, sound design, and production quality are all strong here. Well done! ^_^

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.75/1
Composite score
9.5/10

Abendland responds:

Thank you a lot for sharing your thoughts and giving me such a thorough feedback! Your words mean a lot to me!
All the best, Chris

[Stellar]

I like the smooth pads at the beginning and the sense of tranquility that pervades the piece. There’s a good sense of build into :30, and I like the blissful mood there. The finger snap sample sounds cool, and I like the upbeat vibe and melodies a lot. The production quality is solid, too. My main problem with the piece is probably that it sounds pretty generic, between the synths that could easily be Nexus presets to the arrangement and chord progression. I also think you could’ve hit the piece home a little more with a bolder final refrain and a proper outro. Still, this piece has a nice sense of atmosphere, solid sound design and mixing, and catchy melodies. Keep at it, SnapskiMusic! :)

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
.25/1
Overall (how do the elements above interact?)
.75/1
Composite score
8.5/10

SnapskiMusic responds:

Yo! Thank you for the surgical dive into this piece.
While there wasn't any instances of Nexus, I'd agree that some of the sounds had a generic feel. I'd also admit that the second phrase could have had much more energy, but there was this subconscious fear of ruining the serenity of the whole composition. Should've been bolder, you're right! All the more reason not to disappoint during the next round.

[endK - Resonance]

I like the pensive mood at the beginning and the catchy synth riffs. The injection of intensity at :22 is nice, and I like the bass-y snare sample tom-toms at the transitions. The melody line at :44 is also nice, and the piece is pretty downtempo for a track of yours. The piece doesn’t have a lot of structural variety, but rather a constant sense of energy. I also think the piece gets a bit repetitive after a while, especially with the tom-tom transitions, crashes, and lead synth riffs. I also think it would’ve helped create some more contrasting energy and dynamics levels if you had fleshed out the breakdown at 2:48 without re-introducing the other harmonies so quickly thereafter. Still, the production quality is crystal clear here, and the modulation at 3:49 really helps hit this piece home towards the end. I still feel like this piece sounds like a danceable piece trying to be a slow jam, but otherwise you nailed the mood, atmosphere, mixing, and melodies. Keep at it, EndK! ^_^

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.75/1
Composite score
8.75/10

endKmusic responds:

Totally agree with every word you said, eventhough it's structured of four different parts in total that repeat with few changes now and then.

I had the same thought about 2:48 as you mentioned, maybe if I had few days more I would've made a proper breakdown or something like that.
'dancing piece trrying to be a slow jam' - This is so well described, maybe it could be kind of a trademark? ;D
Even if I try to stay within the boundaries of a genre there's always something that kinda 'betrays' me. I don't mean that as a bad thing. I GUESS.

Thanks for the amazing review as always TL. ^_^

[Inevitable]

I like the glitchy content at the beginning and the punchy drums. The synths at :19 are cute, and the production quality is really high here. The rhythmic content is nice, and I like the sound design as a whole too. The piece is very slow to progress, and probably needs more structuring and some more prominent melodic content in places. I love the airy choir chords at 1:05, although the string samples at 1:23 sound a bit cheesy. You really take this piece in a different direction by the end. I like the sense of climax going into the end, but I wanted a stronger point of resolve after you built up all that tension. There are a lot of good ideas here, but I think you could capitalize on the groovy intro and the cinematic flair alike with a more fleshed-out arrangement. Overall, though, your experimental composition definitely paid off. Really cool sound design and atmospheric elements here. Keep at it, Vocaloutburst! ^_^

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.75/1
Composite score
8.75/10

vocaloutburst responds:

Thanks so much for the feedback and review!!

[Broken Souls]

I like the ascending scale pattern at the beginning and the vocals. The rimshots at :08 were a little too loud imo, but the texture comes together well by :13. I’m not a huge fan of the kick at :32 - it has a bit too much treble imo. At :50, the vocals don’t blend super well, and the drums are struggling to come through the mix a bit. I like the lyrics themselves, and I also think you both have nice voices, especially your friend. The composition could be a bit more dynamic in terms of energy level and harmonies, though. I would’ve liked to see some more structural changes in the piece before the breakdown at 2:19. I like the glitchy content there, and you transition pretty well back into the last refrain at 2:47. I think the recording quality of the vocals isn’t great, and I think the two vocal parts don’t always sync up so well, which is especially noticeable towards the end. I think the composition of the piece is really good, but you didn’t necessarily execute it very well between the recordings and production. Still, I like the mood, progression, harmonic content, and atmosphere of the piece. Keep at it, SirQuebi! Best of luck at college. ^_^

Mixing, mastering, and balance
.75/2
Structure, transitions, phrasing, and variety
1.5/1.5
Melody, tonality, harmony, and texture
1.5/2
Instrumentation and sound design
.5/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.25/1
Composite score
6.5/10

Quebi responds:

Yeah, I noticed the things you mentioned, and it really is unfortunate I couldn't execute it all better. Perhaps with different circumstances it would've been a different story.

[Anthem For The Millenial]

I like the spacey pads at the beginning and the guitars. I think the vocals could be a little more prominent in the mix, including some more compression and other mixing effects. The lyrics are both vague and repetitive, but also relatable and down-to-earth. The transition at 1:12 could’ve been smoother, but I do like the echoy vocal harmonies. The guitar solo at 2:07 is nice, even if it’s just outlining the chord progression. I think the mixing/balance of the piece could use some cleaning up. The drums aren’t quite as punchy as I wanted them to be, especially during the lead guitar section, and the vocals don’t feel strong enough until the phrase at 3:03. I also think you could’ve enunciated the consonants a bit more. I like how the texture gradually gets stripped down towards the end, although the mic pop at 4:37 could’ve been edited out. Overall, despite all my nitty-gritty criticism, I think the harmonies, sound design, and rhythmic content are all really good here. The mix and vocal production might need a tad more cleaning up, and some more variety in the instrumental tracks would be nice later in the piece, but otherwise it’s a catchy and fun piece. Keep at it, RedSoul92! :)

Mixing, mastering, and balance
1.25/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.5/1
Composite score
8.25/10

RedSoul92 responds:

Thanks for the review I will most definitely keep at it ^_^

[~SW~ Synaptic Surge]

I like the spacey vibe at the beginning and the smooth string pads. The little synth riff at :25 is cute, and the overall tone of the piece has a great sense of wonder about it. I like the percussion and the subtle crescendo into 1:08, too. The drums are really creative at 1:11, and the meandering melodies are really interesting. The texture really comes together well at 1:50, even if the snare samples sound a bit thin. Very creative rhythmic content here, and I like the prominent, gritty bass at 2:22. The section at the 3-minute mark offers a nice secondary melody to the content at the emotional height at 1:50. It’s hard to make the one-climax model work, but you’ve done a good job at creating a sense of dynamism in the composition even within a pretty parabolic structure. Strong work, Skye! I love how you juxtapose conflicting moods in this piece - tranquility and anger, introspection and impulsion. Keep it up. ^_^

P.S.: Is there anywhere I can download this?

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.75/1
Composite score
9.5/10

SkyeWint responds:

Hey there, TL!

First things first, I made it available for download. Still not 100% happy with this, though I think it's nailed things a bit more than I have before... so up for normal download it goes!

The synth riff becoming audible around 0:25 is a consistent pattern playing throughout almost the entire piece, actually! If you listen in the background, you should be able to hear it. ^^

I find it really interesting you feel the snares are thinner at 1:50 - they're actually a lot sharper at the high end and have just as much in the mids as the snare in the prior section.

The gritty bass around 2:22 is one of the parts I'm proudest of. Did you notice the pad in the background expanding a bit with each of the bits of extra distortion and modulation of the bass to accent it?

Gonna try to keep on pushing out music a bit faster than before now. Take care!

[loosends]

I like the gritty, pulsing texture at the beginning, even if the wavering effect and kick drum were a bit heavy. The piece is pretty slow to progress, although the texture fills out a little more once the vocals come in. The vocals are pretty far back in the mix, and also don’t sync up very well between the man and woman’s parts. I like the lyrics themselves, though, and also the post-chorus/melodic phrase at 1:36. I think the drums, especially the snare, don’t come through in the mix quite clearly enough at this point, and also that the synths are a bit cheesy/generic. The melodic phrase drags on for a bit too long, but the contrasting breakdown section was a good idea. I like the emotional appeal of the piano solo at 3:15. The reverb is a bit excessive, and the pacing remains pretty slow, but the bridge at 4:01 works well to inject some energy back into the piece. I think the vocals sound pretty haunting overall, but also that the consonants could be enunciated a bit better. Overall, there are some really good harmonic and rhythmic ideas here, and I like the ghostly tone the piece has and the gritty synths. That said, a lot of the sound design is a bit cliche, and the arrangement of the piece is a bit too drawn-out. The mixing also needs some cleaning up, most urgently by cutting some reverb and getting stricter with the equalization. Still, this is a fun and strangely danceable piece. Keep at it, Spoonukem! :)

Mixing, mastering, and balance
1.25/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
.5/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.75/1
Composite score
7.5/10

Spoonerang responds:

I appreciate the feedback; and I've been dabbling with a few edits of the track, (after the critiques) cutting reverb and other sliders around a bit in different areas. Haha, the synth sounds were admittedly a bit generic especially if you compare the sounds here to my previous works - guess you could say I was trying to go back to basics, anyways~ I had a lot of fun with this one, if not for the contests I doubt this track would have even been created! Thanks for having me and taking the time to review this moderately long track! Better luck next year I suppose! :)

[Don't Mean a Thing]

I like the rich quality of the vocals at the beginning and the conversational tone inherent in the lyrics. The guitar sample sounds a bit cheesy, though, and I thought the kick was very heavy and sub-bassy for a piece like this. The content of the lyrics is really clever, and I like the cutesy mallet instrument at :50 during the more mellow refrain. I’m not sure to what extent this piece describes your real life (I’d imagine your Dad doesn’t have a union job, and I’m also not sure you have siblings either), but the down-to-earth tone of the piece and the passionate vocals makes the entire thing very believable. Almost sounds like you plucked this song out of a quirky off-broadway production. The refrain at 1:32 with the high-register pads and fuller texture is great, and there’s also a great comedic quality to the spoken work vocals at 2:00 and the teacher’s “advice for girls.” Once you get to the banjo line, I’m straight-up laughing my ass off. The production quality is excellent here, btw. Overall, this is a super fun and catchy piece with a great message. At the end of the day, my main concern is probably the lack of originality in aspects of the harmonic framework and arrangement, but that honestly doesn’t even actively bother me that much. Seriously, LunacyEcho, save some good pieces for the other competitors! :P

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1.5/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
1/1
Composite score
9.75/10

LunacyEcho responds:

you're definitely right that all the content in here was just made up haha, i don't have a brother and i just thought it had a nice campfire-y folksy vibe. and thanks for all the kind words <3 i'm 99% sure this song was a fluke so i'm hoping that i can pull off another fluke for this next round. cheers!

[XenoXenon - Magical Kingdom]

I like the spacey atmosphere at the beginning and the cute melodies at around :20. There’s a tad too much reverb in the texture, though, and I think the mix is rather quiet in general. The strings have a nice emotional quality, too. I think the progression could use a stronger sense of direction at times, but I like the shimmering pad at 1:10 and the gradual build into 1:36. I didn’t think the extra pause at 1:37 was quite necessary, and the percussion sounds a bit muddy in the mix later in the piece. The piece has a really uplifting vibe, but I think the production quality and generic harmonic content are my major concerns here. Still, nice work with the emotional appeal, melodies, and mood/atmosphere. Keep at it, XenoXenon! :)

Mixing, mastering, and balance
1/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
.5/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
.25/1
Overall (how do the elements above interact?)
.5/1
Composite score
7/10

XenoXenon responds:

thx for feedback