00:00
00:00
TaintedLogic

2,717 Audio Reviews w/ Response

All 5,126 Reviews

1 reviews is hidden due to your filters.

I like the catchy synths at the beginning. The chord progression is a little cliche, and I wish the drums were both louder in the mix and more creative. I also would’ve liked to see some more original sound design and structural variety here. The energy level is almost constant throughout the piece, and overall the composition just needs more fleshing-out. Still, nice work with the rhythmic components, harmonies, and rich texture. Keep at it, DaveSlayer! :)

Mixing, mastering, and balance
1.5/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
1.5/2
Instrumentation and sound design
.5/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.25/1
Overall (how do the elements above interact?)
.75/1
Composite score
6.75/10

DaveSlayer responds:

Thanks for a comprehensive overview! Getting feedback is rare these days, I'll do my best to improve! :3

I like the car sound effects and chill eastern-sounding instrument at the beginning. The vocals are nice, too. The bass and kick at :25 sound a little over-saturated in the mix, although the vocals are really smooth and well-articulated. The recording quality is strong, too. I would’ve liked to hear more variation in the instrumental track, though. The texture is pretty stagnant over time, perhaps with the exception of the more legato approach to the vocals at 1:29. I think the piece needs more structuring and shape in the composition. It would’ve been nice if you broke down the drum beat and eastern instrument riffs at some point and had some more atmospheric/melodic content. I’d also like to see a translation of the lyrics. Overall, though, the production quality is strong, the mood is fun, and the rhythmic content is catchy. Keep at it, Galicross!

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1.25/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.75/1
Composite score
7.75/10

GALICROSS responds:

Thank you so much. Your opinion will allow me to work much better news.
Here is the idea of ​​the text in English.
Hard to translate, because French words are our expressions

Come my end of the day
face well burnt, I look at the counter
but the lion remains at rest.
I call dekar, I will not be burned.
boost ! the sound on an air of undead (hollywood undead)
the exile inside, 18h

first engaged, in neutral
I will fall back.
idiot or
construction
I fuck the world, let me sleep
Too much clio concerto, i realize to me
I am more than at the level
I hang up, I will move
it transpires

still 18h on the road
fuuuuuuuuu
next door, just landed
pleasure
big cleavage
black rayban
a little ruffled
but I must surely hallucinate


she goes, mine is raging
I find it disgusting, only Michel Angel pass
the inner exile makes one feel
burns caution, state of consciousness
I believe in a movie
that heat, 18h

sun through the windows burns me
the jeans glue, clim on feet
but the rays are so strong
I'm crying like DARC on the bucher
finish in my ashtray
charred, empty and dried
a background thirsty evian 18h

18h on the road

it becomes strident, I roll at a pace
I will not be on time
quiet without risk
with a big breaker
active grandpa
the asphalt is burning
deadly temperature
I will be able to pass
end 18 km / h


like when we I'm waited
I have the pulsating sternoma
in the apartment there is just my knife
who is waiting for my dick
just tired, worn
by this fucking journey
exit this day
I'm going game 18 h





see you soon

The intro could’ve been a bit more creative than a fade-in, but I like the catchy beats and sound design. The sweep at :58 also sounds cool. My main problem with the piece is the lack of variety, especially in the harmonies. I wanted to hear some stronger, more dynamic melodic content, and also some more variation during the final refrain at 1:31. That said, the additional harmonies at 1:48, while short-lived, were a nice touch. The sweep at the end also cuts off a bit suddenly. I would suggest letting the reverb do the work of helping the atmosphere fade out. Overall, I’m enjoying the production quality, blissful mood, energy, and rhythmic content of the piece. I think you need more variety, more originality in the sound design and arrangement, and more creative sound design to keep my attention here, though. Keep at it, Eric-VIP! :)

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1.5/2
Instrumentation and sound design
.5/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.25/1
Overall (how do the elements above interact?)
.75/1
Composite score
7/10

Erik-VIP responds:

Thanks!

I like the quirky percussion at the beginning and the rhythmic content, but I think there’s a bit too much reverb on some of the instruments and the harmonic content is a little sparse. It sounds like a series of catchy riffs with little connectivity and overarching sense of progression. The breakdown at 1:20 was a pretty good idea, and I like how you incorporate the piano’s progression into the second half of the piece. That said, the ending comes on a little suddenly, and I wanted to see you find more ways of creating variety in this piece besides just adding and subtracting instruments over time. The breakdown at 1:20 is a good start, but there aren’t really any gradual transitions in this piece, giving the arrangement a bit of a choppy feel. Overall, solid work with the sound design, rhythmic components, harmonies, and production quality. The compositional details just need a bit of fleshing out. Keep at it, Magicalpony444! :)

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.5/1
Composite score
8/10

Magicalpony444 responds:

Hi! Sorry for reacting to this too late. This is actually a pretty important song in my career (cuz all of my songs before this were garbage :P). I hope you have a nice day!

I like the instrumentation. The beat doesn’t sound quantized very well, as the different tracks don’t always sync up neatly. It’s especially noticeable in the crashes at around :10. Sometimes the vocals sound a little overly strained, but the lyrics are fun. The chord progression is a tad generic, but I like the solo at 1:18 - it helps keep the texture engaging. I like the production quality overall, but sometimes the panning is a little heavy for my tastes. The vocals don’t come through that clearly at 1:55, and the volume levels (especially of the vocals) oscillate quite a bit throughout the piece, which can be a little jarring. I like the passion and intensity of the guitar solos, but I thought you could’ve had a more creative ending than a fade-out. Overall, you’re clearly a talented guitarist and you bring a lot of feeling to your music, but the texture and mix need a lot of tightening - both rhythmically and harmonically. Keep at it, Johnnyq1233! :)

Mixing, mastering, and balance
1.5/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
1/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
.25/1
Composite score
6.5/10

johnnyq1233 responds:

See.. that's the problem. Soo many musicians are on the computers and using all the tools available! Auto tune, auto time, automatic quantization, beat slicing tools and soo much pitch corrections!
Why not have a straight up 8 competition, where you got 8 tracks and you are not allowed to use any computer alterations.
If this is a truely music oriented site, then you should have a straight up analog recording comp for us old guys that don't use any fuckin computer magic.

Shut off your computers and just listen!!! the music is all you need!

I like the pensive mood at the beginning and the emotional strings at :19. The melodic content in this piece is beautiful, and the percussion is nice and loud and clear in the mix. The rhythmic content is a little hard to follow at 1:14, especially with the mixed choir, although I like the horns toward the end and the female drone. The last climactic section really hits the piece home. I think the piece has a couple too many sudden changes in dynamics (as opposed to gradual build-ups and breakdowns), but overall the structure is effective here too. The high production quality, sound design, atmosphere, and melodies really carry this track. Strong work, CloakedSoup! ^_^

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.75/1
Composite score
9.5/10

CloakedSoup responds:

Thanks man! Hopefully I can enter into the 1st round (I made it into the fill-in pool), because I've got some ideas cooking that should impress far beyond anything that I did here.

I like the energy and breathy vocals at the beginning. The drum samples are a little cliche, especially the open hat on the off-beats, and the vocals get a bit repetitive after a while. The piece is pretty slow to progress, and I appreciated the structural contrast you offered at the breakdown at 1:30. I liked your use of the reverse crash in the middle of the atmospheric phrase at 1:52. The pacing is a bit slow here, but there’s a good sense of climax into 2:21, and the heavy bass at 2:36 is a nice touch. There isn’t a lot of dynamic melodic content in this piece, and overall the sound design, arrangement, and chord progression of the piece are pretty generic. That said, I’m really enjoying the sharp production quality, automations, sound design, and rhythmic content here. Keep at it, SASKID! :)

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.25/1
Overall (how do the elements above interact?)
.75/1
Composite score
7.75/10

SASKID responds:

Thanks for your kind words!

So mixing is good, but be more original is what I take away from the review here. Very happy you enjoyed the elements and small touches that people usually leave out or don't notice such as the subtle reverse crashes and elements coming together.

Thanks for your score, and thanks for judging!

The synth riff at the beginning is catchy, although the synths themselves sound a bit harsh in the mix. The background percussion at the beginning also is a bit grating. The harmonic content of the piece is very repetitive, and the mix sounds a bit strained at 1:01. My biggest problem with the piece is how bland the composition is. The entire piece is essentially variations on the same short, simple riff, with little harmonic depth to boot. You have a good sense of rhythm and progression, but I want you to spend more time adding complexity to the composition of your tracks - richer chords, fuller textures, more layers of harmony (chords, melodies, back-up melodies, rhythmic riffs, dynamic bass lines, etc.). It helps to lay out the chords you’re using first, and then build patterns that fit within the notes of those chords. Still, this piece isn’t bad. The composition is just a little underwhelming. It’s still a catchy and flowing piece with some good harmonic ideas. Keep at it, AlienNinjaGD! :)

Mixing, mastering, and balance
1.5/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1.25/2
Instrumentation and sound design
.25/1
Emotion, atmosphere, and catchiness
1/1.5
Originality and uniqueness
.25/1
Overall (how do the elements above interact?)
.5/1
Composite score
5.5/10

AlienNinjaGD responds:

Thanks for your review!
I agree with all the things you wrote here.
Thanks for the advices! I'm gonna follow them.

I like the breathy atmosphere at the beginning and the pensive guitars at :05. The production is a bit bizarre here. The mixing effects on the vocals are pretty heavy, and the guitars are very reverberant. I really like the lyrics, although sometimes the vocals sound a little thin and strained in the higher register (i.e., 1:10), and I wish the drums were a bit louder during the refrain too. Sometimes the vocals cut off before you really articulate the syllable you’re singing, like at “hand” at 2:04. Without the lyrics in the author’s description, I would have no idea what you’re saying. Overall, the piece is well-structured, although at some point a breakdown or solo would’ve been nice to give the composition a little more shape. The piece also gets a little repetitive by the end, with not enough variety in the instrumental tracks, harmonic content, or structure.

Mixing, mastering, and balance
1.5/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1.25/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.25/1
Composite score
7/10

JoePimpz responds:

I appreciate you taking the time to really listen and review my work. My forte is songwriting, so I tend to mix strangely. As far as mastering goes, I don't know a ton about it so I use unorthodox methods, which is likely some of what you're hearing. The opening was actually me breathing in as much as I could and uttering "damnit" because I kept running out of air during my first few takes and I was actually bracing for the pass-through lol

I like the upbeat mood and synths at the beginning. The chord progression is a little generic, but the melodic content at :23 is fun. I think the drums could’ve been a little stronger in the mix, and the snare sounds like it doesn’t have quite enough lower frequencies. Still, I like the energy and drive this piece has. There are a lot of great melodies in this track, but at some point I wanted to see you offer some structural contrast by dialing back the intensity a bit. An atmospheric breakdown or minimalist bridge would serve this piece well, giving the composition some shape and allowing you to reach a more emotional conclusion at the next climax. Instead, the different sections of this piece don’t seem quite distinct enough from each other after a while, and it also couldn’t hurt to consolidate some of your harmonic ideas, as there are a lot of different fast-paced riffs in this piece. It’s a little hard to stay grounded in the structure after a while. Still, I appreciate the return to familiar content towards the end, even if the fade-out ending came across as a little lazy and abbreviated. Still, the sound design and atmosphere of this piece are really cool. I especially like the instrument at 1:53 - it was probably originally meant to sound like brass, but it’s so inauthentic that it comes across as just another quirky synth, and it blends into the texture here wonderfully. Cool piece overall. My nit-picky compositional concerns probably constitute my main issue with the piece. Keep up the good work, Pheanir! :)

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.75/1
Composite score
8.25/10

Pheanir responds:

Thank you for your feedback, this is the most in-depth review I've ever gotten.

Yeah, the things you said are true. I am mostly inspired by the Touhou project games and I have absolutely no knowledge about mixing or doing these things properly; I just "went for it". I could try to explain why I did things certain ways here, but that's probably redundant.

I always try to get better. Thank you a lot ~

Hi. I'm Andrew. Audio portal junkie since 2010, supporter since 2017. I always want to improve what I do! I make music, run the NGUAC, post poetry on BBS, and am the all-time #2 audio reviewer. I love this site, and I want to make it the best I can! ^_^

Andrew Mikula @TaintedLogic

Age 27, Male

Policy Research

Bates College

Wellesley, Massachusetts

Joined on 8/16/12

Level:
22
Exp Points:
5,124 / 5,380
Exp Rank:
9,723
Vote Power:
6.38 votes
Audio Scouts
10+
Rank:
Police Officer
Global Rank:
14,027
Blams:
63
Saves:
626
B/P Bonus:
10%
Whistle:
Silver
Trophies:
5
Medals:
142
Supporter:
7y 11m 8d
Gear:
1