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TaintedLogic

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I like the ominous and cinematic tone at the beginning and the sense of build into :32 or so. The electric guitar at :36 was a pleasant surprise, and it blends in really well with the dramatic flair during the rest of the piece. This is something I'd really like to see you finish, Ale. The entire piece feels like the background music to the trailer for an epic robots-take-over-the-world-themed action movie. Maybe I can write the movie script, and you can finish the song? What do you say? :D Either way, stellar work!

LucidShadowDreamer responds:

Haha, thanks! I'm glad you like it :D
It's also nice to hear from you, I hope you're doing alright. I've been very busy recently, but in a good way. A lot of it involves music, actually! But I've kind of left this piece behind, even though it was interesting. I hope to be able to share some even cooler stuff eventually, and perhaps then we can collaborate in one manner or another ^___^

NO. I refuse to believe that I missed this. The melodies are super catchy and engrossing, and the production quality is top-notch as usual. I love the echo-y vocals and the guitar strums. The wobbly synth solo at 1:07 made me smile. The layered vocals at the 2-minute mark or so work really well, and the blissful chorus during the last minute really hit the piece home nicely. Love the vocals that you transposed up the octave there. :D Overall, really strong work, johnfn! Hope you still pop into NG occasionally - haven't seen you around recently. Cheers! ^^

Punchy and refreshing track, LE! The school bell sound effect and jazzy drums at :35 were highlights of the piece for me. You talk about Timmy getting "angry" in the description, but this piece sounded more upbeat and wholesome to me than anything else. Maybe I just need to play this game, haha. :) Btw, killer melodies and sound design on this one. I can tell the track loops really well too. Keep at it, man! ^_^

Welp, took me way too long to review this! I really enjoy the whimsy and elegance of your orchestral compositions, Everratic. The melodies here are really lovely, and you do a great job of adding dynamic contrast and phrasing while maintaining a cohesive narrative arc. The production quality is excellent as usual, and the atmosphere and sound design of this one are particularly good. Keep it up, man! ^_^

Everratic responds:

Thank you for the nice review!

Another one I'm sorry I missed the first time around. Again, very dreamy, like you're trying to capture a child's sense of wonder in a song. I love the gradual sense of climax over the first couple of minutes, and the woodwind melody at :45 is gorgeous. In fact, all of the sound design here really hits the spot, from the crisp strings to the subdued percussion to the evocative mallet riffs. The percussion really shines during the middle section of the piece - 2:10-3:00ish, before the woodwind melodies take over again. The transition at 3:38, while a bit abrupt, fits well with the narrative arc of the piece, and the modulation at 4:13 was a great way of driving the track home. Really great stuff, Elias! ^_^

Man, I keep forgetting to check out your new stuff! This is really dreamy and neat. A little eerie at times, but I can't decide if it's more majestic than eerie. Love the arpeggiated riff at :45 and the subtle build-up into 1:14. The sound design and atmosphere remind me of 1f1n1ty in his prime, and while the harmonic content is pretty simplistic at times, the textures and energy levels are well-varied enough to keep me engaged. The atmosphere is still probably my favorite part of the piece, though, and the production quality is great too. Strong work, dude! ^_^

I like the relaxed mood at the beginning and the muted percussion. The vocals also have a much more mellow and furtive tone than I'm used to hearing from you. At times, they come across as a tad mumbly, but that may be more of a mixing than a recording issue. I like the brighter tone at 1:46 and the minimal breakdown at 2:27. The spoken word bridge was especially nice - echo-y and mysterious, but also candid. Strong work, dude! I'm sure your client was happy. :)

HAHAHA! Must've missed this one. I like the banjo, eagle screech, and other vocals. The variety of sound effects - car horns, roosters, guns, etc. - actually fit in with the overall sound design rather well. You guys thread the needle between opera house and Meemaw's front porch vibes brilliantly. The mixing and mastering is really good too, and the orchestral melodies really round out the piece well. I can totally picture this as the soundtrack to a country-themed action movie. Thoroughly amusing stuff, guys! ^_^

Oh wow, what a collab! The tranquil mood at the beginning really sets the scene nicely, and the thick texture at around the one-minute mark has a great sense of energy about it. I wasn't quite ready for the transition at 1:23, and in general I think the arrangement here is a bit choppy, although some of the fairly abrupt transitions work pretty well - 2:45, for example. The prominent woodwinds at the 3-minute mark or so are beautiful, and the soaring melodies at 3:46 really help cement the strong narrative arc of the piece. I know that WF and pftq have done a number of neat collabs recently, but I'm really feeling Denny's influence on this one. This track feels both very cinematic and full of variety. The melodies during the "Victory" section were also lovely, and I think it was a wise choice to end with a piano section that has tons of emotional appeal. All around, really strong work here, fellas! ^_^

Hi. I'm Andrew. Audio portal junkie since 2010, supporter since 2017. I always want to improve what I do! I make music, run the NGUAC, post poetry on BBS, and am the all-time #2 audio reviewer. I love this site, and I want to make it the best I can! ^_^

Andrew Mikula @TaintedLogic

Age 27, Male

Policy Research

Bates College

Wellesley, Massachusetts

Joined on 8/16/12

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