TaintedLogic's audio Reviews on Newgrounds

[Hammock]

I really like the jazzy textures at the beginning and the malleable tempo. After :40 or so, it's got a great sense of flow and tranquility to it - sounds like background music in a fancy restaurant. There isn't a ton of variety in the texture for a lot of the piece, but I appreciate the brief injection of energy at around the 3-minute mark and the spaciousness in the mix shortly thereafter. Really interesting decision to make what is probably the most transient-sounding part of the piece (i.e., 3:20-ish) into a refrain here. At 4:50, it sounds like a dog just jumped into the hammock with me in a fit of excitement before running off to chase a squirrel. I really like the playful banter at 5:30. I'm not sure the ending sounded very conclusive, but I'm beginning to think that's kinda the point with this album. Beautiful work again, Miyo! ^_^

[철쭉 (Royal Azalea)]

I like the instrumental palette and the energy. The percussion is really crisp and the string melodies are gorgeous. I think my favorite part is the breakdown section at 1:26 - feels like someone pushed the reset button on the flurry of action in the garden. You also channel the energy really well with that frantic violin line at around the 2-minute mark. The ending sounded a tad inconclusive, but I guess that's why it's the 2nd track on the album. :) Keep up the good work, Miyo! ^_^

[Waltz for Flute and Piano]

I like the melodic content and instrumental palette. The majesty of the flute contrasts nicely with the heavier oom-pah-pah pattern in the piano. The composition is overall pretty simplistic, but the ornamentations on the melodies later on help keep things interesting. Thanks for sharing this, even if the time and passion you have to devote to composition has waned recently. Hope to hear more from you soon! ^_^

[I Want What I Can't Have]

Spooky effects at the beginning. Definitely gives me alien invasion vibes. I think the rhythm could've been a bit more well-grounded at times, and I would've preferred a smoother transition at :44. The melodic content at :47 is nice, although the synth at 1:00 was a bit harsh imo. The mix is loud and crisp, although I think the balance favors the synths a little too heavily over the drums. The transition at around the 2-minute mark was a little drawn out for my tastes, but I'm enjoying the ambient flair by 2:20 and the mysterious mood. Perhaps that section could've been a bit more dynamic, but thematically it's probably fitting that the piece gradually fades into a murky, distorted haze. The ping-pong effects at around 5:40 were really cool, and the sound design is probably my favorite part of the piece overall. Keep it up, Larrynachos! ^_^

[Fractured]

Oh man. I hope it's healed by now! I love the emotional appeal of the piano at the beginning and the sense of build into :44. The sound design really captures the flurry of emotion I'd imagine you felt. The mix is very loud and clear here, if a tad over-compressed. The bridge at 2:30-ish is effective at channeling the energy, but doesn't add much to the piece harmonically imo. I like the bassy riffs towards the end (3:00-ish), and I found it fitting that you brought back the piano at the very end. The variations at 4:08 are also really nice, and there's some evocative filtering in there too. Nice work overall, MegaSphere! Really hope you get better soon.

[After Hours (2020 Remix)]

I like the filtering at the beginning, but the vocals could certainly blend a little better. It might help if there were some more compression/chorus effects to make them sound thicker. Still, I like the instrumental palette and sense of build into 1:05. The piece has a full texture throughout and a pleasing verse-refrain structure. The contained sound at the breakdown at 2:30 was a nice touch, and helped add some structural contrast to a piece that had a pretty consistent energy level otherwise. You definitely capitalized on that setup too with the additional backing vocals and flair of the last refrain at 3:00. Nice work overall, Time0ff! ^_^

Time0ff responds:

Thank you Tainted!

[LE - Snow 1]

This is beautiful. You really captured the air of mystery and wonder of the season's first snowfall. Has a nice drone-like quality too. The mixing and sound design are great, and I like how the "hierarchy" of the texture evolves over time to feature the full palette at different points. I should really check out LE!

[LE - Overworld 2]

I like the minimal percussion at the beginning and the airy flutes that come in shortly after. The warm strings and chromatic motion in the harmonies at around :45 are both really nice. The texture is a bit thin for my tastes for a lot of the piece, and sometimes I wish the piece was a bit more flowing to match the tranquil mood. The transitions in this piece often seem a little rushed, especially 4:30. That said, the sound design is top-notch, and there's a lot of variety in the soundscape to keep things interesting. I especially like the haunting violins at 2:30-ish, and the soothing counterpoint from 3:00-4:30 or so probably constitutes my favorite part of the piece. You did a nice job of making the ending sound conclusive without overselling it - a fittingly mild-mannered conclusion to a very tranquil and lovely piece. Nice work, Samulis! I should really check out more of your recent stuff. ^_^

samulis responds:

Thanks TL! I'm glad you gave it a listen, and enjoyed it. :)

As game underscore, it was not possible to make it too active/full in texture or else it would wear the player's ears after a short time. I also tend towards smaller ensembles these days, just a consequence of growing up I guess, haha.

4:30 isn't a transition, it's a 'response' to the 'question' posed in the previous horn phrase. The transition out of that section is at 4:46.

0:33, 3:06, and 4:48 are all the same material, just with more elaborate orchestrations each time, by the way. The material between those sections are the contrasting portions of the 'rondo'.

[XenoXenon - Time To Reflect]

I like the loud mix and cutesy synths. The kick has a tad too much treble for my tastes, but I like the drum samples otherwise. The vocals were a nice touch, and I like how you brought them back again towards the end. The quirky arpeggios at the breakdown at 1:14 are especially nice, and overall the flow and sound design of this piece are some of the strongest elements of it. This is more melodic than the last piece I reviewed, although I think the drum patterns could've been a tad more creative. Overall solid work again! I'm especially impressed with the mixing and atmosphere in the pieces I've reviewed today. :)

XenoXenon responds:

Thx !