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TaintedLogic

5,299 Audio Reviews

2,793 w/ Responses

2 reviews are hidden due to your filters.

I like the refreshing guitar riffs at the beginning and the slow rhythmic pacing of the lead. The melodic content at :32 is nice, and the piece has a great sense of flow too. You also do a pretty good job of giving the composition a sense of ebb and flow over time, although there are a couple of long sections where the piece has a pretty constant sense of intensity. I appreciated the variations on one of the main riffs at 2:30, and I think the production quality of the piece is also pretty sharp. I think the piece would’ve come together a bit better towards the end if you had a full-length climactic section there. I also think the fade-out ending came across as a bit lazy. Still, strong work overall.

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.75/1
Composite score
9.25/10

I like the refreshing synth patterns at the beginning and the sense of climax into :20. The refrain at :20 is really catchy and fun, and you did a good job with the rhythmic content and textural balance at the drop at 1:01 too. The “puffs” sample at 1:23 seemed a bit too prominent in the mix, but I see it’s very much tied to the thematic content in this piece. The content in the second half of the piece gets a bit repetitive, and I think you could’ve taken some more risks with the composition overall. Still, I like the sound design, mood, and mixing. Keep at it, Aoraz! :)

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
.5/1
Composite score
8/10

I like the atmosphere at the beginning, but the progression is a bit slow-paced, and the synth that comes in at :23 sounds a bit harsh in the upper register. I like the sense of climax into :50 and the crisp percussion. The piece has a nice ominous mood and some solid sound design to boot. I would’ve liked to hear some more harmonic depth and melodic content in the piece, but the filtering at 2:10 works well to channel the energy and leave space in the texture for further shape and contrast. The breakdown at 2:19 has a distinct emotional appeal, and I like the direction the piece goes in from there with the renewed sense of energy. The heavy bass at 3:50 is nice, and the drumwork remains really creative and rhythmically appealing until the end. I still would’ve liked to hear some prominent melodic content in this piece, but the harmonies are structured well here. The production quality is probably the strongest attribute of the piece, and the atmosphere and mood are a close second. Keep at it, Adjeye! :)

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
1.5/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.75/1
Composite score
8/10

I like the glitchy content at the beginning and the punchy drums. The synths at :19 are cute, and the production quality is really high here. The rhythmic content is nice, and I like the sound design as a whole too. The piece is very slow to progress, and probably needs more structuring and some more prominent melodic content in places. I love the airy choir chords at 1:05, although the string samples at 1:23 sound a bit cheesy. You really take this piece in a different direction by the end. I like the sense of climax going into the end, but I wanted a stronger point of resolve after you built up all that tension. There are a lot of good ideas here, but I think you could capitalize on the groovy intro and the cinematic flair alike with a more fleshed-out arrangement. Overall, though, your experimental composition definitely paid off. Really cool sound design and atmospheric elements here. Keep at it, Vocaloutburst! ^_^

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.75/1
Composite score
8.75/10

vocaloutburst responds:

Thanks so much for the feedback and review!!

I like the ascending scale pattern at the beginning and the vocals. The rimshots at :08 were a little too loud imo, but the texture comes together well by :13. I’m not a huge fan of the kick at :32 - it has a bit too much treble imo. At :50, the vocals don’t blend super well, and the drums are struggling to come through the mix a bit. I like the lyrics themselves, and I also think you both have nice voices, especially your friend. The composition could be a bit more dynamic in terms of energy level and harmonies, though. I would’ve liked to see some more structural changes in the piece before the breakdown at 2:19. I like the glitchy content there, and you transition pretty well back into the last refrain at 2:47. I think the recording quality of the vocals isn’t great, and I think the two vocal parts don’t always sync up so well, which is especially noticeable towards the end. I think the composition of the piece is really good, but you didn’t necessarily execute it very well between the recordings and production. Still, I like the mood, progression, harmonic content, and atmosphere of the piece. Keep at it, SirQuebi! Best of luck at college. ^_^

Mixing, mastering, and balance
.75/2
Structure, transitions, phrasing, and variety
1.5/1.5
Melody, tonality, harmony, and texture
1.5/2
Instrumentation and sound design
.5/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.25/1
Composite score
6.5/10

Quebi responds:

Yeah, I noticed the things you mentioned, and it really is unfortunate I couldn't execute it all better. Perhaps with different circumstances it would've been a different story.

I like the dramatic descending synth at the beginning and the arpeggios at :15. The lead synth there is a bit generic, and the chord progression also sounds pretty cliche, but the mix is loud and clear, and the piece has a great sense of atmosphere. The arrangement of the piece sounds a bit formulaic, though, with major changes only occurring every 8 bars. I also think the piece gets rather repetitive by the end, and I would’ve liked to hear a more distinct and prolonged climax towards the end. Overall, the composition and arrangement of the piece feel pretty stagnant, like the piece was made from a generic template for what a piece of EDM should sound like. Some more gradual transitions, melodic development, and/or a change in mood or instrumentation at some point might help give this piece a stronger sense of ebb and flow over time. Still, nice job with the mixing, harmonies, atmosphere, progression, and rhythmic content. Keep at it, Blackhole12! :)

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.25/1
Overall (how do the elements above interact?)
1/1
Composite score
7.75/10

I like the funky guitar riffs at the beginning, the loud, crisp mix, and the rhythmic content. The piece is a little slow to progress, and at times the texture is pretty minimal. It sounds a lot like there should be a vocal track steering the piece through these phrases. Otherwise, the arrangement comes across as a bit choppy. I think the production quality is excellent here, though, and the sound design is refreshing and has a distinct feel-good vibe about it. The piece gets rather repetitive towards the end, though, and overall I think you could’ve done a lot more with the composition here. Still, the mixing and instrumentation keep this piece afloat for me. Keep at it, JamesRennaMusic! :)

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1.25/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
1/1
Composite score
7.75/10

I like the spacey pads at the beginning and the guitars. I think the vocals could be a little more prominent in the mix, including some more compression and other mixing effects. The lyrics are both vague and repetitive, but also relatable and down-to-earth. The transition at 1:12 could’ve been smoother, but I do like the echoy vocal harmonies. The guitar solo at 2:07 is nice, even if it’s just outlining the chord progression. I think the mixing/balance of the piece could use some cleaning up. The drums aren’t quite as punchy as I wanted them to be, especially during the lead guitar section, and the vocals don’t feel strong enough until the phrase at 3:03. I also think you could’ve enunciated the consonants a bit more. I like how the texture gradually gets stripped down towards the end, although the mic pop at 4:37 could’ve been edited out. Overall, despite all my nitty-gritty criticism, I think the harmonies, sound design, and rhythmic content are all really good here. The mix and vocal production might need a tad more cleaning up, and some more variety in the instrumental tracks would be nice later in the piece, but otherwise it’s a catchy and fun piece. Keep at it, RedSoul92! :)

Mixing, mastering, and balance
1.25/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.5/1
Composite score
8.25/10

RedSoul92 responds:

Thanks for the review I will most definitely keep at it ^_^

I like the spacey vibe at the beginning and the smooth string pads. The little synth riff at :25 is cute, and the overall tone of the piece has a great sense of wonder about it. I like the percussion and the subtle crescendo into 1:08, too. The drums are really creative at 1:11, and the meandering melodies are really interesting. The texture really comes together well at 1:50, even if the snare samples sound a bit thin. Very creative rhythmic content here, and I like the prominent, gritty bass at 2:22. The section at the 3-minute mark offers a nice secondary melody to the content at the emotional height at 1:50. It’s hard to make the one-climax model work, but you’ve done a good job at creating a sense of dynamism in the composition even within a pretty parabolic structure. Strong work, Skye! I love how you juxtapose conflicting moods in this piece - tranquility and anger, introspection and impulsion. Keep it up. ^_^

P.S.: Is there anywhere I can download this?

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.75/1
Composite score
9.5/10

SkyeWint responds:

Hey there, TL!

First things first, I made it available for download. Still not 100% happy with this, though I think it's nailed things a bit more than I have before... so up for normal download it goes!

The synth riff becoming audible around 0:25 is a consistent pattern playing throughout almost the entire piece, actually! If you listen in the background, you should be able to hear it. ^^

I find it really interesting you feel the snares are thinner at 1:50 - they're actually a lot sharper at the high end and have just as much in the mids as the snare in the prior section.

The gritty bass around 2:22 is one of the parts I'm proudest of. Did you notice the pad in the background expanding a bit with each of the bits of extra distortion and modulation of the bass to accent it?

Gonna try to keep on pushing out music a bit faster than before now. Take care!

Hi. I'm Andrew. Audio portal junkie since 2010, supporter since 2017. I always want to improve what I do! I make music, run the NGUAC, post poetry on BBS, and am the all-time #2 audio reviewer. I love this site, and I want to make it the best I can! ^_^

Andrew Mikula @TaintedLogic

Age 28, Male

Policy Research

Bates College

Cambridge, Massachusetts

Joined on 8/16/12

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