I like the mysterious mood at the beginning. Some of the instruments here sound a little high-pitched and harsh, especially the one that comes in at :35 and the one featured at :52. The drop at 1:28 was pretty cool. The chord progression is a little cliche, and are some of the instruments, but I like that atmosphere and mood of the piece. The mixing is also fairly strong. I can hear most elements of the piece clearly throughout, and the piece uses a lot of well-balanced frequencies that cover a broad range. I would’ve liked to see the chord progression break down at some point, though, just to give this piece a little more shape and direction. At the very least, you gave the piece some structural variety by stripping down the energy between 2:45 and 3:30 or so. You used reverb pretty well here - the mix sounds nice and spacious. You could’ve done a lot more creative things with the drums, though. I also didn’t think the piece needed to be this long. I think you can use the part at around 4:10 where you halve the pacing of the chord progression as a transition to a final drop, instead of winding all the way down over the course of 3 long minutes. The part at 6:24 also strikes me as good outro material. As it is now, the contour of the progression (mostly decreasing in energy) over the course of those 3 minutes really made it hard to stay engaged. The piece lost a bit of momentum towards the end in that way. Also, there wasn’t a ton of strong melodic content in this piece, mostly just floaty rhythmic riffs that were very grounded in the chords (e.x., 3:30, 4:40, :35, etc.). Good melodies are often grounded in the chords, but they don’t necessarily change exactly when the chords do or play all the notes that the chords do. I think that’s why your “melodies” don’t really function well as melodies in this piece. Still, I’ve been tough on you in this review. It’s a good piece, but it just has a few compositional quirks that need tidying up. Keep at it, man! ;)
7/10