TaintedLogic's audio Reviews on Newgrounds

[Equilibrium]

I like the spacey atmosphere at the intro. Pads sound like they’re from Nexus - a bit generic. I like the crisp beats at :40 and the filtering work on the bass and pads. The production quality is strong, with a loud and well-balanced mix throughout. The synth lead at 1:20 is nice, although at some point I would’ve liked to hear some more dynamic melodies or some other shake-up to the instrumental hierarchy. As it is, this piece is very repetitive, and aspects of the arrangement and sound design are pretty cliche, as alluded to earlier. I also would’ve liked to hear a more proper outro to the piece, although a bigger priority should probably be breaking up the texture in the middle of the piece with a bridge, breakdown, or solo. Still, I like the atmosphere, 80s influence, and filtering work here. Keep at it, M1ndbreaker! ^_^

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1.25/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
1/1
Composite score
7/10

[Hovering over rain]

I like the relaxed mood at the beginning. The static is a bit loud in the mix, even for lo-fi, but the beat is catchy and the rest of the sound design has a bright, airy feel. I like the jazzy chords too. The texture is very minimal, though, and despite the addition of the string pads later on, I felt like the piece could’ve used a lot more variety and fill. Maybe some vocals, or brass solos, or basically anything that balanced out the mix with some more upper-mid-range tones. The mood, atmosphere, and production here are all solid, but I really would’ve liked to see you put more effort into the composition. Still, the piece has potential with the sound design and progression, and I’d encourage you to keep working on it. Keep at it, Lumiflag! ^_^

Mixing, mastering, and balance
1.5/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1.25/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
.5/1
Composite score
6.5/10

[Death to Ye Three]

I like the airy choir at the beginning. It even sounds like they’re even singing in Latin, which is pretty cool! The minimal, atmospheric part at :18 with the whispered vocals is just haunting, and I love the melancholy violin solo at :37 too. The enormous jump in pitch it takes at :54 is both incredibly graceful and reflective of the abruptness of death. I like the injection of energy at 1:11 and the more frantic string lines at 1:30. The tempo automations at 1:50 are nice, but I’m not sure I quite liked the mixing effects that made the vocals sound more hollow there - sounds pretty artificial. Still, the choir’s call-and-response action with the frantic string lines at 2:00ish are really nice, and the last vocal phrase hits the piece home well. I especially like the gong at the end. Overall, this is a really neat track with some killer sound design that would make any real-life violin player drip with sweat. :D Let me know if there’s somewhere I can download this, and in the meantime keep up the good work! ^_^

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
1.5/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
1/1
Composite score
9.75/10

LucidShadowDreamer responds:

AHA! I knew there was some other review I hadn't replied to yet.
Thank you for the very high score! I too think this piece is one of my better ones :D

I suppose the downloads are disabled, because I have used this in a demo-reel somewhere. That said, there is a secret trick to downloading it using ctrl + shift and I, so feel free to do so! :3

Hope you're doing well, btw! Make sure to enjoy the summer!!

[Midnight Run [Extended] ★]

The intro with the pitch automations was pretty cool, and I like the rhythmic content and crisp beats by :13. The airy pads at :38 were nice, but also a bit quiet in the mix relative to the drums and bass. The second half of the piece is pretty repetitive, and overall I would’ve liked to hear more variety in the harmonic content, with more melodies, atmosphere, and/or a switch-up in the instrumental hierarchy. Still, the rhythmic content, sound design, and mixing are all really strong here. Keep at it, Lucasberry! ^_^

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1.25/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.75/1
Composite score
7.25/10

[Lordant - The Ascended Dark]

I like the pensive mood at the beginning and the foreboding piano melody at :04. The energetic section at :39 sounds vaguely Celtic to me, and the choir and horns that come in shortly thereafter serve to up the drama. The electronic bass at 1:14 also does a good job of creating a sense of tension and urgency. Love how well-varied the sound design is here, and the airy string pads in the background for the first half of the piece are absolutely gorgeous. The piano breakdown at 1:49 was really nice, and I love the injection of energy at 2:23 with the brass solos. It’s a little hard to make out the string line in the mix at 2:23, but the choir helps scratch that itch, and the gradual climax into 3:15 is a glorious conclusion to a thoroughly epic piece. The low-register flute outro is a nice touch too. Very impressive work overall, Lordant! Keep it up. ^_^

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
1.5/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.75/1
Composite score
9.5/10

[AIM - Harmonic Dispersion]

I like the quirky pads at the beginning and the crisp hats at :10. The percussion that first hits at :17 sounds rather harsh in the mix, and also appears two more times later on, but once the texture evens out at :18, I’m loving the bright-sounding synths and joyous melodies. The breakdown at :55 was good for some structural contrast, but the distortion on some of the synths there was also a tad heavy, especially in the treble range of the frequency spectrum. Otherwise, the production quality here is solid throughout, with a full texture and well-balanced mix. The minimal “echo section” at 2:34 was a nice touch that helps add some variety before the final refrain. The final refrain at 2:54 is probably one of my favorite elements of the piece - just different enough from the ones that came before it to offer a strong sense of overarching progression and conclusion to the piece. Overall, I really like the sound design, melodic content, and mixing here, although I think a couple of small aspects of the production could use some cleaning up. The arrangement of the piece also seemed a bit formulaic at times, with regular changes to the texture every 8 or 16 bars, but not a lot of ebb and flow within the phrases. Still, between the cute, upbeat mood and dynamic melodies, you have me sold on this piece. Keep at it, LordAndiso! ^_^

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
1/1
Composite score
8.75/10

LordAndiso responds:

Thank you sooo much! I couldn't agree more. This is very helpful for me! I will take and learn from this!

[Connect - Digitized]

I like the furtive solo at the beginning and the round, fat synth bass at :13. There’s a good sense of build into :39, and the sidechaining at :40 is nice without distorting the other instruments too much. The texture is fairly minimal for much of the first couple minutes of the piece, and the chord progression is pretty generic. I also wasn’t a huge fan of the rolled claps, like at 2:05 - you might consider at least adding a filtering automation on them so that they don’t sound as loud. Also, the main snare sample you used during the refrains was also not my favorite sound design choice - it doesn’t have a very hard tonal center, and is very staticy. The airy breakdown at 2:40 was a nice element of contrast from the energetic melodies earlier, and the more ominous-sounding bridge at 3:46 was cool. The distorted vocals that play on the downbeats there sound a bit harsh in the mix, but otherwise I like the drums there. I would’ve liked to have heard you vary the main melodies during the final refrain, just for some variety.

All things considered, this is a catchy and fun/upbeat track with a good amount of energy and some solid mixing. Aspects of the sound design, harmonic framework, and arrangement are a bit generic, but otherwise I thoroughly enjoyed it. Keep at it, LHPixel8! ^_^

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
.5/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
.75/1
Composite score
7.75/10

[Twin Millennium (Nitrous Remix)]

I like the eerie texture at the beginning and the synth fade-in starting at :18. The orchestral hit at :24 is nice, and the revving engine pairs well with the melodies at :34. Elements of the sound design, especially the drums, are a bit generic, but the melodies are memorable and the production quality is quite strong here. I might’ve liked to see a bit more variety in the harmonic framework at some point, but you did add some variety to the energy level with the more minimal section at 1:55. The layered arpeggios during the final 30 seconds or so were a good way of hitting the piece home. Overall, this is a really fun, catchy, and well-mastered piece, Lashmush! Keep it up. ^_^

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.75/1
Composite score
9/10

[[SHAMKORE!] Hyperactive State of the Dreamscape]

I like the ominous mood at the beginning, although the rhythm is a bit square until :23. I like the neat meter at :35, although the rolled kicks at :52 were a bit much. The minimal drop at :58 is a little underwhelming, although the open hat at least helps balance out the bottom-heavy mix. Speaking of the mix, I applaud you for a clear and well-balanced production here, although the compression is a bit heavy for my tastes throughout.

The angry bass at 2:00 is nice, although when paired with the string line at 2:23 the texture seems a bit too busy. The transition at 3:07 came on a tad suddenly, although I like the call-back to the haunting string riffs and male choir of the intro. The frantic beat at 4:03 is catchy, but again very minimal. The breaks at 4:50 were really cool, though.

I think my biggest complaint here is probably the arrangement - it just feels very disjointed. There are a lot of sudden transitions, and long stretches of time with very little harmonic content at all. You seem to switch up the texture every 8 or 16 bars, but there’s not much of a sense of ebb and flow within the phrases themselves. The result is that the composition feels very formulaic after a while.

Overall, the energy, rhythmic content, sound design, and mixing are all very strong here. Some of the compositional details could use some smoothing out, but regardless, kudos on a catchy and compelling track fitting for a cinematic chase scene, Kysertron! ^_^

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
1.5/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.5/1
Composite score
7.75/10

[Krea - Cotton Candy Clouds]

I like the smooth synth pads at the beginning. The chord progression is pretty neat, and the busy beat and blissful melodies at :23 really hit the spot. The rhythmic content at :34 is also nice, but the mix sounds very strained there. Not sure the upper-mid-range synth pads really came through as clearly as they could’ve. During the busier sections of the piece, the drums also could’ve been a bit punchier. That said, you’ve done a lot of creative work with the frantic synth leads from 1:00 to 1:50 or so. The pads are clearly ducking under the mix at 2:03 - that’s something else worth cleaning up. You do a good job hitting the piece home with the second frantic synth section at 2:25, although there could’ve been a smoother transition there. The spacey outro with the string pads at 3:10 was a good idea too. Overall, despite my complaints with the mixing, this is a really catchy and memorable piece with a lot of energy and some flashy sound design. Keep it up, Krea! ^_^

Mixing, mastering, and balance
1.25/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.75/1
Composite score
8.5/10