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TaintedLogic

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I like the heavy (though groovy) bass riff at the beginning, and the distorted vocals. The mix is really clean, and the piece is rather catchy overall. The drums are a little dry, and I think the vocals could use some more reverb on the chorus, too. I also think you could use some stronger transitions between the verses and the chorus, like at 1:58 for example. The guitar solo at 2:56 is really strong, though. I also liked the atmospheric outro. Overall, this is a strong piece. Good job with the structuring, instrumentation, and mood. Keep it up, DivoFST! ;)

9/10

DivoFST responds:

Yeah i had massive trouble with the transitions in this one... :S
Thanks for the kind words ^^

I like the flowy piano at the beginning. This might be a little picky, but I wasn’t a fan of the rhythm/articulation in the strings - it just gave the texture a bit of a stumbly vibe that didn’t aid the flow very well, and they were also just a little too distracting. Perhaps it would’ve been a little better if the staccatos were shorter, so that the strings were a little bit out-of-the-way. How’s that for grossly specific criticism, huh? I like the little fake-climax into :22. The melodic content at :37 is great, and the quality of your samples is really high, as is your production. I really like the injection of intensity at :59. I really like the bright and energetic vibe of the piece, too. I think you could’ve had a bridge or breakdown section in the middle for dynamic contrast and variety, but the additional melodic section at 2:16 really hit this piece home IMO. Thrilling and beautiful work overall. Keep it up, CloakedSoup (awesome username, I might add). ;)

9.5/10

CloakedSoup responds:

Thanks for judging! I've been working hard to improve both my compositional and mixing abilities this summer, and I'm glad it's starting to pay off!

I like the dark mood at the beginning, but the notes of that first instrument sound a little indistinct. I like the sense of climax into :30, and the instrumentation is really cool. Unfortunately, I don’t really consider this a structurally complete piece. There’s very little melodic content, and I’m not sure what the static at 1:25 added to the piece. This piece has a ton of potential, but the composition is quite simply very underwhelming, I’m afraid. I’m sure this isn’t your full potential, though - you seem to have struggled with recording and mixing because of an accident, based on your description. I hope you have more time to invest in your future projects! Also, ‘gratz on being user of the day. ;)  Keep at it, DwightFalcon!

6/10

DwightFalcon responds:

Hi TaintedLogic,
thanks a lot for the detailed review and also your hardwork in judging all the submission.
Apparently I just realized I have uploaded an unmastered version.
But anyway, I really leartn a lot of new tips and tricks from various submission and look forward to future/upcoming events. :)

I love the atmosphere at the beginning. The snare seems a bit heavy and loud compared with the relaxed soundscape of the rest of the piece, although I did like the bass line that came in at :34. The progression is really slow, though, and the synth at 1:09 comes in without warning, which is a problem - and you do the same thing at 2:20, 3:45, and 3:53. I also think that at 1:10 the kick loses its distinction in the mix. There are a lot of good ideas here, but I think you could’ve put a lot more effort into the composition. Despite being very atmospheric and flowy, there’s very little phrasing or variety, especially with regards to dynamics or energy levels. I also don’t think it needed to be this long given the few changes in texture throughout, and I definitely don’t think you needed this much reverb in the piece , mostly because of detrimental effects to the mixing (especially during the busier sections). Overall, the composition is a little underwhelming, but the atmosphere, mood, and harmonies are really well done. Keep at it, Rahmemhotep! ;)

7/10  

SoulSecure responds:

It was supposed to have vocals and that's why it's so long and not super complicated. I just ended up not having enough free time to do all that.

I enjoy the abrupt entrance of the loud synth used during the chorus and I've always been criticized on my transitions or lack-there-of, it's just how I do things sometimes. The only thing I might add to that abruptness would be maybe a loud crash cymbal or something.

I agree that as a standalone instrumental this piece is underwhelming. Eventually I'll slap some vox on it.

Right off the bat, I love the instrumentation and the soulful vocals. Perhaps I would’ve liked to hear more of a clear intro instead of being thrown right into the action - even a quick drum fill - but maybe that’s a little picky. The lyrics are really strong, and the production quality is amazingly high. I think the vocals are not quite as pronounced in the mix as they should be at 1:36, but I loved the injection of passion there. The same is also true of 2:25, in fact. Still, that’s my main complaint. I also thought the ending could’ve been a little stronger - less abrupt, perhaps. All the same, you’ve put an amazing amount of effort into the composition here, and my mouse was spamming the invisible download button for quite some time. Keep it up, guys!

9.5/10

bassfiddlejones responds:

Alas, still no downloads for now. I appreciate you taking the time for the review! Excellent points, will consider them all.

I like the cute, 80s funk vibe at the beginning. The vocals sound super clean and clear in the mix. The space you left in the mix at 1:01 right before the chorus was really well-done. Unpopular opinion: the synth at 1:23 didn’t quite fit the mood of the piece very well. Despite the melody itself, it had an ominous tone that didn’t vibe well with the bouncy and upbeat vibe of the rest of the piece. The lyrics, despite your self-deprecation in the description, are actually pretty good. Down-to-earth and relatable, if a little cliche. My favorite element of this piece is how you had a nice full texture during the breakdown/bridge of the piece (2:02), and then you treated the refrain at 2:17 as a breakdown instrumentation-wise. That seem weird, I know, but it was actually a very refreshing structural detail. I did think you went a little overboard with the reverb on the chords towards the end. When one chord bled into the other, it even sounded slightly eerie, which - again - I don’t think you were going for. Still, overall this is a fantastic piece. You just put most of the pop music on the radio to shame. Keep up the good work, McGorilla42! ;)

9.5/10

McGorilla42 responds:

Thanks for taking the time to respond to my submission, TaintedLogic. I'm so grateful to you and all of the rest of the judges for all the work you're putting in to facilitate this competition. All the positive response and honest, helpful criticism has been wonderful. I'll try to make my next piece better!

I like the storm FX at the beginning and the thin sound of the synths that then widens into the texture at :12. I think the hi-hats get a little distorted in the mix at :28. You may need to take a little treble off the chords or lead in order to make them more distinct. I really like the climax into 1:02, and the kick and snare are nice and crisp, which is a big plus mixing-wise. The hats get even more lost during the refrain at 1:02, though. The melodic content here is enjoyable, and I like how you offer some melodic development during the second refrain at 2:18. Tiny complaint: I think it would help the part at 2:18 sound more cathartic if you had lengthened the notes a bit. It may sound ridiculous, but details like that go a long way towards triggering the part of the human psyche that understands “oh, this is a point of arrival and conclusion.” Overall, though, really strong work here. Keep at it, Lethalix. ;)

8.5/10

SmallTownRook responds:

Thanks for the review man. Really appreciate it!

I like the melodic content at :05 and the cute synths. The section at :39 with the hip-hop influences also sounded really cool, and that post-chorus at 1:35 is also enjoyable. Sometimes, your transitions and chord progressions are a little cliche, although I really like the sound design of the piece. It’s really catchy and refreshing. I think you could use a tad more variation within the phrases of the piece - for example, the sweep/riser combo at :25 is the only thing giving the piece a sense of direction, and you use that combo as a transition a lot in this piece. Still, solid work. Enjoyable melodic content and production quality. Keep it up, MrKoolTrix! ;D

9/10

MrKoolTrix responds:

Thanks for the constructive review! :)

Hi. I'm Andrew. Audio portal junkie since 2010, supporter since 2017. I always want to improve what I do! I make music, run the NGUAC, post poetry on BBS, and am the all-time #2 audio reviewer. I love this site, and I want to make it the best I can! ^_^

Andrew Mikula @TaintedLogic

Age 27, Male

Policy Research

Bates College

Wellesley, Massachusetts

Joined on 8/16/12

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