The percussive effects at the beginning really set up the experimental nature of the piece well. Even after the first harmonic elements come in at :36, the pacing is very slow, and the mix sounds pretty dry. Some more mixing effects - filtering, automation, reverb, etc. - would really help jazz up the minimal texture early on. By the 1-minute mark or so, I’m enjoying the rich pads. The sudden change in the filtering at 1:47 really threw me off, and the second time it happens at 2:07 doesn’t feel any less jarring. There’s also a bit too much static in the texture, and the compositional details here are a very distinct combination of tranquil, echo-y pads and jumpscares.
Despite the array of distorted effects and rhythmic oddities, this piece is still a bit too minimal to keep me thoroughly engaged throughout from a compositional standpoint. All things considered, I enjoyed the production quality and sound design, but the combination of an experimental texture and not much harmonic depth is, frankly, not doing it for me. I think a piece like this could work a lot better if it had a stronger sense of direction over time. Based on the author’s description, the way you made the piece is very creative, so serious props for that. The PS-25 sounds beautiful, and I like the screaming noises you recorded too. Keep at it, RezDragon! ^_^
Mixing, mastering, and balance
1.5/2
Structure, transitions, phrasing, and variety
.5/1.5
Melody, tonality, harmony, and texture
.25/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
0/1
Composite score
5/10