TaintedLogic's audio Reviews on Newgrounds

[rotting.]

I like the eerie atmosphere at the beginning. The progression is a bit slow-paced, though, and the start of the busy beat at :47 comes on pretty suddenly. The rhythmic content is really creative here, but I would’ve liked to hear some more harmonic content at some point to make the piece a bit more well-rounded and fill out the texture. There were some creative ideas, like the addition of the squeaky rhythmic synth at 2:00 or so. The section at 2:19 is nice - sounds like an appropriate breakdown for the piece, even though there wasn’t much harmonic content in the preceding 2 minutes. But the transition into 2:19 is pretty rough, as is the transition back into the frantic beat at 3:08. The dark, minimal bridge at 3:45 is also evocative and neat, and I like how it continues to repeat once the beat comes back. The effects at around 5:25 are really cool, and the echo-y vocals shortly thereafter seem really ominous in the context of the dark tone of the rest of the piece. The distortion at the end was quite fitting. Frankly, I think the persistent minimalism of this piece is a big missed opportunity, and the arrangement feels rather choppy at times, but this is still pretty compelling content. The mix is clean and clear, if rather heavily compressed, the sound design is quite evocative, and the rhythmic content and atmosphere are top-notch. Keep at it, xPastelxBloodx! :)

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
.5/1.5
Melody, tonality, harmony, and texture
.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.75/1
Composite score
7.25/10

[Ys - Mountain Pass (Windman Remix)]

I like the eerie atmosphere at the beginning and the occasional injections of edgy guitar notes. The progression is pretty slow-paced in the first 2 minutes, and I think the gradual fade-out before the beat came in at 1:43 disrupted the flow a bit. It’s a bit jarring how the energy level of the piece changed so suddenly. I like the warm, smooth texture by around 2:15, though, and the climax into 2:54 was nice. I think the drums get a bit buried in the mix at that point, but I appreciate the melodic content and cutesy sound design. The chord progression is a bit cliche, but the rhythmic variations at around 3:30 help keep me engaged, and the guitar solo at 4:00 was a nice touch. The piece feels really conclusive and triumphant by around 5:00, and the organ synth solo at 5:40 was another highlight for me. At some point, I might’ve liked to see a bit more structural contrast from you - a section where you strip away the beat and add some variety to the instrumental palette, that is - especially in such a long piece. The return of the guitar solos at 6:33 was a welcome development, though, and overall you hit the piece home quite well. Something about the atmospheric sections that bookend the piece feel a bit superfluous to me. They’re lovely in and of themselves, but I’m not sure how they contribute to the narrative of the rest of the track. You could try integrating them with each other, but that might be difficult given the very different moods they elicit. Overall, besides the disjointed structure at either end of the piece, I think my biggest problem here is the mixing. The drums could’ve been a lot punchier with some more careful equalizing and a little more compression. The “middle section” between 1:43 and 7:28 could also probably use some more variety and phrasing to keep the listener engaged. That said, I like the sound design, atmosphere, mood, rhythmic elements, and melodic content of the piece a lot. Keep at it, Windman03! :)

Mixing, mastering, and balance
1/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.75/1
Composite score
7.25/10

[ikitai (feat. 初音ミク)]

I like the spacey pads at the beginning. The chord progression is a bit fast-paced considering the large jumps in pitch between them, but by :30 or so the texture is coming together pretty well. The vocaloid section is a bit cheesy, and a lot of the drum samples are pretty generic. At some point, I would’ve liked to see you shake up the harmonic framework a bit. The echo-y vocals at 1:28 were a good idea, but other than that there’s not a ton of novel content in the second half of this piece. Overall, I like the cute mood, progression, and atmosphere of this one, but I think it needs some more variety, tighter mixing and mastering, and better-polished synths. Still, the rhythmic content, upbeat vibes, and creative drum riffs are memorable here. Keep at it, WMTH! :)

Mixing, mastering, and balance
1.25/2
Structure, transitions, phrasing, and variety
.5/1.5
Melody, tonality, harmony, and texture
1.25/2
Instrumentation and sound design
.5/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
.75/1
Composite score
6/10

[Frozen Industry]

I like the ominous percussion and atmosphere at the beginning. The progression is a bit slow-paced, but the echo effects and heavy percussion help keep things interesting for a while. The rhythmic content is good, too, and the alternating ascending and descending synth lines (like at 1:01) are also pretty neat. By around the 2-minute mark, though, I’m getting a little restless with the persistent minimalism of the piece. The atmosphere feels a bit more saturated by that point, but I still need some harmonic content to grasp onto at some point. There are some creative compositional and rhythmic ideas in here, and the bass at 2:33 helps at least outline the skeleton of a chord progression, but it’s not quite enough to keep me engaged after a while. I could see this piece fitting quite well in a post-apocalyptic-themed video game, but as a stand-alone piece the composition is pretty bland at the end of the day. You’re clearly a talented producer with a knack for creating catchy beats, foreboding moods, and rich textural atmospheres, but I was looking for a bit more harmonic depth here. My favorite aspect of this piece is probably the mood. You do overuse the ascending and descending synth patterns a bit by the end, but in the meantime there’s plenty of great nightmare fuel in here, especially at around 6:10. Keep at it, VictorLincolnPine! :)

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
.5/1.5
Melody, tonality, harmony, and texture
1/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.25/1
Composite score
6.5/10

VictorLincolnPine responds:

The piece was designed for a game where the world is foreboding and deadly at every turn, but eventually the player becomes so powerful that world itself can literally be erased by them if they so choose. I didn't necessarily compose it for engagement, but rather as the background for something the player is already doing (in this case trudging through the very deadly Frozen Vault, where there's explosives literally buried in the snow).

Thank you for your honest criticism. I will keep it in mind for future works. (especially for this knockout round).

Addendum: Just to let you know, there are in fact no chords in this piece. The work is a shaman style piece that uses drums and sound design with sparse synth.

[Memory of a Muse]

I like the cutesy instruments and melodies at the beginning. The chords sound a tad clunky, though - you might want to make sure the notes aren’t too close together in pitch, just to open them up a bit. No need to change the actual chords, just move notes up or down an octave until they sound a bit looser and milder. I like the injection of energy at :39 and the vocals at the transition at :38. The harmonic content here is pretty repetitive, and I also wish the melodies were a bit more prominent in the mix. Otherwise, the mixing here is quite good, and the dreamy solo at 1:42 helps hit the piece home towards the end. Really catchy and cute piece overall, Vater! Keep up the good work. ^_^

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.75/1
Composite score
8.5/10

[User 817sd - APAC:3]

I like the atmosphere at the beginning and the echo-y synth line at :10. The reverb is a bit heavy by :19, to the extent that it distorts the texture a bit. Part of the problem may be that the pads and melody synths have too many bass tones left in them in the equalizer (send me a PM if you don’t know what I mean). I also think the chord progression and some of the instruments here are a bit generic, especially the drums. The harmonic content gets pretty repetitive after a while, even if you vary the energy levels and instrumental palette well enough. At some point, it might’ve been advisable to go for even more contrast by stripping away the beat and adding an atmospheric bridge or breakdown. I like the transition with the drum fill at 2:14, although otherwise the rhythmic content here is also a bit bland. You certainly have a good sense of harmony, progression, and atmosphere, but you’ll need some tighter mastering and more variety to boost your score. Keep at it, User! :)

Mixing, mastering, and balance
1/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1.5/2
Instrumentation and sound design
.5/1
Emotion, atmosphere, and catchiness
1/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
.75/1
Composite score
6/10

[UDG]

I like the groovy synth guitar riff at the beginning and the glitchy elements of the texture. The drums are really underwhelming in the mix, though - I think they could sound a lot punchier with some more compression. The main guitar line is nice, but at some point it would’ve been nice to switch it up and include something more melodic and/or atmospheric in the texture for the sake of contrast. The texture also sounds pretty bottom-heavy for most of the piece, with a lot of bass and mid-range tones and not much else. I’m envisioning either a guitar solo or piano chords layered on top of the existing texture to balance it out a bit more. Otherwise, I like the sound design, rhythmic content, and progression of this one. Some more variety and tighter mixing and mastering would help improve your score in the future. Keep at it, TVP06! :)

Mixing, mastering, and balance
1.25/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
1.25/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.5/1
Composite score
6.5/10

[=If I made Stereo Cloud now=]

I like the cutesy E-piano riff at the beginning. The piano chords that play on the downbeats are occasionally dissonant, and the percussion at :32 (and every 2 bars thereafter) sounds pretty grating and harsh. Ditto with the open hat roll at :49. Maybe the open hat roll would work if you filtered out some of the mid-tones and added some wet reverb onto it or something, just to make it sound softer out outside of the body of the mix. I definitely don’t think it should be the loudest thing going on for a third of the piece. Overall, I think you tried to get a little too fancy with the percussion, while the harmonic content of the piece is pretty repetitive and bland. I’d encourage you to add more variation to some of the melodic riffs here, or even switch them up entirely over time, rather than try to keep things interesting by adding percussion alone. It’s a good start to the piece, with an upbeat tone and some fun rhythmic elements in the main melody line. I just wanted to see some more dynamic harmonies here, is all. Keep at it, TimeWarpKnight! :)

Mixing, mastering, and balance
1/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1/2
Instrumentation and sound design
.25/1
Emotion, atmosphere, and catchiness
1/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
.5/1
Composite score
5/10

[ThunderFrank - Apocalyptic Destruction [NGUAC]]

I like the ominous mood at the beginning, but the percussion is way too overpowering - I think that’s mostly the fault of the compression, and partially the fault of the reverb. Either way, please rein in these volume levels. Otherwise, the drop at :46 is catchy, if a little minimal, and I like your sound design and progression. The composition gets a little disjointed and dissonant at 1:23 - the transition there was very sudden and jarring for me. I think the mix would sound much better balanced with more mid-range and treble-range frequencies in there at some point, and the percussion roll at 2:19 is way too grating and harsh to be given that much space in the mix. Overall, you have a good sense of rhythm and atmosphere, and a talent for adding interest to your pieces with quirky transitions and mixing effects. That said, you went a little too far with the compression here, and the composition is both choppy and bland. As far as how to improve, the first thing I would do is turn down the gain on those compressors and reverb plug-ins - that might give you a full extra point, to be honest. Then, I’d layer on some atmospheric content at the drops, and maybe mix in a melodic section at the bridge at 1:23 instead of those jarring piano chords. Obviously, you can work on the piece as you want to, but the bottom line is that the mix here should really sound less harsh and the composition should have more harmonic interest at a couple of key points. Keep at it, ThunderFrank! :)

Mixing, mastering, and balance
1/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
.75/2
Instrumentation and sound design
.5/1
Emotion, atmosphere, and catchiness
1/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
.25/1
Composite score
5/10

ThunderFrankMusic responds:

you wrote a lot of text, thanks for your punctuation, judge!!!!!!!

[Holy Omnipresence]

I like the rich strings at the beginning and the church bells. It’s a little hard to follow the rhythm at times here, until the beat comes in at least. The crisp drums pair well with the choirs, although the choir’s melodies seemed a tad jumpy. The breakdown at 1:40 was a welcome switch-up to the texture, and you keep the percussion interesting throughout. The synth melody at 2:25 was a pleasant surprise, and overall the composition comes together well at the end. I think it’s still missing a final climax or “point of arrival” to hit it home, though. It can be hard to make a piece sound engaging and climactic when the main “emotional height” is in the first third or so of it. That said, you nailed the mixing and mastering, sound design, harmonic content, and mood of this one. Keep at it, TheTrester! :)

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.75/1
Composite score
8.75/10