I like the twittery pads and chord progression (short though it is) at the beginning. The piece is pretty slow to progress, but the transition into :35 was cool. It’s a little jarring that the new instrument cuts off suddenly shortly after the second chord in the progression plays between :35 and :55. I like how the piece is starting to develop a bit more by :55, with more staccato-y elements punctuating the chords and giving it a sense of energy. That said, the overall pacing is still very slow, and the big descending slide is overused after a while. I like the mysterious-sounding pads that you start using in the final minute or so of the piece. You’ve actually covered a lot of ground in terms of sound design during this piece. There isn’t really a sense of resolution to the tension you’re building up here, though, and for much of the piece the texture is too minimal for that tension to be satisfying in and of itself. Overall, there are a lot of good ideas here, but as a whole the piece doesn’t feel complete. I think this style of slow-paced experimental piece can work, but you need more phrasing and variety within the 30-second chunks that have the same instrumentation. I’d also like to see you flesh out the structure a tad and create a stronger sense of atmosphere, maybe with some additional harmonies and/or mixing effects. Still, this is a creative piece with some cool sound design and moody elements, and I think it could be really special with a little more work on the phrasing. Keep at it, jeffbeard! ^_^
Mixing, mastering, and balance
1.5/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1.25/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.5/1
Composite score
6.5/10