TaintedLogic's audio Reviews on Newgrounds

[Remembering the Fallen]

I like the emotional quality at the beginning. You’ve done a great job of playing up the somber mood in this piece, like with the descending line in the melody at :18. The entrance of the violin at :38 is absolutely haunting, and the somewhat predictable phrase pattern (i.e., every other measure has a significant number of moving notes) helps channel the emotion further. The percussion at 1:14 sounds a bit flat, but I’m liking the call-and-response action at 1:34 and the trumpet solo shortly thereafter. The piece comes together rather well by 2:20, and I think it was also a good choice to return to a more minimal piano line for the coda. Part of me would’ve liked the mix to be a bit fuller-sounding at times, or for the final climax to be a bit more of a point of arrival, but at the end of the day it’s hard to find fault with the solemn and languid tone of the piece. Probably your strongest work yet, Potato-stick! These are some truly moving melodies.

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1.5/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.75/1
Composite score
9.75/10

potato-stick responds:

Thank you for the incredible feedback and for taking the time to deeply listen to understand my artistic intentions! I agree that my percussion is a bit lacking. I am scoping out some percussion libraries to buy on Black Friday so I finally have more than the fairly limited options that Nucleus offers. I will make sure to take your advice and apply it towards future works :)

[Be Gay Do Crime]

I like the quirky synths at the beginning and the pensive atmosphere. The percussion at :15 isn’t quite as strong in the mix as I wanted it to be, and there’s a bit of dissonance in the texture at :45. I like the spacey bridge with the guitar melodies at 1:05 or so, but by 1:14 the mix sounds pretty distorted again, although the combination of the creative beats and the ominous atmosphere works well. I might’ve liked to see you introduce some novel harmonic content at some point, as the piece was lacking an overarching sense of direction, but I like the quirky string line at the end. Overall, the mix feels a bit strained here, and perhaps that warrants getting a little stricter with your use of reverb and filtering. That said, the sound design and mood are really evocative and neat. Keep at it, Mooke! ^_^

Mixing, mastering, and balance
1.25/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
1.5/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.75/1
Composite score
7.75/10

zybor responds:

Thank you for your kind words :)

[The Concept of Time]

I like the pensive mood at the beginning and the dark brass at :15. The harmonic content is a little bare, but the texture is still rich. I might’ve liked to hear a little more of the vocals at :48 in the mix, just because their part seemed a bit more mobile than the strings and brass, but the gorgeous melody at 1:14 helps keep me engaged shortly thereafter. The middle section of the piece has a really nice sense of triumph and direction to it, and the string riff at 2:24 was a fun play on the more legato version of the same riff at :32. I might have asked for a little more melodic flair and harmonic depth in the more energetic sections of the piece, but that’s being nitpicky. The production quality, sound design, atmosphere, phrasing, and melodies are all wonderful here. Keep up the good work, Kevin! ^_^

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.75/1
Composite score
9/10

KevinMueller responds:

Thanks for the review and the kind words! :)
And thank you very much for hosting the NGUAC! Your patience with some of the contestants was amazing and inspiring. You did a really great job!

[Alabaster]

I like the eerie ambient sound effects at the beginning, but the rhythm of their delivery felt a bit square, so as to render them cheesy. The creepy riser thing at :31 was a neat idea, but could’ve worked a tad better with some more atmosphere. I also had a little trouble squaring it with the blissful mood at :40. Still, I’m enjoying the thicker texture and quirky beats at :43. The instrumental hierarchy undergoes a lot of sudden changes during the energetic part of this piece, notably at 1:04, 1:11, and other places. The composition strikes me as a bit experimental, but I’m really loving the rhythmic content and sound design. I love the percussion at 1:59 - super danceable and fun, and it also sits really well in the mix. And that reminds me: the production quality is superb here, even if the pads at :58 didn’t quite pop like I wanted them to. There’s a lot of potential in this piece, and I highly encourage you to keep working on it after the competition. With a little more cohesion and a less choppy arrangement (and also much less of the experimental granulizer thing starting at 2:42), this track would be a total bop. It already has the engrossing instrumentation, neat rhythmic content, and just generally oozes creativity. Keep it up, ISMCataclism! Good luck with both school and your album. ^_^

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
.5/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.25/1
Composite score
7.75/10

Zerisan responds:

Thank you so much!

[Raindrops]

I like the pensive mood at the beginning and the spacious atmosphere. I think the piano sounds a bit square and artificial, though. I’d recommend some more humanization and shape to that instrument early on, especially for the first 40 seconds or so while the texture is relatively bare. I also think the block chords in the piano at :21 sound a bit clunky. The waltzy meter and syncopations at :42 are really nice, though, and the melodic phrases in this piece have a great, elegant flair about them. The violin sample sounds pretty inauthentic in the upper range (e.x., 1:14), and I would’ve liked to see some section of this piece have more legato elements to contrast the crisp articulation present in just about every instrument in the piece. Nice job with the variation in the melodies at 2:06 - that was a pleasant surprise. Despite my criticisms on some of the compositional and sound design details here, I’ll also say that the production quality is just about perfect. Very clean, well-balanced and full-sounding mix throughout. The arrangement of the piece, while not entirely original, channels the energy effectively and flows quite smoothly. Overall, strong work here, Dag0! Keep it up. ^_^

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
1/1
Composite score
9.25/10

Dag0 responds:

OMG This is the best score i've got from you, and it is quite surprising considering other judges reviews on this piece. Thanks! ^^

[Hand In Hand- NGUAC 2020 Final Round Submission]

I like the soothing guitars at the beginning and melodic flair and syncopations. The vocals are a little soft in the mix, but I like the sense of climax into 1:09 and the strong beat. There’s a good sense of contrast in intensity between the chorus and verses, and I like the extended refrain at the very end. After a while, you overuse the guitar riff that pops in at 2:07 (and other places), and I also would’ve liked to hear some more variety in the harmonic framework later on. That said, the drawn-out lyrics at around 3:30 were really nice for some variety in the pacing, even if they didn’t introduce much in the way of novel harmonic content. Overall, this is really strong work, Connor. I’m loving the sound design, production quality, and emotional quality in the vocals. If there’s somewhere I could download this, please PM me a link. :)

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.75/1
Composite score
9.25/10

ConnorHeather responds:

Excellent, thanks for the time to leave such great constructive feedback really appreciate it! I'm thinking of making this part of an album i am recording, but i can send you a link to download, to say thanks! PM you email address.

[Ahurac - ID 2 (NGUAC Final Round Entry)]

I like the stereo crackles at the beginning and the blissful chiptune melodies. There’s a good sense of climax into :15, and the mix is really clean and well-balanced. The progression is really smooth, and I love the melodic variety and upbeat tone here. The bridge at 1:26 with the ghostly counter-melody was a nice touch, although by the end the piece doesn’t feel entirely structurally complete. I was looking for another climactic section to hit the piece home towards the end, but instead it feels like the most engaging part of the piece is in the first half. Structural gripes aside, the production quality here is awesome, and you clearly have a great sense of flow and harmonizing too. I thoroughly enjoyed this one, Ahurac. Strong work! ^_^

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.75/1
Composite score
9.25/10

Ahurac responds:

Thank you so much Tainted for this nice review, it was a pleasure for me to enter NGUAC and I'll come next year to beat my score ^^. The song is not finished and I'll take notes of what all of you said to make it perfect.

Best regards, Ahurac ~

[The Cyber Club]

I like the cute, catchy synth riffs at the beginning. The melodies are really nice, and the glitchy elements of the beat (example, :43) are neat. The texture has a lot of staccato-y elements, which is fine for a while, but could use some more shaking up at some point. The piece flows pretty smoothly, but could also use some more shape at times - the energy level feels pretty constant throughout. I also think the transition at 2:17 was a bit sudden, although I appreciated the variations in the texture there. The production quality is generally solid, and I'm enjoying the loud and clean mix. The section at 3:14 serves as a nice bridge, and the rhythmic content there is especially nice. I think the sound design is one of the strongest elements of this piece, actually - feels perfect for robot day. :) The final iteration of the main riff at 4:16 could've used a bit more development. Going bigger on the final refrain is a generally a good way of making a piece feel more dynamic, especially when it's relatively long like this one. Still, I really like the alternately cute and creepy mood of this one. Certainly seems fitting for a videogame. Keep at it, Codefreq! :)

Codefreq responds:

Thank you for the feedback! I really tried to do something unique with the instruments, so I appreciate that you thought it worked well. I’ll certainly keep the music flow in mind in the future.

[RejSende & Eonboi - Espresso]

I like the smooth E-piano at the beginning and the ambient noise in the background. Really nice tranquil and cool melodic flair. The vocals are a nice touch, and I like the simple ABAB structure of it. It's a little hard to follow the rhythm with that snare at 1:02, but overall the mood and sound design totally have me sold on this piece. The composition might need a bit more fleshing out, but you've really set the scene well here with these jazzy vibes and a strong production quality. Keep at it, RejSende! :)

Vimori responds:

Oh, thank you very much, TaintedLogic :)
Glad you like it

[The Crows Perch]

Sorry for the slow response! Was busy with some contest stuff.

I like the airy vocals at the beginning. The percussion sounds a little dry, but I like the layering at :22 and the tranquil vibes thereafter. The softer vocals at 1:13 are really lovely, and the guitar at 1:30 was a nice touch for some variety in the texture. After that, the composition gets a little bland, and I would've liked to see you expand on the theme of "my baby starvin'" more - seems like a narrative waiting to happen. The guitar could also use a more prominent solo or melodic riff - the part at 2:28 kinda feels like the beginnings of that, but the pattern there doesn't feel very dynamic. Overall, the mood and atmosphere are probably my favorite elements of this one. Really soothing and smooth soundscape. Keep at it, Anoth3rMind! :)

Anoth3rMind responds:

Thanks for the insight and taking the time to share your thoughts. This is all really encouraging and we are looking forward to putting out our next creation.