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TaintedLogic

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I like the reverse piano at the beginning and the tranquil riff at :14. The echo-y fade-in of the vocals at :27 was a nice touch, and I’m enjoying the crisp beats and rich atmosphere in the meantime. The melodies at :41 are nice, and I also really like the lyrics. The vocals themselves have some really heavy autotune, which is fine if it’s necessary, but ideally it wouldn’t be. The drop at 1:22 has a great sense of energy and drive, and the harsh leads there really goes nicely with the thematic content - it’s like it represents the singer’s passion for his absent loved one. The guitar during the re-intro at 1:51 was a nice touch, and while the second verse/build-up cycle is pretty similar to the first, I enjoyed the variations that were there, like the more aggressive-sounding vocals at 2:51 and the synth riff at 2:47. I also really enjoyed the variations on the drop the second time around. The piano echo of the vocal melody at 4:20 was a nice choice. It seems like the piece ends in the middle of a vocal phrase, but overall you did a great job with the progression and flow here. The arrangement itself might be a tad generic, though. Still, I’m impressed with the production quality, sound design, and intricacy of the rhythmic content. Pretty much all of my complaints here are small compositional details. Keep up the good work, Wertw! ^_^

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
.75/1
Composite score
8.75/10

Wertw responds:

Thanks a lot for the review! I'm gonna do my best now ;)

I really like the soothing guitar at the beginning. The little flourishes (like at :27) are really impressive, and the flow is rather smooth. The very ending felt a tad rushed (just the final chord, really), but the biggest problem with the structuring imo is that there wasn’t enough of it. I feel like with solo instrument tracks, it’s really important to create variety along parameters like dynamics, energy levels, pacing, etc., because it’s inherently hard to create variety with the sound design. So, I guess that’s all to say that the composition could’ve been a tad more dynamic here along some of those other parameters. The recording quality is great, but there are a couple of small moments where you seem to hit the strings unintentionally (notably :59). The melodic content here is really nice, though, and you nailed the relaxed and somewhat wistful mood here. I still think the composition could be fleshed out a little more, but it’s good to hear a raw and organic submission like this. Keep at it, Thomastique! :)

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
1/1
Composite score
8/10

Thomastique responds:

Thank you! I will definitely keep all of this in mind for the future, great feedback!

I like the easy flow and catchy melodies of this one. The strings at the beginning aren’t really playing on top of the beat, which bothered me a little - I can’t tell if it’s the sample or some sort of mixing effect. The percussive rolls during transitory moments are really nice in this piece. Sometimes the rhythm of the lead is a little hard to follow, like at :39 for example, and the string harmonies could’ve sounded a little more distinct in the mix there. The brass section at 1:25 felt a little bare, and I feel as though the texture could use some shake-up to the instrumental hierarchy, as right now it feels like a procession of short solos. The injection of intensity at 2:18 was quite welcome, though, and helps hit the piece home well. My main complaints are probably with the generally thin texture and lack of structurally variety here. Still, the melodic content and sound design are strong as usual with you, and there’s a good amount of development in the melodic themes to keep things interesting later on. Keep at it, Spcialist! :)

Mixing, mastering, and balance
1.5/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
1.5/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.75/1
Composite score
7.75/10

NativeNiles responds:

Hey, thx for the review, Im glad you like it.

I like the ominous pulsing sounds at the beginning and the gradual fade-in of the drums. The percussion and bass riffs at :30 are cool, but the texture is a bit minimal. I really would’ve liked to see some more harmonic depth here at some point. The sound design isn’t bad, and you clearly have a good sense of rhythm and progression, but some of the compositional skills I usually look for in scoring tracks - melodic development, structural variety, ebb-and-flow, dynamic contrast - are a bit lacking here. The production quality is strong, but the composition is pretty bland at the end of the day. I’d encourage you to keep working on this, though, because the rhythmic content is really compelling and the creepy atmosphere at the beginning sets the stage really well. Keep at it, Michamadman! :)

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
.5/1.5
Melody, tonality, harmony, and texture
.5/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
.75/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
.5/1
Composite score
5.5/10

Michamadman responds:

I admit that its not so good because of repetitiveness but I tried to make some different dnb however this isnt turned so good but also not so bad. I like your honesty and thanks for this constructive review!

I like the pulsing pitter-patter of a synth riff at the beginning. The dreamy melodies at :19 and the build-up into :34 also work really well. The lyrics are nice, but I would’ve liked the vocals to sound a bit more authentic, as I think it would’ve fit the smooth, blissful instrumental track better. The repetition of “-live” at 1:05 was also a little much, especially when you continued to play with the chopped vocals for the remainder of the phrase. The re-intro at 2:00 or so is strong, but the content gets pretty repetitive in the second half. The production quality is really solid here, though. All of the instruments are really well-balanced and clear. Overall, I think my biggest problem is the lack of variety later on in the piece. I wanted to hear a little more of a sense of direction, but instead it’s almost like the piece just loops twice before a brief outro. Still, you clearly have a good sense of harmony, progression, and mixing and mastering. Keep at it, LordJabeebus! :)

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
.5/1
Composite score
8/10

LJTLegendaryL responds:

Thanks for the feedback Tainted! I was running short on time due to university starting again and a few other projects in progress. So, I had to settle with the scope I was able to reach with this track. I had a plan to get my vocalist friend to help but it wasn't a great time considering he already sang for my next project.

Long story short: Time isn't always your best friend, but it was still good to get something submitted ^^!

Also, I go by S1LENT GHO5T now, Lord Jabeebus is my old username. I would change it but I have to be a supporter to do that.

Another long story short: Thanks :)!

Really quirky and engaging intro. It’s really catchy, with some super fun sound design, even if it occasionally sounds a bit harsh in the mix (example, :45). The texture is a bit minimal, but the beat keeps things moving along, and somehow the dreamy riff at 1:06 fits in seamlessly. The fade-out of the drums at 1:30 threw me off a bit, and admittedly I also thought the complete switch of the instrumental palette by 1:40 was a bit jarring. That middle section was pretty, if also a bit minimal, and the transition at 2:10 was even more sudden than 1:40. The really in-your-face synth at 2:28 didn’t quite work for me alongside the more mellow instruments, and honestly I’m not sure the transition at 3:02 quite worked for me either. There are a lot of creative harmonic and rhythmic ideas here, not least of which is the piano riff at 3:08. The experimental composition was just a bit too much for me by the end, to be honest. The sound design and atmosphere are both really cool, and the mixing and mastering is solid as well. Even if it was intentional, I think the arrangement was too choppy, and also that it would’ve worked better if you had consolidated some of your ideas here. The glitchy sound design and harmonic dissonance is all fine, but it also doesn’t have a very strong narrative function here as far as I can discern. That “narrative” bit might sound like a pretty subjective thing to say, but it definitely shapes my tolerance for the experimental texture of the piece. The main problem is that it sounds like 3 different pieces: 0:00 to 1:40, 1:40 to 2:45, and 3:00 to 4:04. Overall, I’d strongly encourage you to keep working on this piece. It’s got a lot of fun melodies and rhythmic quirks that just need a tad bit of repackaging to have me sold on this composition. I also think that, despite your author’s comments, the mixing is rather good. Keep at it, Lofiskyline15! :)

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
.25/1.5
Melody, tonality, harmony, and texture
1/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.5/1
Composite score
6.75/10

lofiskyline15 responds:

from the head honcho himself haha

thanks so much! the harshness of the spazzy samples 30ish seconds in was definitely something that I went back and forth a ton on and it definitely veers into overly so at a lot of points. and there just ended up being too much brittle high end in the mellow solo synth so the extra perspective on everything (especially compositionally) is super helpful and encouraging!

I was kinda shooting for a suite of loosely connected ideas that quickly regroup around the 3 minute mark before shooting out on a triumphant outro but the overall connective tissue being harshness could definitely get pretty grating by the end.

thanks a ton for the detailed rundown!

I like the pensive mood at the beginning with the airy guitars and crisp drums. The fade-in of the more intense elements at :30 was a great touch, and the melodies at :33 sound really soulful. The panning is a little stronger than I’m used to, but I get accustomed more and more as the piece goes on. The sense of tension and suspense in the mood is really palpable - full credit for emotion/atmosphere for sure. The production quality is also really strong. If I had to criticize one thing, it might be that there isn’t a huge sense of structural contrast here. That is, after the mellow intro, the energy level seems pretty constant throughout, and it might help maximize the emotional impact of the piece to give it a little more shape in that regard. That said, you killed it with the melodies in that lead guitar and the mixing and sound design. Strong work here, Introverse! If there’s somewhere I can download this, shoot me a PM. ^_^

Mixing, mastering, and balance
2/2
Structure, transitions, phrasing, and variety
1.25/1.5
Melody, tonality, harmony, and texture
2/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.75/1
Composite score
9.5/10

Introverse responds:

Hello. Thank you for great feedback !!! I'm very glad you liked it. I turned on the downlaod option. Cheers !

Hi. I'm Andrew. Audio portal junkie since 2010, supporter since 2017. I always want to improve what I do! I make music, run the NGUAC, post poetry on BBS, and am the all-time #2 audio reviewer. I love this site, and I want to make it the best I can! ^_^

Andrew Mikula @TaintedLogic

Age 27, Male

Policy Research

Bates College

Wellesley, Massachusetts

Joined on 8/16/12

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