TaintedLogic's audio Reviews on Newgrounds

[The Wave]

I like the eerie texture at the beginning and the smooth descending guitar line at :09. The distorted vocals at :20 sound a bit bizarre in context, although the drop at :33 is catchy. The texture is still pretty minimal, although the shimmering pads at 1:16 and the mixing effects help keep things interesting. The “underwater” effect at 1:27 sounds really cool, if a tad goofy given that there’s not much going on in the texture there. The reverse percussion at 1:23 is pretty cool, too. Overall, I would’ve liked to see some more depth and variety in the harmonies here, but the experimental texture of this is definitely really engaging and unique. You have a real knack for creating a rich and dynamic atmosphere with relatively few sounds. Keep at it, Walpang! ^_^

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
1.25/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.75/1
Composite score
8/10

Walpang responds:

Thanks as always for the specific and incredibly constructive feedback!! Comments like these really help with dialing in the exact feeling that I'm after.

[loss of consciousness [NGUAC24]]

I like the glitchy meter at the beginning, but the lead synth sounds a bit harsh in the mix. I’d suggest softening it with a tad more wet reverb and other mixing effects. The drums towards the beginning could also use a boost with some more compression. The bass line at :25 is cool, but sounds a bit overly contained in the mix. I might suggest moving it up an octave and then playing with the filtering and equalizer to keep some of the original contained effect, but just make it more dynamic-sounding. The piece really comes together well at 1:05, with a richer texture and better balance of frequencies. The composition could still use a bit more fleshing out here, though, and you also overuse the glitchy stop-start effects after a while. I’d encourage you to keep working on this. I’d love to hear a full-length version of this piece that has a bit more depth and variety in the harmonies. Really cool sound design and progression here, though. Keep at it, VirtuaLIkimono! ^_^

Mixing, mastering, and balance
1.25/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1.25/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
1/1
Composite score
7/10

[Red Thirst [NGUAC24]]

I like the waltzy meter and eerie harpsichord harmonies at the beginning. Whether intentionally or not, the slight stumbling of the notes at :14 only contributes to the ominous mood, and there’s a nice gradual build-up into 1:10. The evil laugh at :45 and screaming at 1:09 add to the thematic content nicely. The drop at 1:10 is nice, if a tad bottom-heavy. I would’ve liked to hear more of the backing pads in the mix there. The melody at 1:38 is catchy, but also could’ve been a bit more dynamic. There are a lot of repeated contours in it. The chord progression at 2:07 is nice, and I really like the echo-y upper-mid pad at 2:47. Overall, the sound design, flow, and rhythmic content here are all great, and the production quality is also solid. The composition could use a bit more depth later on, with a thicker texture and more of an ebb-and-flow in the phrasing. Still, I love the foreboding mood and progression of this one. Keep at it, TotallyPorff! ^_^

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
1.25/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.75/1
Composite score
7.75/10

TotallyPorff responds:

Thank you so much for the advice! I look forward to next time!

[Discordance : Found Sympathy [NGUAC 2024 Knockout Round]]

I like the pensive atmosphere at the beginning and the piano arpeggios at :19 and the build-up into :44. The drop at :44 is very minimal and stagnant, especially compared to the rich atmosphere earlier in the piece. The production quality in the piece is pretty good overall, but I can tell the strings at 1:11 are getting distorted by the heavy sidechaining, and the mix in general is also a bit quiet. I like the rhythmic content at 1:42 and the transition into the moody breakdown at 2:07. There’s another good sense of build-up into 3:02, but overall this piece never seems like it gets back to the same intensity level as the first 44 seconds. At some point, the piece also could’ve used some more dynamic melodic content. The string refrain is nice, but the contour is also very repetitive within the phrase itself. Still, this piece has some great sound design and neat compositional details like the funky rhythms at 1:12. Fill out the texture a bit more during the body of the piece, and maybe add a bit of polish to the mixing, and this would easily get another point or two from me. Keep at it, TotallyDementedOff! ^_^

Mixing, mastering, and balance
1.25/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
1.5/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
1/1
Composite score
7.75/10

[He's Into Lolicon]

I like the classic early 2000s rock feel at the beginning. The vocals are delivered well - nice conversational tone and articulation - and the lyrics have a good comedic value. The vocals could’ve been mixed a little further up-front, though. It’s hard to make out the lyrics at times, largely because the vocals aren’t staying on top of the texture too well. A little compression and some stricter equalization on the instrumental track might help make them stand out more, but admittedly my own experience with mixing live-recorded guitars is limited, so just be careful not to cut into their frequency range too much. That said, the composition here is really strong. The melodies are dynamic, your guitar skills are excellent, and the entire arrangement flows really nicely. The bridge at 2:01 is really hilarious and self-aware. The vocal layering during the last 20 seconds or so isn’t perfect - it just doesn’t blend very well, and might need to be re-recorded. Otherwise, this is a very well-executed composition. You remind me of @UlfusNG, who made a bunch of similar comedy songs back in the day. Keep at it, TofuTehSurvivor! ^_^

Mixing, mastering, and balance
1.25/2
Structure, transitions, phrasing, and variety
1.5/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.5/1.5
Originality and uniqueness
1/1
Overall (how do the elements above interact?)
.75/1
Composite score
8.75/10

TofuTehSurvivor responds:

Noted! Still learning mixing 🤣 thank you for the feedback!

[Strike the Ground [NGUAC 2024]]

I like the catchy four-on-the-floor beat at the beginning. The airy pads at :33 are nice and dreamy, although the piece is pretty slow to progress, and you start overusing the “shake the earth” vocal sample in short order. The drop at 1:32 is catchy, if a bit minimal, and the post-chorus melody at 2:02 is nice as well. The synth at 2:41 sounds a bit harsh in the upper register - maybe you could soften it a bit in the EQ. The mix sounds a bit distorted once the pads come in at 4:42, but overall the production quality of this track is solid. I can hear all the instruments clearly throughout, and the frequencies are generally well-balanced. The second half of this piece in particular could use a lot more variety, though. The riser/faller combo at 4:00 was pretty catchy, but also didn’t really add much to the overarching progression of the piece. More harmonic layering and variety on the main riffs would really take this piece to the next level. Until then, it’s still really catchy and smooth-flowing, with some cool compositional details and decent mixing. Keep at it, TheMagBros! ^_^

Mixing, mastering, and balance
1.5/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
1.25/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
1/1
Composite score
7/10

[TO THE HEAVEN #2 - break out angeles]

I like the ominous atmosphere at the beginning and the heavily filtered drums. The mix sounds pretty distorted - there’s a lot of reverb in the texture, and the harmonic content doesn’t come through very well. The rhythmic content is really strong, as one would expect of a D’n’B track, and the sound design is cool. The harmonic content could use a bit more depth and variety, but my main problem here is the over-saturated mix. Dialing back the reverb a bit and reining in these volume levels would probably add a point to your score. Some more variety later on would also be appreciated. Still, this is a catchy piece with some creative instrumentation and a smooth progression. Keep at it, swimkop! ^_^

Mixing, mastering, and balance
.5/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
.75/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
1/1
Composite score
5.5/10

[Sly - Touch]

I love the tranquil and upbeat synths at the beginning and the build-up into :26. I think you start to overuse the stop-start transitions and portamentos pretty quickly, though, and overall this piece sounds incomplete. The lead synth also sounds a tad harsh in the upper register - you could potentially soften that a bit with an equalizer. Still, this is a catchy piece with some solid production quality. It just needs a bit more structuring. I’d encourage you to keep working on this - a fully fleshed-out version of this could be a real banger. ^_^

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
.75/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.75/1
Overall (how do the elements above interact?)
.5/1
Composite score
7.5/10

[Fox in the forest]

I like the glitchy riff at the beginning and the crisp drums at :15. The sound design is really cool, but the harmonic content is a bit bland after a while, and the change of meter at 1:06 was a bit jarring. I enjoyed the build-up into 1:31, but the second half of the piece could use a bit more variety vis-a-vis the first half, especially in terms of the chord progression. The final refrain (starting at 1:41) also drags on for a bit too long without much change in the energy level or instrumentation. Overall, this piece is catchy, and the ominous and gritty sound design is cool, but the composition is rather bland, and the arrangement also sounds generic and uninspired. The production quality is solid, though, and I’d encourage you to keep working on this. Make the arrangement a bit looser, with some more depth to the harmonies, and this could be a real banger. Keep at it, ShowCover! ^_^

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
.75/1.5
Melody, tonality, harmony, and texture
1/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
.75/1
Composite score
6.75/10

[RennZ - Sea Lights | ft.Synthferatu]

I like the groovy guitar at the beginning. It’s a bit disorienting how the volume levels seem to vary so much chord-to-chord, though. The vocals are really smooth, and also sit really well in the mix, although at times they could use a little more decoration - i.e., reverb and other mixing effects. The lyrics themselves are good too, and I like the added portamento bass at :44. The instrumental track could use some more variety - maybe a breakdown or solo or something at some point. Some more ebb and flow (automation, filtering, etc.) within the phrases would also help create some more variety. That said, I really like the sound design, rhythmic content, and flow of this one. Keep at it, RennZ! ^_^

Mixing, mastering, and balance
1.75/2
Structure, transitions, phrasing, and variety
1/1.5
Melody, tonality, harmony, and texture
1.75/2
Instrumentation and sound design
1/1
Emotion, atmosphere, and catchiness
1.25/1.5
Originality and uniqueness
.5/1
Overall (how do the elements above interact?)
1/1
Composite score
8.25/10